Web Access Research Portal

Research Report 2009 - Art (Hobart)

Journal Article
Ankeny, RA* and Dodds, S, “Hearing community voices: public engagement in Australian human embryo research policy, 2005-2007”, New Genetics and Society, 27 (3) pp. 217-232. doi:10.1080/14636770802326901 ISSN 1463-6778 (2008) [Refereed Article] [Full Text] [Detail]
Dodds, SM, “Inclusion and exclusion in women's access to health and medicine”, International Journal of Feminist Approaches to Bioethics, 1 (2) pp. 58-79. ISSN 1937-4585 (2008) [Refereed Article] [Full Text] [Detail]
Dodds, SM, “Depending on Care: Recognition of Vulnerability and the Social Contribution of Care Provision”, Bioethics, 21 (9) pp. 500-510. doi:10.1111/j.1467-8519.2007.00595.x ISSN 0269-9702 (2007) [Refereed Article] [Full Text] [Detail]
Dodds, SM and Thomson, C, “Bioethics and Democracy: Competing Roles of National Bioethics Organisations”, Bioethics, 20 (6) pp. 326-338. doi:10.1111/j.1467-8519.2006.00511.x ISSN 0269-9702 (2006) [Refereed Article] [Full Text]* [Detail]
Hawthorne, LE, “Discord: Art from MONA”, Artlink, 29 (1) pp. 86. ISSN 0727-1239 (2009) [Professional, Non Refereed Article] [Detail]
Hawthorne, LE, “Unexpected Art”, Realtime: Incorporating Onscreen (91) pp. 17. ISSN 1321-4799 (2009) [Professional, Non Refereed Article] [Detail]
Langridge, CF, “Warporn”, Artlink, 27 (1) pp. 105. ISSN 0727-1239 (2007) [Professional, Non Refereed Article] [Detail]
Langridge, CF, “Ill and Vexed: Modernity Makes me Sick”, Artlink, 25 (3) pp. 86. ISSN 0727-1239 (2005) [Professional, Non Refereed Article] [Detail]
Langridge, CF, “Resonator”, un Magazine (6) pp. 62- 63. ISSN 1449-6747 (2005) [Professional, Non Refereed Article] [Detail]
Sawford, R, Typotastic, 1 (4) pp. 76. ISSN 1832-8970 (2008) [Edited Journal] [Detail]
Smith, John, “Future Past to Future Present”, Woodwork, 98 (April 2006) pp. 52 - 56. ISSN 1045-3040 (2006) [Professional, Non Refereed Article] [Detail]
Smith, PG, “Alice at the Allport”, Ceramics: Art and Perception, 1 (69) pp. 22 - 26. ISSN 1035-1841 (2007) [Professional, Non Refereed Article] [Detail]
Smith, PG, “Whitegold: William Cookworthy Celebrations”, Ceramics: Art and Perception, 1 (64) pp. 80 - 86. ISSN 1035-1841 (2006) [Professional, Non Refereed Article] [Detail]
Smith, PG, “Perceptions of Perfection”, Ceramics: Art and Perception, 1 (53) pp. 90 - 95. ISSN 1035-1841 (2003) [Professional, Non Refereed Article] [Detail]
Smith, PG, “Primary Pavers”, Ceramics Technical, 1 (17) pp. 10 - 13. ISSN 1324-4175 (2003) [Professional, Non Refereed Article] [Detail]
Usmiani, L, “Come on Baby”, Typotastic, 1 (3) pp. 9 - 12. ISSN 1832-8970 (2007) [Professional, Non Refereed Article] [Detail]
Walch, MB, “Beyond Euclid's fifth”, Visual Communication, 6 (2) pp. 214-219. doi:10.1177/1470357207077185 ISSN 1470-3572 (2007) [Professional, Non Refereed Article] [Detail]

Book
Ewins, R, Staying Fijian: Vatuele Island Barkcloth and Social Identity, Crawford House Publishing, Belair, pp. 390. ISBN 9780824831127 (2009) [Authored Research Book] [Full Text] [Detail]
Frankham, NH, Revelation: installation art and its capacity to interpret and elaborate places of historical significance, ACUADS Publishing, online, pp. online. ISBN 978-0-9758360-3-3 (2007) [Edited Book] [Detail]
