Web Access Research Portal

Research Report 1999 - Art (Hobart)

Journal Article
Colless, EC, “Heat: Pierre Bonnard's 'La Sieste'”, Art and Australia, 36 (3) pp. 360-363. ISSN 0004-301X (1999) [Non Refereed Article] [Detail]
Colless, EC, “Patricia Piccinini: Tolarno Galleries”, Art/Text (August October) pp. 79-80. ISSN 0727-1182 (1999) [Professional, Non Refereed Article] [Detail]
Colless, EC, “The Sweetest Path”, Photofile (57, October) pp. 60. ISSN 0811-0859 (1999) [Professional, Non Refereed Article] [Detail]
Colless, EC, “Transit Lounge: Peter Prasil's enigmatic objects”, Object (3) pp. 44-57. ISSN 1038-1856 (1999) [Non Refereed Article] [Detail]
Colless, EC, “John Vella”, Australian Art Collector (8, April June) pp. 35. ISSN 1328-9586 (1999) [Professional, Non Refereed Article] [Detail]
Colless, EC, “Laptop”, Australian Art Collector (7, January-March) pp. 88-89. ISSN 1328-9586 (1999) [Professional, Non Refereed Article] [Detail]
Daw, RL, “An Aberrant Urge”, Eyeline, 40 (Spring) pp. 30-33. ISSN 0818-8734 (1999) [Non Refereed Article] [Detail]
Daw, RL, “Mark Vaarwerk: Eco-urban designer”, Object, 7 (Spring) pp. 52-55. ISSN 1038-1856 (1999) [Non Refereed Article] [Detail]
Negrin, L, “The Self as Image: A Critical Appraisal of Postmodern Theories of Fashion”, Theory, Culture & Society, 16 (3) pp. 99-118. doi:10.1177/02632769922050638 ISSN 0263-2764 (1999) [Refereed Article] [Detail]
Petterd, R, “Siggraph '99 Los Angelos Convention Centre”, Network for Art and Technology News, 39 (December-February) pp. 7. ISSN 11 (1999) [Professional, Non Refereed Article] [Detail]
Review
Daw, RL, “Sound and say: the Pomona Museum Project, Gretchen Hillhouse & Dan Armstrong”, Eyeline, 39 (Autumn/Winter) pp. 43. (1999) [Review Several Works] [Detail]
Rhodes, BL, “The organic and the artificial: reinventing modernist design”, Eyeline, 40 (Spring) pp. 47. (1999) [Review Several Works] [Detail]
Rhodes, BL, “Whispers, lies and text”, Eyeline, 39 (Autumn/Winter) pp. 43. (1999) [Review Several Works] [Detail]
Conference Publication
Petterd, R and Casacuberta, D* and Wortzel, A*, “Rewrapping the real world: using hyper-narrative in virtual spaces to create un-common realities”, Network for Art and Technology, 1999, Sao Paulo, Brazil (1999) [Non Refereed Conference Paper] [Detail]
Design
Costello, PG, Suite of Bedroom Furniture, Clifton Furniture, Hobart (1999) [Other Designs] [Detail]
Costello, PG, Bookcase, Witt Design, Hobart (1998) [Other Designs] [Detail]
Costello, PG, Product Design: Tables for Forestry Tasmania, for manufacture, Forestry, Hobart (1998) [Other Designs] [Detail]
Costello, PG, Suite of Furniture for the Office of the Vice Chancellor, University of Tasmania; Waithing room furniture and 44 Chairs, University of Tasmania, Hobart (1998) [Other Designs] [Detail]
Costello, PG, Display Cabinet for Australian Skincare P/L, Witt Design (Licenced), Hobart (1997) [Other Designs] [Detail]
Costello, PG, Lectern and Display Unit for University of Tasmania North-West Centre, Costello Design, Hobart (1997) [Other Designs] [Detail]
Costello, PG, Suite of Nursery Furniture, Cotech Pty Ltd, Hobart (1997) [Other Designs] [Detail]
Contract Report, Consultant's Report
Costello, PG, Report to FFIC on FURN-a-Home Redevelopment, Forest and Forest Industries Council (FFIC), 1 (1999) [Consultants Report] [Detail]
