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Research Report 1996 - Tasmanian School of Art - Hobart:Pre98

Journal Article
Colless, EC, “JJ Voss: The Seizure of Power”, Photofile, 47 (March) pp. 36-38. ISSN 0811-0859 (1996) [Professional, Non Refereed Article] [Detail]
Colless, EC, “Victor Skrebneski and Laura Jacobs, The Art of Haute Couture”, World Art (3) pp. 78-9. ISSN 1321-0505 (1996) [Professional, Non Refereed Article] [Detail]
Colless, EC, “Merry Alpern: Dirty Windows”, World Art (2) pp. 78-79. ISSN 1321-0505 (1996) [Professional, Non Refereed Article] [Detail]
Hill, PW, “New Zealand Does It Better”, Artmonthly Australia, 95 (November) pp. 6-8. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] [Detail]
Hill, PW, “The Next Wave Festival”, Art monthly Australia, 91 (July) pp. 12-14. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] [Detail]
Hill, PW, “A Little Night Reading”, Art monthly Australia, 90 (June) pp. 26-28. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] [Detail]
Hobba, L, “Arts in the Electronic Landscape. The Tasmanian Connection”, Artlink, 16 (2-3) pp. 2. ISSN 0727-1239 (1996) [Professional, Non Refereed Article] [Detail]
Holmes, JH, “Les Blakebrough's Southern Ice”, Ceramics: Art and Perception (24) pp. 72-75. ISSN 1035-1841 (1996) [Professional, Non Refereed Article] [Detail]
Milojevic, MA and Kirker, A*, “Burning Issues - In Conversation with Milan Milojevic”, Imprint, 31 (31) pp. 21-24. ISSN 0313-3907 (1996) [Non Refereed Article] [Detail]
Negrin, L, “The Meaning of Dress”, Arena Journal (7) pp. 131-146. ISSN 1039-1010 (1996) [Refereed Article] [Detail]
Negrin, L, “Feminism and fashion: a critical appraisal”, Arena Journal (6) pp. 75-86. ISSN 1320-6567 (1996) [Refereed Article] [Detail]
Smith, PG, “The Ceramic Research Unit, Centre for the Arts, Hobart”, Ceramics Technical (2) pp. 50-55. ISSN 1324-4175 (1996) [Professional, Non Refereed Article] [Detail]
Spinks, J, “Inferno: Bill Henson's Divine Comedy”, Siglo (5) pp. 22-29. (1996) [Professional, Non Refereed Article] [Detail]
Spinks, J, “Zsolt Faludi: Alchemy and Objecthood”, Ceramics: Art and Perception (23) pp. 101-103. ISSN 1035-1841 (1996) [Professional, Non Refereed Article] [Detail]
Chapter in Book
Colless, EC, “An End to the ¿80s”, What is Appropriation: an anthology of critical writings on Australian Art in the 80s and 90s, Power Publications and Institute of Modern Art, Brisbane, Butler, R (ed), Sydney and Brisbane, pp. 293-307. (1996) [Research Book Chapter] [Detail]
Colless, EC, “The End of the Road”, <i>Brushing the Dark: Contemporary Art and Tasmania</i>, Contemporary Art Services Tasmania, Holmes, J (ed), Hobart, pp. 53-57. (1996) [Research Book Chapter] [Detail]
Review
Colless, EC, “Quietly Gothic: 'Mutiny on the Docks', curated by Dan Armstrong”, Real Time (12) pp. 38. (1996) [Review Single Work] [Detail]
Spinks, J, “Hobart Art Prize”, <i>Art and Australia</i>, 33 (4) pp. 574. (1996) [Other Review] [Detail]
Spinks, J, “Moët et Chandon Touring Exhibition 1995”, <i>CAST Magazine</i>, 1 (8) pp. 20-21. (1996) [Other Review] [Detail]
Conference Publication
Holmes, JH, “Convergence Divergence (Papers presented at the Hobart Conference of the Australian Council of University Art and Design Schools, September, 1995)”, University of Tasmania for Australian Council of Unuversity Art and Design Schools, Hobart, pp. 98. (1996) [Conference Edited] [Detail]
Design
Zika, P, Elizabeth Mall Redevelopment, Hobart City Council, Hobart (1996) [Other Designs] [Detail]
Major Creative Work
Arnold, RE and MacDonald, AL and Stephenson, DM and Hobba, L and Greenwood, R, Imagine Nature, Plimsoll Gallery, Hobart, 1, pp. 72 (1996) [Recorded Creative Work] [Detail]