Hobba, L, Homecoming, Burnie Regional Gallery, Burnie, pp. 4. ISBN 978-0-9757039-7-7 (2009) [Authored Other Book] [Detail]
Keating, MJ, A Cut Across, Plimsoll Gallery, University of Tasmania, Hobart, pp. 24. ISBN 1862952000 (2004) [Authored Research Book] [Full Text] [Detail]
Langridge, CF, Liminal, Hobart City Council, Hobart, pp. 18. ISBN 978-0-9750909-9-2 (2008) [Authored Other Book] [Detail]
Langridge, CF, Quote, Salamanca Arts Centre, Hobart, pp. 5. ISBN 0-646-46458-2 (2006) [Authored Other Book] [Detail]
Smith, John, Different Readings: a contemporary interpretation of the Allport Furniture Collection, State Library of Tasmania, Hobart, pp. 48. ISBN 1-920865-35-7 (2005) [Authored Research Book] [Detail]
Smith, John, The View from Beyond the Edge, The Furniture Society, Asheville, North Carolina, pp. 128. ISBN 0-9671004-3-7 (2005) [Edited Book] [Detail]
Stephenson, DM, Heavenly vaults: from Romanesque to Gothic in European architecture, Princeton Architectural Press, New York, pp. 192. ISBN 978-1-56898-840-5 (2009) [Authored Research Book] [Full Text] [Detail]

Chapter in Book
Dodds, SM, “Introduction: Integrating Global and Local Perspectives”, Linking visions: feminist bioethics, human rights, and the developing world, Rowman&Littlefield Publishers, Rosemarie Tong, Anne Donchin, and Susan Dodds (ed), Lanham, pp. 1-12. ISBN 0742532798 (2004) [Other Book Chapter] [Detail]
Dodds, SM, “Women, Commodification and Embryonic Stem Cell Research”, Biomedical Ethics Reviews: Stem Cell Research, Humana Press, James M Humber and Robert F Almeder (ed), Totowa NJ, pp. 151-174. ISBN 1588294013 (2004) [Research Book Chapter] [Detail]
Frankham, NH and Knehans, DA, “The visual and performing arts as a postdoctoral workplace”, Beyond Doctorates Downunder: Maximising the Impact of Your Australian or New Zealand Doctorate, ACER, Denholm C., and Evans T (ed), Melbourne, pp. in press. ISBN In Press (2009) [Other Book Chapter] [Detail]
Vella, JM, “Freetransform”, Virtually Natural, Contemporary Art Services Tasmania, Penny Malone (ed), Hobart, pp. 2 - 3. ISBN 0947335633 (2008) [Other Book Chapter] [Detail]

Review
Ewins, R, “Pacific Pattern by Susanne Küchler & Graeme Were [Book review]”, Museum Anthropology Review 3(2, 3 (2) pp. 147-9. (2009) [Review Single Work] [Detail]
Hawthorne, LE, “art when it's at home”, Real Time, 1 (58) pp. 54. (2008) [Other Review] [Detail]
Hawthorne, LE, “The Road to Here”, Artlink, 28 (1) pp. 22. (2008) [Other Review] [Detail]

Conference Publication
Broughton, LRP and Quon, JW, “The Visual Arts and Development of Marine Ecological Values: The WorldFish Centre Art Project”, International Dialogues about Visual Culture, Education and Art, 1 - 5 March 2006, Viseu, Portugal, pp. 187-196. ISBN 9781841501673 (2006) [Refereed Conference Paper] [Detail]
Cobcroft, JM and Nowak, BF and Brown, M* and Battaglene, SC, “Factors influencing skeletal malformations in Australian cultured marine fish ”, Larvi 2009, 7-10 September 2009, Gent, Belgium, pp. 49-50. (2009) [Conference Extract] [Detail]
Frankham, N, “Port Arthur Project: Re-interpreting Port Arthur Historic Site through contemporary visual art”, ACUADS Research 07/08, 26-28 September 2007, College of Fine Arts, UNSW Sydney, pp. 6-7. ISBN 978-0-9758360-2-6 (2007) [Refereed Conference Paper] [Full Text] [Detail]