Major Creative Work
Arnold, RE, Exposition, Cité Internationale des Arts, Cit Internationale des Arts, Paris EJ (1999) [Recorded Creative Work] [Detail]
Arnold, RE, History/Memory, Contemporary Art Services Tasmania, Hobart, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Arnold, RE, History/Memory: 1 print from the Suite of Etchings, History/Memory, Geelong Regional Art Gallery, Geelong (1999) [Recorded Creative Work] [Detail]
Arnold, RE, History/Memory: 1 work from the Suite of Etchings, History/Memory, Fremantle Arts Centre, Fremantle, W.A, Fremantle (1999) [Recorded Creative Work] [Detail]
Arnold, RE, History/Memory: 10 prints from the Suite of Etchings, History/Memory, Imperial War Museum, London, London (1999) [Recorded Creative Work] [Detail]
Arnold, RE, History/Memory: 4 prints from the Suite of Etchings, History/Memory, Australian National Gallery, Canberra (1999) [Recorded Creative Work] [Detail]
Arnold, RE, Solo Exhibition - Arnold, Dick Bett Gallery, Hobart, pp. 2 (1999) [Other Exhibition] [Detail]
Ball, JMS and Shaw, AJ, Liquid Evasions ... flirting with the surface, Plimsoll Gallery, University of Tasmania, Hobart, pp. 36pp,11 b/w ill 12 colour illustrations (1999) [Recorded Creative Work] [Detail]
Blakebrough, L, Contemporary Australian Craft, Power House Museum, Sydney, Sydney, NSW & Sapporo, Japan, pp. 120 (1999) [Recorded Creative Work] [Detail]
Blakebrough, L, Mapping Identity, Object Gallery, Customs House, Sydney, NSW, Sydney, pp. 20 (1999) [Recorded Creative Work] [Detail]
Brassington, P, Default Blue, Australian Centre for Photograpy, Sydney, pp. 1 (1999) [Other Exhibition] [Detail]
Brassington, P, The Fog, University of Technology, Sydney, Sydney (1999) [Recorded Creative Work] [Detail]
Brookes, WA, The Anachronist, Despard Gallery, Hobart, pp. 2 (1999) [Other Exhibition] [Detail]
Burns, T, 1999 Preview, Dick Bett Gallery, Hobart, pp. 2 (1999) [Recorded Creative Work] [Detail]
Burns, T, Solo Exhibition - Burns, Legge Gallery, Sydney, pp. 2 (1999) [Other Exhibition] [Detail]
Carson, S, 13,ooo; 26,ooo; 39,ooo, Plimsoll Gallery, University of Tasmania, Hobart, pp. 18 pp with 5 colour illustrations (1999) [Recorded Creative Work] [Detail]
Carson, S, Pottery Wheel Drawings/Plate Paintings, Contemporary Art Services Tasmania, Hobart, pp. 8 pp; 12 col. illus (1999) [Recorded Creative Work] [Detail]
Colless, EC, Anne Wallace: Recent Paintings, Darren Knight, Brisbane, pp. 3-7 (1999) [Recorded Creative Work] [Detail]
Colless, EC, In the event of disaster, Monash Gallery, Monash University, Melbourne, pp. 2pp of 20pp (1999) [Recorded Creative Work] [Detail]
Colless, EC, Moral Hallucination: Chanelling Hitchcock, Museum of Contemporary Art, Sydney, Sydney EJ (1999) [Recorded Creative Work] [Detail]
Colless, EC, S.D.I.: Peter Prasil, Centre for Contemporary Craft, Sydney, pp. Unpaginated Brochure (1999) [Recorded Creative Work] [Detail]
Gough, JA, 1960 - Psycho 1994; If you knew Julie, like I know Julie, 1965; Luna, 1970, Museum of Modern Art, Heide, Melbourne, pp. 30, 47 (1999) [Recorded Creative Work] [Detail]
Gough, JA, Boxing Boys and Brown Sugar, Global Arts Link, Ipwich Arts Foundation, Ipswich, Queenslad, pp. 3 (1999) [Recorded Creative Work] [Detail]
Gough, JA, Home sweet Home, Liverpool Biennial of International Contemporary Art, Liverpool, pp. 58-60 (1999) [Recorded Creative Work] [Detail]