Arnold, RE, Ray Arnold, Nisart Gallery, Launceston, pp. 2 (1996) [Other Exhibition] [Detail]
Brassington, P and Parkes, BW and Swan, M*, Enchanté, Plimsoll Gallery, University of Tasmania, Hobart, pp. 32 (1996) [Recorded Creative Work] [Detail]
Brassington, P and Colless, EC, Pat Brassington: This is not a love song, Monash University, Melbourne, pp. 24 (1996) [Other Exhibition] [Detail]
Brassington, P, Photography is Dead! Long Live Photography, Museum of Contemporary Art, Sydney, 1, pp. 114 (1996) [Recorded Creative Work] [Detail]
Brassington, P, Portfolios of New Work, Photofile, Sydney, pp. 4 (1996) [Other Exhibition] [Detail]
Colless, EC, Being Spooked, Adelaide Biennale of Australian Art, Adelaide, pp. 68 - 69 (1996) [Recorded Creative Work] [Detail]
Colless, EC, Brent Harris in That Uncertain Feeling, Contemporary Art Centre of South Australia, Adelaide, pp. 3 (1996) [Recorded Creative Work] [Detail]
Colless, EC, Where the Wild Things Are, Barbarism (Librex Press) and Australian Centre for Contemporary Art, Sydney and Melbourne, pp. 3 (1996) [Recorded Creative Work] [Detail]
Gough, JA, Art Cologne, Bundesverband Deutscher Galerian, Cologne, Germany, pp. 1 (1996) [Recorded Creative Work] [Detail]
Gough, JA, Dark Secrets/Home Truths, Gallery Gabrielle Pizzi, Melbourne, 1, pp. 6 (1996) [Other Exhibition] [Detail]
Hay, PR and Holmes, JH and Cupit, S* and Bonyhady, T*, Imagine Nature: Raymond Arnold, Rebecca Greenwood, Leigh Hobba, Anne MacDonald and David Stephenson, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 72 (1996) [Recorded Creative Work] [Detail]
Hill, PW, How Say You?, Centre for Contemporary Art, Melbourne, pp. n.p. (1996) [Recorded Creative Work] [Detail]
Hobba, L, Art across ocean. Video installation, Adelaide Festival Committee, Adelaide, pp. 4 (1996) [Recorded Creative Work] [Detail]
Hobba, L, Enchainment: A video/dance installation, Tasmanian Museum and Art Gallery, Hobart (1996) [Recorded Creative Work] [Detail]
Hobba, L, I've seen Mycenae glistening across the wine dark sea, K benhavn 96, Copenhagen, pp. 2 (1996) [Recorded Creative Work] [Detail]
Holmes, JH and Zika, P, Tangibility? Three Installations, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 32 (1996) [Recorded Creative Work] [Detail]
Jenyns, R, Car Boat & Blue Cargo, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1996) [Recorded Creative Work] [Detail]
Jenyns, R and Kirby, SA, Noah's Ark, Plimsoll Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work] [Detail]
Jenyns, R, Objets d'Art, Dick Bett, Hobart, pp. 5 (1996) [Other Exhibition] [Detail]
Kjar, B and Scott, MG and Hansen, D*, Barbie Kjar, Dick Bett, Hobart, 1, pp. 24 (1996) [Recorded Creative Work] [Detail]
MacDonald, AL, Death: Insights on Life, Macquarie Galleries, Sydney, pp. 34 (1996) [Recorded Creative Work] [Detail]
MacDonald, AL and Stephenson, DM, The 1995 Review, Dick Bett, Hobart, pp. 4 (1996) [Recorded Creative Work] [Detail]
Milojevic, MA, Apocalypse/Calypso (a series of six etchings), Ipswich Regional Gallery, Ipswich, Queensland, pp. 1 (1996) [Recorded Creative Work] [Detail]
Milojevic, MA, London Artists' Books Fair, Barbican Centre, London, London, pp. 4 Books (1996) [Recorded Creative Work] [Detail]
Milojevic, MA and Coleing, T*, S.O.S: A series of 20 Prints by M.Milojevic and T.Coleing, National Gallery of Australia, Canberra, pp. 1 (1996) [Recorded Creative Work] [Detail]
Milojevic, MA, The Power to Move, Queensland Art Gallery, Brisbane, pp. 80 (1996) [Recorded Creative Work] [Detail]
Parr, GG and Milojevic, MA and Hart, W, ArCade II, University of Brighton, Brighton, UK, pp. 1 (1996) [Recorded Creative Work] [Detail]