Lunn, KLC and Milojevic, MA, “Try and Try Again”, Revelation: installation art and its capacity to interpret and elaborate places of historical significance, 26 & 27 March 2007, Tasmanian School of Art, Hobart, pp. 1-13. ISBN 978-0-9758360-3-3 (2007) [Refereed Conference Paper] [Detail]
Quon, JW, “Synergies and Tensions in the Application of Irreducible Communications Paradigms to Issues of Marine Ecology”, New Constellations: Art, Science and Society, 14 July, 2003, Museum of Contemporary Art, Sydney, pp. 91 - 95. ISBN 1921034122 (2006) [Refereed Conference Paper] [Detail]
Robinson, DA, “People, Place, Spirit”, Textiles as Cultural Expression, September 24 - 27, Honolulu, Hawaii (2008) [Non Refereed Conference Paper] [Detail]
Vella, JM, “Remote Control: frangiblity and the art of blood letting the permanent”, One Day Sculpture, 26-28 March 2009, Massey University, Wellington, New Zealand, pp. 14. (2009) [Refereed Conference Paper] [Detail]
Vella, JM, “Site Specificity, the local and the faking of belonging”, Sydney (2007) [Non Refereed Conference Paper] [Detail]
Vella, JM, “Trailertrashed: Detritus inspired strategies for interrogating place”, Hobart (2006) [Non Refereed Conference Paper] [Detail]

Design
Smith, John, Tidal Zone: an exhibition of contemporary furniture and objects, Design Centre Tasmania, Design Centre Tasmania touring regional galleries (2008) [Refereed Designs] [Detail]

Major Creative Work
Berg, C, Afterglow, Helen Maxwell Gallery, Canberra (2008) [Published Creative Work] [Detail]
Berg, C, Intimate Encounters: botanically inspired works by Christl Berg, Queen Victoria Museum and Art Gallery, Launceston (2007) [Published Creative Work] [Full Text] [Detail]
Berg, C, Voices from the Kitchen, Port Arthur Historical Site, Tasmania, Australia, pp. 1 (2007) [Published Creative Work] [Detail]
Berg, C, Ordered, 2006; Labelled, 2006; Boxed, 2006; Folded, 2006, Long Gallery, Salamanca Arts Centre, Hobart, pp. 4 (2006) [Published Creative Work] [Detail]
Berg, C, Remnants, 2000, National Gallery of Victoria, Melbourne, pp. 1 (2006) [Published Creative Work] [Full Text] [Detail]
Berg, C, Suburban Retreats, Helen Maxwell Gallery, Canberra (2006) [Published Creative Work] [Detail]
Blakebrough, L, New Porcelain, BMG Art, Adelaide (2009) [Published Creative Work] [Detail]
Blakebrough, L, recent porcelain by Australian ceramic artist Les Blakebourgh, Primavera, Cambridge, UK (2007) [Published Creative Work] [Detail]
Blakebrough, L, Smart works, Powerhouse Museum, Powerhouse Museum, Sydney (2007) [Published Creative Work] [Full Text] [Detail]
Blakebrough, L, Jar, 1975, National Gallery of Australia, Canberra, pp. 1 (2006) [Published Creative Work] [Detail]
Blakebrough, L, Les Blakebrough: Ceramics, touring various galleries (2006) [Published Creative Work] [Full Text] [Detail]
Blakebrough, L, Surface Connections, Manningham Gallery, Doncaster, Victoria, pp. 1 (2006) [Published Creative Work] [Detail]
Blakebrough, L, The New Porcelain, Bett Gallery, Hobart (2006) [Published Creative Work] [Detail]
Blakebrough, L, The New Porcelain, Beaver Galleries, Canberra (2006) [Published Creative Work] [Detail]
Blakebrough, L, The New Porcelain: the work of Les Blakeborough, Sabbia Gallery, Surry Hills NSW (2005) [Published Creative Work] [Detail]
