| Journal Article |
|---|
| Ball, M, “Notes on New Music”, Siglo (5) pp. 48-53. (1996) [Professional, Non Refereed Article] [Detail] |
| Ball, M, “The Knots of Narrative: Space, Time and Focalization in Morte Arthure”, Exemplaria, 7 (2) pp. 355-374. (1996) [Non Refereed Article] [Detail] |
| Peek, AJ, “Crossed Lives”, Australian Book Review, 179 (179) pp. 24-25. ISSN 0155-2864 (1996) [Letter or Note in Journal] [Detail] |
| Winter, J, “Trouble at the Crossroads of Textual and Literary Criticism: The Case of Ford Maddox Ford's The Good Soldier”, Bibliographical Society of Australia and New Zealand Bulletin, 20 (1) pp. 19-30. ISSN 0084-7852 (1996) [Refereed Article] [Detail] |
| Winter, J, “Parting of Names: A Response to Professor David Greetham in the Form of a Reflection on Postmodern Textualism”, Bibliographical Society of Australia and New Zealand Bulletin, 20 (2-3) pp. 194-202. ISSN 0084-7852 (1996) [Refereed Article] [Detail] |
| Conference Publication |
|---|
| Davis, R and Livett, JS and Whitaker, AM* and Moore, P*, “Irish-Australian Studies: Papers Delivered at the Eighth Irish-Australian Conference Hobart July 1995”, Crossing Press, Hobart, pp. 510. (1996) [Conference Edited] [Detail] |
| Winter, J, “George Moore: The Condition of Irishness and the Condition of Englishness”, Eighth Irish-Australian Conference, Hobart, pp. 189-199. (1996) [Non Refereed Conference Paper] [Detail] |
| Major Creative Work |
|---|
| Caney, D, Content, Dick Brett Gallery, Hobart, 29, pp. 1 (1996) [Recorded Creative Work] [Detail] |
| Caney, D, Oblivion, Dick Brett Gallery, Hobart, 29, pp. 1 (1996) [Recorded Creative Work] [Detail] |
| Caney, D, Postcard, Dick Brett Gallery, Hobart, 29, pp. 1 (1996) [Recorded Creative Work] [Detail] |
| Kjar, B and Scott, MG and Hansen, D*, Barbie Kjar, Dick Bett, Hobart, 1, pp. 24 (1996) [Recorded Creative Work] [Detail] |
* This author is not affiliated with the University of Tasmania.