Gough, JA, Human Nature and Material Culture (map); Human Nature and Material Culture (replica), Djamu Gallery, Museum of Sydney, Sydney, pp. 4 (1999) [Recorded Creative Work] [Detail]
Gough, JA, Magnum as Cook in the Time/Space Continuum, 1997, Artplace, Festival of Perth, Perth, pp. p.57 (1999) [Recorded Creative Work] [Detail]
Gough, JA, Shadow of the Spear, Contemporary Art Services Tasmania, Hobart, pp. 2 (1999) [Recorded Creative Work] [Detail]
Haddon, N, Not Quite Cadmium Red, 1992, Contemporary Art Services Tasmania, Hobart, pp. 8 pp; 12 col. illus (1999) [Recorded Creative Work] [Detail]
Haddon, N, Untitled Haddon, Contemporary Art Services, Hobart, pp. 4 (1999) [Recorded Creative Work] [Detail]
Hobba, L, Immediate: Installations that address issues in new media practice, Plimsoll Gallery, University of Tasmania, Hobart EJ (1999) [Recorded Creative Work] [Detail]
Hobba, L, The Idea of the Visible in Natural/Disasters/Disasters Unnatural, Monash University Gallery, Melbourne, pp. 20 pp (1999) [Recorded Creative Work] [Detail]
Keating, MJ, Sequence, Plimsoll Gallery, University of Tasmania, Hobart, pp. 36pp,11 b/w ill 12 colour illustrations (1999) [Recorded Creative Work] [Detail]
Kjar, B, Fishnets, Dick Bett Gallery, Hobart, pp. 4 (1999) [Other Exhibition] [Detail]
Ky, M, Solo Exhibition - Ky, Australian Galleries, Melbourne, pp. 2 (1999) [Other Exhibition] [Detail]
Ky, M, Solo Exhibition, Cité Internationale des Arts, Paris, Cit Internationale des Arts, Paris EJ (1999) [Other Exhibition] [Detail]
McIntosh, M, Jamboree:Works by Mandy McIntosh, Plimsoll Gallery, University of Tasmania, Hobart, pp. 10 pp/ full colour (1999) [Other Exhibition] [Detail]
Milojevic, MA, Making Multicultural Australia, University of Technology, Sydney, Sydney EJ (1999) [Recorded Creative Work] [Detail]
Milojevic, MA, The Book of Getting Nowhere, State Library of Victoria, Melbourne (1999) [Recorded Creative Work] [Detail]
Morrison, A, Untitled Morrison, Contemporary Art Services Tasmania, Hobart, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Petterd, R and Caney, D*, Archiving Imagination, Hobart (1999) [Recorded Creative Work] [Detail]
Phillips, A, Solo Exhibition - Phillips, Schwarzkopf Headquarters, Hamburg, pp. 2 (1999) [Other Exhibition] [Detail]
Prasil, P, 1999 Seppelt Contemporary Art Award, Museum of Contemporary Art, Sydney, Sydney, pp. Broadsheet (1999) [Recorded Creative Work] [Detail]
Prasil, P, S.D.I.: Peter Prasil, Object, Centre for Contemporary Craft, Crafts Council of New South Wales, Sydney, pp. Broadsheet (1999) [Other Exhibition] [Detail]
Quon, JW and Ford, KC, Ecological Manipulations, Carnegie Gallery, Hobart, pp. Unpaginated broadsheet (1999) [Other Exhibition] [Detail]
Ray, AE, Glow, PICApress, Perth, pp. 24 pp/ full colour (1999) [Recorded Creative Work] [Detail]
Ruffels, TD, Location, Devonport City Art Gallery, Devonport, pp. 2 (1999) [Other Exhibition] [Detail]
Ruffels, TD, Reflection 1, 7th New York Digital Art Salon, New York, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Ruffels, TD, Transmission, Contemporary Art Services Tasmania, Hobart, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Ruffels, TD, Troy Ruffels, Najera Art Gallery, Madrid, pp. 2 (1999) [Other Exhibition] [Detail]