Blakebrough, L, Forest Floor series, Various - touring interstate, Various, pp. 1 (2004) [Published Creative Work] [Detail]
Bleach, L, Bitumen Profiles and Spirit Level, Devonport Regional Gallery, Devonport, Tasmania, 1, pp. 2 (2008) [Published Creative Work] [Full Text] [Detail]
Bleach, L, Municipality, Kings Artist Run Initiative (2008) [Published Creative Work] [Detail]
Bleach, L, Nature is a Language Can't You Read, Contemporary Art Services Tasmania, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] [Full Text] [Detail]
Bleach, L, Revue des Deux Mondes, Inflight Gallery (2008) [Published Creative Work] [Detail]
Bleach, L, Circumnarrative, Long Gallery, Salamanca Arts Centre, Hobart, pp. 3 (2007) [Published Creative Work] [Detail]
Bleach, L, Reserved, Port Arthur Historical Site, Port Arthur, pp. 1 (2007) [Published Creative Work] [Detail]
Brassington, P, A Perfect Day, Criterion Gallery, Hobart, pp. 12 works (2009) [Published Creative Work] [Detail]
Brassington, P and Lee, FMJ and Holmes, JH, The Arresting Image: Roger Ballen, Amanda Davis, Fred Fisher, Alicia King, Tim Macmillan, Sanja Pahoki, Sally Rees, Plimsoll Gallery, Plimsoll Gallery, University of Tasmania, Hobart, First, pp. 34 (2009) [Published Creative Work] [Detail]
Brassington, P and Lee, FMJ and Holmes, JH, The Arresting Image: Roger Ballen, Amanda Davis, Fred Fisher, Alicia King, Tim Macmillan, Sanja Pahoki, Sally Rees, Plimsoll Gallery, Hobart, pp. 34 (2009) [Curated Exhibition] [Detail]
Brassington, P, Pat Brassington, Lonstrom Art Museum, Rauma, Finland (2008) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Pat Brassington, Galleria Ama, Finland (2008) [Published Creative Work] [Detail]
Brassington, P, The Best Move, Stills Gallery, Sydney (2008) [Published Creative Work] [Detail]
Brassington, P, Heat, Arc One Gallery, Arc One Galley, Melbourne (2007) [Published Creative Work] [Detail]
Brassington, P, Inquietante, 2007: Night Train 1; Night Train 2 plus others, Hous Projects, New York, pp. 3 (2007) [Published Creative Work] [Detail]
Brassington, P, Pat Brassington, Institute of Modern Art, Institute of Modern Art, Brisbane (2007) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Pat Brassington, Stills Gallery, Stills Gallery, Sydney (2007) [Published Creative Work] [Detail]
Brassington, P, Sweet Thereafter, Criterion Gallery, Hobart (2006) [Published Creative Work] [Detail]
Brassington, P, Print Matters: 30 Years of the Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle Arts Centre (2005) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Pat Brassington - Works in Progress, Ian Potter Gallery, University of Melbourne (2002) [Published Creative Work] [Detail]
Fisher, RP, Fred Fisher: Sculpture, Design Centre Tasmania, Design Centre Tasmania (2007) [Published Creative Work] [Detail]
Fisher, RP, Coil; Binary Excursion, Tasmanian Museum and Art Gallery, Hobart, pp. 2 (2006) [Published Creative Work] [Detail]
Frankham, N and Silva, P and Nicholls, D, Trust. Exhibition, Ten Days on the Island, Clarendon (Evandale) - Lucy Bleach, Julie Gough, Michael McWilliams, John Vella; Home Hill (Devonport) - Mary Scott; Runnymede (New Town/Hobart) - Pat Brassington; Oak Lodge (Richmond) - Ruth Frost; Penghana (Queenstown) - Martin Walch, Ten Days on the Island, 16 March - 19 April, National Trust of Australia (Tas) properties in Queenstown, New Town, Richmond, Devonport and Evandale (2009) [Curated Exhibition] [Full Text] [Detail]
