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Research Report 1998 - Art (Hobart)

Journal Article
Blakebrough, L and Smith, PG, “Fast Production in the Studio”, Ceramics TECHNICAL (7) pp. 25-35. ISSN 1324-4175 (1998) [Professional, Non Refereed Article] [Detail]
Cahalan, A, “What on Earth is a PhD in typography?”, Australian Graphic Design Journal (3) pp. 1. (1998) [Non Refereed Article] [Detail]
Cahalan, A, “The Future of Design Education”, Australian Graphic Design Journal (2) pp. 1. (1998) [Non Refereed Article] [Detail]
Colless, EC, “Jive”, ABR: Australian Book Review, 1998 (200) pp. 24-28. ISSN 0155-2864 (1998) [Professional, Non Refereed Article] [Detail]
Colless, EC, “Op Music”, Broadsheet, 27 (2) pp. 4-7. ISSN 0819-677X (1998) [Non Refereed Article] [Detail]
Colless, EC, “Moderne”, Broadsheet, 27 (1) pp. 12-13. ISSN 0819-677X (1998) [Non Refereed Article] [Detail]
Colless, EC, “Two Evil Eyes”, Australian Art Collector, 4 (March) pp. 68-69. ISSN 1440-8902 (1998) [Professional, Non Refereed Article] [Detail]
Gough, JA, “Time ripples in Tasmania: Aboriginal artists in Tasmania Today”, Art and Australia, 35 (1) pp. 108-115. ISSN 0004-301X (1998) [Non Refereed Article] [Detail]
Holmes, JH, “You need to go abroad - to make your name?”, ArtLink, 18 (4) pp. 22-27. ISSN 0727-1239 (1998) [Non Refereed Article] [Detail]
Negrin, L, “The Antinomies of Postmodern neo-Classicism”, Arena Journal (11) pp. 61-81. ISSN 1320-6567 (1998) [Refereed Article] [Detail]
Review
Colless, EC, “Ironic Iconoclast [review: Wystan Curnow, Imants Tillers and ┐The Book of Power┐]”, The Australian Book Review, 198 (February, 1998) pp. 20-21. (1998) [Review Single Work] [Detail]
Colless, EC, “Running on Empty[review:Oxford History of Art volumes: Art and Society in Italy 1350┐1500 (Evelyn Welch), Art in Europe 1700┐1830 (Matthew Craske), Art in China (Craig Clunas), The Photograph (Graham Clark), Twentieth-Century Design (Janthan M. Woodham)]”, The Australian's Review of Books, February (1998) pp. 18-19. (1998) [Review Several Works] [Detail]
Negrin, L, “Landmarks and Curiosities”, Art and Australia, 36 (2) pp. 194-196. (1998) [Review Several Works] [Detail]
Major Creative Work
Allford, ME, Past Tense/ Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Blakebrough, L, Les Blakebrough BMG Art, BMG ART, Adelaide, pp. 2 (1998) [Other Exhibition] [Detail]
Blakebrough, L, Les Blakebrough Ceramic Art, Ceramic Art Gallery, Sydney, pp. 2 (1998) [Other Exhibition] [Detail]
Blakebrough, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work] [Detail]
Blakebrough, L, The Great Australian Teapot, Distelfink Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work] [Detail]
Brassington, P, Fremantle Print Prize, Fremantle Print Prize, Fremantle, pp. 14 (1998) [Recorded Creative Work] [Detail]
Cahalan, A, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] [Detail]
Colless, EC, Jane Burton, Adelaide Biennial of Art, Adelaide, pp. 16-17 (1998) [Recorded Creative Work] [Detail]
Colless, EC, Saying it with Flowers: Wilma Tabacco and Irene Barberis, RMIT, Melbourne, pp. 9-11 (1998) [Recorded Creative Work] [Detail]
Colless, EC, The Idea of Visible, Arstpace, Sydney, pp. 3 (1998) [Recorded Creative Work] [Detail]
Gough, JA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] [Detail]
Hart, W, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] [Detail]
Hart, W, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work] [Detail]
Hart, W, Sapporo 4th International Print Biennale, Hokkaido Museum of Modern Art, Sapporo, Japan, pp. 64 (1998) [Recorded Creative Work] [Detail]
Hill, PW, Networking: Art by Post, Fax and Phone, Hayward Gallery, South Bank, London, pp. 48 (1998) [Recorded Creative Work] [Detail]
Hobba, L, Quartet (White), Artspace, Sydney, pp. 2 (1998) [Recorded Creative Work] [Detail]
Hudson, SP, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Hudson, WZ, S.O.F.A. Chicago, Despard Gallery, Chicago, pp. 2 pp (1998) [Recorded Creative Work] [Detail]
Jenyns, L, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work] [Detail]
Jenyns, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work] [Detail]
Jenyns, L, Tasmanian Tiger: The Mystery of the Thylacine, Tasmanian Museum and Art Gallery, Hobart, pp. Broadsheet (1998) [Recorded Creative Work] [Detail]
Jenyns, L, The Throne of Wisdom, Watters Gallery,, Sydney, pp. 2 (1998) [Other Exhibition] [Detail]
Jenyns, R, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work] [Detail]