Ruffels, TD, Zero Horizon, Contemporary Art Services Tasmania, Hobart, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Ruffels, TD, Zero Horizon Video, Hobart (1999) [Recorded Creative Work] [Detail]
Ryan, SL, Still, Plimsoll Gallery, University of Tasmania, Hobart, pp. 36pp,11 b/w ill 12 colour illustrations (1999) [Recorded Creative Work] [Detail]
Schlitz, MJ, Untitled Schlitz, Contemporary Art Services Tasmania, Hobart, pp. 2 pp (1999) [Recorded Creative Work] [Detail]
Scott, MG, Mary Scott, Good Girl, Contemporary Art Services Tasmania, Hobart, pp. 8 pp; 9 col. illus (1999) [Other Exhibition] [Detail]
Scott, MG and Holmes, JH and Knights, MA, Rosamond: an exhibition of works by the recipients of the Rosamond McCulloch 4 month Studio Residencies, Cité Internationale des Arts, Paris 1991-1998, Plimsoll Gallery, University of Tasmania, Hobart, pp. pp 36/8 col and 8 b/w illus (1999) [Recorded Creative Work] [Detail]
Spinks, J, Hybrid Creatures, Plimsoll Gallery, University of Tasmania, Hobart, pp. 24 pp; 5 b/w illus (1999) [Recorded Creative Work] [Detail]
Spinks, J, The Organic and the Artificial: reinventing modernist desgn, Plimsoll Gallery, University of Tasmania, Hobart, pp. 18 pp; 5 col. illus (1999) [Recorded Creative Work] [Detail]
Stephenson, DM, Solo Exhibition - Stephenson, Robert Lindsay Gallery, Melbourne, pp. 2 pp (1999) [Curated Exhibition] [Detail]
Stephenson, DM, Stars, Space + Light Editions, Hobart, pp. 36 pp; 22 col. illus (1999) [Recorded Creative Work] [Detail]
Vella, JM, Untitled - Vella, Contemporary Art Services Tasmania, Hobart, pp. 4pp (1999) [Recorded Creative Work] [Detail]
Vella, JM, Untitled Vella, Plimsoll Gallery, University of Tasmania, Hobart, pp. 36pp,11 b/w ill 12 colour illustrations (1999) [Recorded Creative Work] [Detail]
Watkins, P, Untitled Watkins, Contemporary Art Services, Hobart, pp. 4 pp (1999) [Recorded Creative Work] [Detail]
Watt, YM, Speak of the Devil, Artplace, Perth, pp. 2 (1999) [Other Exhibition] [Detail]
Wright, H, Solo Exhibition - Wright, Niagara Gallery, Melbourne, pp. 2 (1999) [Other Exhibition] [Detail]
Zika, P, Jamboree:Works by Mandy McIntosh, Plimsoll Gallery, University of Tasmania, Hobart, pp. pp 10/full colour (1999) [Recorded Creative Work] [Detail]
Thesis
Assef, AM, “Parody in the Theatre of Gestures” (1998) [Masters Coursework] [Detail]
Cochrane, GD, “Truth or trap : the Australian contemporary crafts movement's pursuit of art ideals” (1999) [PhD] [Detail]
Daw, RL, “Hors-d'oeuvres : ornamental decoration and gender” (1999) [PhD] [Detail]
Hudson, SP, “Models of models : representations of souvenirs, souvenirs of representation” (1999) [Masters Research] [Detail]
Morrison, A, “The sentient body: an exploration of the body's intimate connection to the environment” (1999) [PhD] [Detail]
Other Public Output
Arnold, RE, “History/Memory: 1 work from the Suite of Etchings, History/Memory”, Fremantle Art Prize, Fremantle Arts Centre, Fremantle, W.A, Fremantle, W.A (1999) [Award] [Detail]
Gough, JA, “Samstag Scholarship”, Samstag Scholarship, South Australian School of Art, Adelaide, S.A (1999) [Award] [Detail]
Kjar, B, “Conrad Jupiters Gold Coast Art Award”, Conrad Jupiters Gold Coast Art Award, Gold Coast Art Gallery, Gold Coast Arts Centre, Gold Coast, Queensland (1999) [Award] [Detail]

* This author is not affiliated with the University of Tasmania.