Frankham, N and Clark, J, Port Arthur Project: Re-interpreting the Port Arthur Historic Site through contemporary visual art. Exhibition, Ten Days on the Island, University of Tasmania and Port Arthur Historic Site Management Authority. Artists: C Berg, L Bleach, T Cockburn, N Ellis, A Ferran, L Fredheim, R Frost, L Greeno and V West, F Hall, L Hobba, C Langridge, F Lee, K Lunn and M Milojevic, A MacDonald, A Mestitz, J Newitt, B Ozolins, J Phillips, H Psotova, A Simone, L Usmiani, M Warren and E Woods, Ten Days on the Island & University of Tasmania, Port Arthur Historic Site, 16 March – 15 April (2007) [Curated Exhibition] [Full Text]* [Detail]
Frost, R, Trust - Oak Lodge, Ten Days on the Island, Oak Lodge, Richmond, Tasmania (2009) [Published Creative Work] [Full Text] [Detail]
Frost, RE, Bell Jar, Salamanca Arts Centre, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] [Detail]
Haddon, N, Broken: Solo exhibition at Dianne Tanzer Gallery, Melbourne, Dianne Tanzer Gallery and Projects, Melbourne, VIC, 1, pp. 14 works (2009) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Portrait with Paperchains, City of Whyalla, City of Whyalla, pp. 1 work (2009) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Stranded: solo exhibition at MOP Gallery, MOP Gallery, Chippendale, Sydney, 1, pp. 6 works (2009) [Published Creative Work] [Detail]
Haddon, N, The Shilo Project, University of Melbourne, Ian Potter Museum of Art, Touring exhibition to 6 cities, 1, pp. 1 work (2009) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Broken, Criterion Gallery, Hobart (2008) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Stranded, Criterion Gallery, Hobart, Criterion Gallery, Hobart (2007) [Published Creative Work] [Detail]
Haddon, N, Stranded, Dianne Tanzer Gallery, Melbourne (2007) [Published Creative Work] [Detail]
Haddon, N, Stranded (seed), Bendigo Art Gallery, Bendigo, pp. 1 (2007) [Published Creative Work] [Detail]
Haddon, N, New Work, Diane Tanzer Gallery, Melbourne (2006) [Published Creative Work] [Detail]
Haddon, N, Glister, Criterion Gallery, Melbourne (2005) [Published Creative Work] [Detail]
Haddon, N, Patch no.1 & 3 , Group Material - Tasmanian Museum and Art Gallery, Hobart (2004) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Pitch 041, Contemporary Art Services Tasmania, Hobart (2004) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Wear 04, Criterion Gallery, Hobart (2004) [Published Creative Work] [Detail]
Haddon, N, Signs - HWY 1 exhibition, 10 Days on the Island Festival, Various locations around Kempton, pp. 14 (2003) [Published Creative Work] [Full Text] [Detail]
Hart, W, Gloss, Criterion Gallery, Hobart, Hobart, 5, pp. 9 works (2009) [Published Creative Work] [Detail]
Hobba, L, Marcher sur les pelouses (walk on the Grass), Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 33 (2009) [Curated Exhibition] [Detail]
Hobba, L, Three positions, Burnie Regional Art Gallery, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] [Detail]
Hobba, L, New Chimes, Port Arthur Historical Site, Port Arthur, pp. 1 (2007) [Published Creative Work] [Detail]