Jenyns, R, The Paris Show, Watters Gallery, Sydney, pp. 2 (1998) [Other Exhibition] [Detail]
Keating, MJ, A Silent View: Scenes from a Passing Epoch, Queen Victoria Museum and Art Gallery, Launceston, pp. 4 (1998) [Other Exhibition] [Detail]
Keating, MJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Keating, MJ, Recent work by Sarah Ryan & Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work] [Detail]
Knights, MA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] [Detail]
Mason, SJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Milojevic, MA, Borges' Bestiary, Grahame Galleries and Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work] [Detail]
Milojevic, MA, Fremantle Print Award, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] [Detail]
Milojevic, MA, Gone to the Dogs, Graeme Galleries & Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work] [Detail]
Milojevic, MA, Personas, Works on Paper Fair, Melbourne, pp. 4 (1998) [Recorded Creative Work] [Detail]
Milojevic, MA, Toowoomba Biennial Acquisitive Award and Exhibition, Toowoomba Regional Art Gallery, Toowoomba, pp. 32 pp (1998) [Recorded Creative Work] [Detail]
Negrin, L, Personal Coercion: A Visual Investigation into a State of Multiculturalism, Nexus Gallery, Adelaide, pp. 1 (1998) [Recorded Creative Work] [Detail]
Parr, GG, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] [Detail]
Parr, GG, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work] [Detail]
Petterd, R, L.A. Freewaves Festival, Los Angeles Museum of Contemporary Art,, Los Angeles, pp. http://www.freewaves.org (1998) [Recorded Creative Work] [Detail]
Petterd, R, SEAFair '98, SCCA, Skopje, Macedonia, pp. http://ww.scca.org.mk (1998) [Recorded Creative Work] [Detail]
Petterd, R, VI Bienal Internacional De Poesia Experimental, Altamiracave, Brazil, pp. http:// www.altamiracave.com (1998) [Recorded Creative Work] [Detail]
Prasil, P, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Ryan, SL, Recent work of Sarah Ryan and Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 2 (1998) [Recorded Creative Work] [Detail]
Ryan, SL, Suite, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work] [Detail]
Scott, MG, Fremantle Print Award, Fremantle Arts Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] [Detail]
Scott, MG, Offline: An Exhibition of Soft Hardware, Jam Factory, Adelaide, pp. 95-96 (1998) [Recorded Creative Work] [Detail]
Spinks, J and Moore, M* and Vignando, P* and McNally, L* and Jirasek, I* and Norman, M* and Attiwill, S* and Browne, L* and Bowen, A*, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] [Detail]
Stephenson, DM, Click, Robert Lindsay Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work] [Detail]
Stephenson, DM, Constellations, University of Missouri-Kansas City Gallery of Art, Kansas City, pp. 2 (1998) [Recorded Creative Work] [Detail]
Stephenson, DM, David Stephenson, National Gallery of Victoria, Melbourne, pp. 12 (1998) [Curated Exhibition] [Detail]
Stephenson, DM, Ground Control, Lombard-Freid Fine Arts, New York., pp. 2 (1998) [Recorded Creative Work] [Detail]
Stephenson, DM, Waterproof, Belen Art Centre, Lisbon, pp. 2 (1998) [Recorded Creative Work] [Detail]
Vella, JM, Upbeat and Lively, Dick Bett Art Gallery, Hobart, pp. 2 (1998) [Recorded Creative Work] [Detail]
Watkins, P, Recent Work, Bellas Gallery, Brisbane, pp. 2 (1998) [Other Exhibition] [Detail]
Watkins, P, The Last Word, Sutton Gallery, Melbourne, pp. 2 (1998) [Other Exhibition] [Detail]
Woodward, ML, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] [Detail]
Woodward, ML, Work: raw edges and the odd catastrophe, Mooonah Arts Centre, Hobart, pp. 8 (1998) [Recorded Creative Work] [Detail]
Zika, P, Paul Zika, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1998) [Other Exhibition] [Detail]
Thesis
Assef, AM, “Parody in the Theatre of Gestures” (1998) [Masters Coursework] [Detail]
Chick, SM, “Beyond Flesh: An Investigation into the representation of the human body that exists beyond the boundaries of the 'normal'” (1998) [Masters Research] [Detail]
Knight, W, “Exploring metaphysical meaning through the construction of physical objects” (1998) [Masters Research] [Detail]
Phillips, A, “Shampoo mythology: the object, its meaning, its influence” (1998) [Masters Research] [Detail]
Walch, MB, “An Analysis of Experiential Space at the Close of the Twentieth Century” (1998) [Masters Research] [Detail]

* This author is not affiliated with the University of Tasmania.