Web Access Research Portal

Researcher: Hart, W (Dr William Hart)

Fields of Research

Fine Arts (incl. Sculpture and Painting)
Visual Arts and Crafts
Electronic Media Art
Lens-based Practice
Computer Gaming and Animation
Computer Graphics
Computer Software
Virtual Reality and Related Simulation
Oceanography
Studies in the Creative Arts and Writing
Film and Television
Film, Television and Digital Media
Environmental Impact Assessment

Research Objectives

The Creative Arts (incl. Graphics and Craft)
Arts and Leisure
Expanding Knowledge in Psychology and Cognitive Sciences
Information and Communication Services
Construction
Climate and Climate Change
Application Tools and System Utilities
Expanding Knowledge through Studies of the Creative Arts and Writing
Professions and Professionalisation
Ecosystem Assessment and Management of Forest and Woodlands Environments
Ecosystem Assessment and Management of Mining Environments
Visual Communication

Career Best Publications

Constructing Experience: Art and Digital Literacy; Australian Council of University Art and Design Schools (ACUADS) Conference 2011
Conversations in the Dark
Cracow International Print Triennial 'Bridge to the Future'
Gloss
In the guise of thought
Knowledge, Knowing and Being: An Investigation of Software Art as Vehicle for the Exploration of Emerging Concepts in Language and Cognition
Origin of the species, I think therefore I'm not sure.., Chatterbox (various works)
Sapporo 4th International Print Biennale
Sleeper
Software and Expression ; Australian Council of University Art and Design Schools Research 09/10: Interventions in the Public Domain
The Neuro-Logic of Software Art; 17th International Symposium on Electronic Art (ISEA2011 Istanbul)

Research Publications

'ChatterBox II', 'Origin of the Species', 'I think about thinking, therefore I am not sure if I am...','Felt before Thought' in JET: Fine Art Digital Prints
ArCade II
Arcade II International Exhibition of Electronic Art
Constructing Experience: Art and Digital Literacy; Australian Council of University Art and Design Schools (ACUADS) Conference 2011
Conversations in the Dark
Cracow International Print Triennial 'Bridge to the Future'
CSIRO Division of Oceanography Public Web Interface
Fremantle Art Prize
Fremantle Print Prize
Geelong Gallery Print Award
Gloss
Idols And Art: The Cognitive Fetish; ISEA 2011 Istanbul 17th International Symposium on Electronic Art
Idols and Art: The Cognitive Fetish; 17th International Symposium on Electronic Art (ISEA2011 Istanbul)
In the guise of thought
ISEA '96
Knowledge, Knowing and Being: An Investigation of Software Art as Vehicle for the Exploration of Emerging Concepts in Language and Cognition
Memetic variations
Nought plus One
Occular coincidence
Origin of the species, I think therefore I'm not sure.., Chatterbox (various works)
Parallel Lines
Sapporo 4th International Print Biennale
Seeing Red: Seeing Double
Sleeper
Software and Expression ; Australian Council of University Art and Design Schools Research 09/10: Interventions in the Public Domain
Tautologous
The Neuro-Logic of Software Art; 17th International Symposium on Electronic Art (ISEA2011 Istanbul)
Tools My Father Gave Me

Research Projects

Characterisation of digital mesostructures in computer generated images; Australian Research Council (ARC)
Characterisation of formal digital mesostructures in computer generated images.; Australian Research Council (ARC)
Digital Painting; University of Tasmania (UTAS)
ISEA 2011 (International Symposium of Electronic Arts) 14 to 21 September 2011, Turkey (June 2011); University of Tasmania (UTAS)
Non-linear Temporal Imagery - Development of New Modes of Visual Image Construction and Representation through Interactive Digital Displays; University of Tasmania (UTAS)
Process as imprint in the digital image; University of Tasmania (UTAS)
Prototype Imaging Software and Methodologies for Rendering Images with Lithographic Marks; University of Tasmania (UTAS)
Supplementary Funding; University of Tasmania (UTAS)
The application of Fine Art formal analysis to pictorial and symbolic representations used in computer aided visualisation; Australian Research Council (ARC)
The application of traditional painting and printmaking layering techniques to digital printing technologies; Australian Research Council (ARC)
The application of traditional painting and printmaking layering techniques to digital printing technologies.; Australian Research Council (ARC)
Attend and Participate in ISEA 2004 Symposium (Helsinki)

Research Candidate Supervision

A Visual Investigation of Theatrical Ambiguity and Lenticular Imaging Techniques
Connecting forms and patterns in the Australian landscape and the internal patterns in the human body
Honey Cutie Pie- A Critical Investigation of Pop Art Now
Interactivity, digital media and visual art
Issues in virtual reality
Liquid sensations
Photographic and digital landscapes as metaphorical representations.
Saccade- the Discontinuity of Being
Subjective response to place through convergent strategies in digital imaging and print processes
Surface and tactility
The Performance of Code and Aesthetics of Transmission in Contemporary Art through Practice-Orientated Research
Towards Poetic Visual Communication- Negotiating a Balance between Historical Practice and Contemporary Methodologies