Holmes, JH and Brassington, P, The Wharmby Collection: Contemporary Art from Tasmania and South Australia, Plimsoll Gallery, Plimsoll Gallery, University of Tasmania (2009) [Curated Exhibition] [Detail]
Keating, MJ, Plantation Nation, Rimbun Dahan, Rimbun Dahan Arts Centre Gallery, Malaysia (2009) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, The Wallpaper Project - design title: Warpaper, University of Southern Queensland, Touring exhibition commencing at USQ Art Gallery, 1, pp. 1 work (2009) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, You Are Home, Plimsoll Gallery, University of Tasmania, Plimsoll Gallery, University of Tasmania, Hobart (2009) [Curated Exhibition] [Full Text] [Detail]
Keating, MJ, Deep Water, Dark Water from the exhibition Under My Skin, Asialink, Manila, Philippines; Singapore; Seoul and Geumcheon, South Korea (2008) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, Hard Love, Devonport Regional Gallery, Tasmania (2008) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, Night Operations & White Horses, 2005; The Song Remains the Same, 2005; A Beating Heart, 2005, 24 Hr Art, Darwin, pp. 3 (2008) [Published Creative Work] [Detail]
Keating, MJ, Waiting for Raptors, Asialink, Malaysia, pp. 1 (2008) [Published Creative Work] [Detail]
Keating, MJ, Deep Water, Dark Water, Criterion Gallery, Hobart (2007) [Published Creative Work] [Detail]
Keating, MJ, What the World Needs Now, Linded Centre for Contemporary Arts, Melbourne, pp. 1 (2007) [Published Creative Work] [Detail]
Kelly, SM and Zika, P, Repetitions, Plimsoll Gallery, University of Tasmania, Plimsoll Gallery, University of Tasmania, pp. 24 (2009) [Curated Exhibition] [Detail]
Kunda, M, Black Swans, in 'Chance Encounters', Salamanca Arts Centre, Salamanca Arts Centre, Hobart, 1st (2009) [Published Creative Work] [Full Text] [Detail]
Langridge, CF, Act, in 'Codex', Carnegie Gallery, Hobart City Council, Hobart, Hobart, Tasmania, Australia, 1st, pp. 5-6 (2009) [Published Creative Work] [Detail]
Langridge, CF, All Through the Night; Counterfold-Conformation; Minor Ecstatic Swoon; Doubts , Contemporary Art Services Tasmania, CAST Gallery, North Hobart (2008) [Published Creative Work] [Detail]
Langridge, CF, Aspiration, Port Arthur Historical Site, Tasmania, Australia, pp. 1 (2007) [Published Creative Work] [Detail]
Langridge, CF, Uplift; Augusto; Putti Clouds; Deaths, British School at Rome, Rome, pp. 4 (2007) [Published Creative Work] [Detail]
Langridge, CF, Meant to Be, Werribee Park , Melbourne, pp. 1 (2006) [Published Creative Work] [Detail]
MacDonald, AL, At Rest, Tasmanian Museum and Art Gallery, Australia, pp. 1 (2008) [Published Creative Work] [Detail]
MacDonald, AL, Ornament - Anne Macdonald , Carnegie Gallery, Hobart; Artereal, Sydney (2008) [Published Creative Work] [Full Text] [Detail]
Mauro-Flude, MN, Linux for Theatre Makers: Embodiment & nix modus operandi, in 'FLOSS+Art ', Mute Publishing Ltd, 46 Lexington Street London W1F 0LP, Aymeric Mansoux and Marloes de Valk, pp. 11-12 (2009) [Published Creative Work] [Detail]*
Milojevic, MA, From the cabinet of Dr. Moreau... , James Makin Gallery, Collingwood, Vic, pp. 16 works (2009) [Published Creative Work] [Detail]
Milojevic, MA, Outside/In, James Makin Gallery, Collingwood, Vic, pp. 13 works (2009) [Published Creative Work] [Detail]