Parr, GG and Milojevic, MA, Art in the Electronic Landscape, Artlink, Adelaide, 1 EJ (1996) [Recorded Creative Work] [Detail]
Parr, GG and Milojevic, MA and Hart, W, ISEA '96, International Symposium of Electronic Arts, Rotterdam, pp. 1 (1996) [Recorded Creative Work] [Detail]
Smith, J and Perkins, KW and Costello, PG and Weiss, BT and Wright, L and McKee, J, Points of Diversity, Tasmanian School of Art, Hobart, pp. np (1996) [Recorded Creative Work] [Detail]
Smith, PG, Lightworks II: Recent work by Penny Smith, Queen Victoria Museum and Art Gallery, Launceston, 1, pp. 24 (1996) [Other Exhibition] [Detail]
Smith, PG, See the Light, Crafts Council of Australia, Sydney, pp. 2 (1996) [Recorded Creative Work] [Detail]
Smith, PG and Blakebrough, L, Wavelengths, Entrepot Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work] [Detail]
Stephenson, DM and MacDonald, AL and Wright, H and Burns, T, Brushing the Dark: Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1, pp. 64 (1996) [Recorded Creative Work] [Detail]
Stephenson, DM and Hammond, V*, David Stephenson: Cupolas, Dick Bett, Hobart, 1, pp. 36 (1996) [Recorded Creative Work] [Detail]
Stephenson, DM, Transfigurations, Robert Lindsay Gallery, Melbourne, pp. 2 (1996) [Curated Exhibition] [Detail]
Woodward, ML, Out of the Linen Closet: Artist Embroiderers, Moonah Arts Centre, Hobart, pp. 16 (1996) [Recorded Creative Work] [Detail]
Zika, P, Monstrances, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1996) [Other Exhibition] [Detail]
Zika, P, Monstrances, University of Tasmania Fine Art Collection, Hobart (1996) [Recorded Creative Work] [Detail]
Thesis
Falconer, GL, “The mother-son relationship: an investigation of mutual responses” (1996) [Masters Research] [Detail]
Knight, W, “Exploring metaphysical meaning through the construction of physical objects” (1996) [Masters Research] [Detail]
Wright, L, “Lured to the Surface” (1996) [Masters Research] [Detail]
Other Public Output
Arnold, RE, “10ème Saga: Estampe, Photographie, Dessin”, Here there is an Image, Espace Eiffel Branly, Paris, Paris (1996) [Award] [Detail]
Blakebrough, L, “Newcastle Ceramic Purchase Award”, Newcastle Ceramic Purchase Award, Newcastle Regional Art Gallery, Newcastle (1996) [Award] [Detail]
Colless, EC, “Diane Arbus: Untitled”, The Age: Saturday Extra, The Age, Melbourne, 9th March, 1996 (1996) [Newspaper Article] [Detail]
Colless, EC, “The Photographs of Dorothea Lange”, The Age: Saturday Extra, The Age, Melbourne, 1 June, 1996 (1996) [Newspaper Article] [Detail]
Gough, JA, “Anne & Gordon Samstag International Visual Arts Scholarships”, Anne & Gordon Samstag Trust, University of South Australia, Adelaide (1996) [Award] [Detail]
Hill, PW, “Constructed City”, The Bulletin/Newsweek, Sydney, 13th Feb (1996) [Magazine Article] [Detail]
Hill, PW, “The Sydney Biennale”, The Bulletin/Newsweek, Sydney, 6th Aug (1996) [Magazine Article] [Detail]
Hill, PW, “Transformers”, The Bulletin/Newsweek, Sydney, 10th Sept (1996) [Magazine Article] [Detail]
Parr, GG, “Contemporary Art and Technology Prize”, National Gallery of Victoria, Melbourne (1996) [Award] [Detail]
Parr, GG and Milojevic, MA, “Fremantle Art Prize”, Fremantle Art Prize, Fremantle Arts Centre, Fremantle (1996) [Award] [Detail]
Stephenson, DM and MacDonald, AL and Brassington, P and Risby, ML and Arnold, RE, “1996 City of Hobart Art Prize”, 1996 City of Hobart Art Prize, Hobart City Council, Hobart (1996) [Award] [Detail]
Stephenson, DM, “Gold Coast City Conrad Jupiters Art Prize”, <i>Gold Coast City Conrad Jupiters Art Prize</i>, Gold Coast City Art Gallery, Gold Coast (1996) [Award] [Detail]

* This author is not affiliated with the University of Tasmania.