Milojevic, MA, works in Cicada Press exhibition, Flinders Street Gallery, Melbourne, VIC, pp. 4 works (2009) [Published Creative Work] [Detail]
Milojevic, MA, Recent Work, Impressions on Paper Gallery, Braddon, ACT (2008) [Published Creative Work] [Detail]
Milojevic, MA, Terra Frieze; Terra Nocturne 1; Terra Nocturne II; Verdure I (Between Two Worlds); Verdure II (Between Two Worlds), Geelong Gallery, Australia, pp. 5 (2008) [Published Creative Work] [Full Text] [Detail]
Milojevic, MA, Two Worlds/Fusion, Port Jackson Press, Melbourne, 10, pp. 1 (2008) [Published Creative Work] [Detail]
Milojevic, MA, Mapping the Impossible, James Makin Gallery, Armadale, VIC (2007) [Published Creative Work] [Detail]
Milojevic, MA, Terra Nocturne and Recent Works, Colville Street Art Gallery, Hobart (2007) [Published Creative Work] [Detail]
Newitt, J, show me the truth and I'll show you more of the same, Tasmanian Museum and Art Gallery, Bond Store, Tasmanian Museum and Art Gallery, Hobart, 1 (2009) [Published Creative Work] [Full Text] [Detail]
Newitt, J, Stories of Celebration and Dissent, INFLIGHT art Inc. and Rosalux: Berlin-based art of, Wedding, Berlin, 1000, pp. 8 page catalogue: 4 works (2009) [Published Creative Work] [Full Text] [Detail]
Newitt, J, Urgent Care, Criterion Gallery, Hobart, 1, pp. 8 works (2009) [Published Creative Work] [Full Text] [Detail]
Newitt, J, Altered State - in Handle With Care, Art Gallery of South Australia, Art Gallery of South Australia. Adelaide, 1000 (2008) [Published Creative Work] [Full Text] [Detail]
Newitt, J, I Notice These Little Things, How They Change, Monash University Museum of Art, Monash Caulfield Campus, Melbourne, 500, pp. 8 pages, 4 works (2008) [Published Creative Work] [Full Text] [Detail]
Newitt, J and Phillips, Justy, write/here, 10 Days on the Island, Hobart, 1, pp. 27 (2007) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, Codex, Hobart City Council, Carnegie Gallery, Hobart (2009) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, Orb: Deep Water: The Truth: Clouds: Stain, Plimsoll Gallery, Hobart (2008) [Published Creative Work] [Detail]
Parr, GG, Storylines, Criterion Gallery, Criterion Gallery, Hobart, 1, pp. 17 works (2009) [Published Creative Work] [Detail]
Parr, GG, Meanwhile in New York, Tasmanian Museum and Art Gallery, Tasmania, Australia, 1, pp. 1 (2008) [Published Creative Work] [Detail]
Parr, GG, Timeless Matters, Mornington Peninsula Regional Gallery, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] [Detail]
Parr, GG, Settling Green, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2007) [Published Creative Work] [Detail]
Parr, GG, Binary Suite, Criterion Gallery, Hobart (2006) [Published Creative Work] [Detail]
Parr, GG, Periscope: a view from the original Lake Pedder, Carnegie Gallery, Hobart (2006) [Published Creative Work] [Full Text] [Detail]
Parr, GG, Vertebrae Eye, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2006) [Published Creative Work] [Detail]
Parr, GG, Binary Ignition, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2005) [Published Creative Work] [Detail]
Parr, GG, Mirrors in the Forest, Fine Arts Gallery, University of Tasmania (2004) [Published Creative Work] [Detail]
Parr, GG, Forest of Stumps, Ten Days on the Island, SAC's Long Gallery, pp. 26 (2003) [Published Creative Work] [Detail]
Parr, GG, Forest of Stumps II, Salamanca Arts Centre, Hobart, pp. 1 multiple image work (2003) [Published Creative Work] [Detail]
Parr, GG, Uccello Set, Carnegie Gallery, Carnegie Gallery and Devonport Regional Gallery, pp. 5 (2002) [Published Creative Work] [Detail]
Rees-Pagh, YD, Wail of Feejee, Bunkier Sztuki Contemporary Art Gallery, Krakow, Krakow, Poland, 1, pp. 1 (2009) [Published Creative Work] [Detail]
Robinson, JH, Annie is a Bunyip, Entrepot Gallery, Entrepot Gallery (2006) [Published Creative Work] [Detail]
Sawford, R, In Search of Lost Time, Sidespace Gallery, Salamanca Arts Centre (2009) [Curated Exhibition] [Detail]
Sawford, R, Disturbia; Relativity, Contemporary Art Services Tasmania, 27 Tasma Street, North Hobart, Tasmania 7000, pp. 2 (2008) [Published Creative Work] [Detail]
Scott, M, Every Minute of Every Day, Ten Days on the Island, Home Hill, Devonport, Tasmania, 1 (2009) [Published Creative Work] [Full Text] [Detail]
Scott, MG, The Keeping Room (solo exhibition), Criterion Gallery, Hobart, pp. 6 (2009) [Published Creative Work] [Detail]
Scott, MG, White House: Blue, Red, Yellow, Green Rooms, Tasmanian Museum and Art Gallery, Hobart City Council, City of Hobart Art Prize, 2009, pp. 4 (2009) [Published Creative Work] [Full Text] [Detail]
Smith, J, Aspects of the Tasmanian Wood Design Collection, Design Centre Tasmania, Design Centre Tasmania touring VIctoria & SA (2006) [Published Creative Work] [Detail]
Smith, J, Mod to Memphis: Design in Colour 1960s - 80s, Powerhouse Museum, Sydney, Powerhouse Museum, Sydney (2003) [Published Creative Work] [Detail]
Smith, PG, Mutant Hybrids, Carnegie Gallery, Hobart (2007) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, Dusk to Dawn, Boutwell Draper Gallery, Sydney, 1st, pp. 21 (2009) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, Heavenly Vaults, John Buckley Gallery , Melbourne, 1, pp. 25 (2009) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, David Stephenson Photographs, O'Sullivan Art Gallery, Regis University , Denver, Colorado, USA (2008) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, Star Drawings, John Buckley Gallery , Melbourne (2008) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, Visions of Heaven: The Dome in European Architecture, Princeton Architectural Press, New York, pp. 192 (2005) [Published Creative Work] [Full Text] [Detail]
Usmiani, L, Don't make me cry; Soaked, Devonport Regional Gallery, Tasmania, Australia, pp. 2 (2008) [Published Creative Work] [Detail]
Usmiani, L, Towel (time to turn), Devonport Regional Gallery, Devonport, Tasmania, pp. 1 (2008) [Published Creative Work] [Detail]
Usmiani, L, I had a Wonderful Time, Port Arthur Historical Site, Port Arthur, pp. 1 (2007) [Published Creative Work] [Detail]
Usmiani, L, Little Things, Despard Gallery, Despard Gallery (2007) [Published Creative Work] [Detail]
Usmiani, L, Black Death; Fountain, Heide Museum of Modern Art, Bulleen, Victoria, pp. 3 (2006) [Published Creative Work] [Full Text] [Detail]
Usmiani, L, Clatter, Ten Days on the Island Festival, Wynyard, pp. 1 (2005) [Published Creative Work] [Detail]
Usmiani, L, Store, Inflight Gallery, Inflight Gallery (2005) [Published Creative Work] [Detail]
Vella, J, Trust: poleposition, Ten Days on the Island, Clarendon, Evandale, Tasmania (2009) [Published Creative Work] [Full Text] [Detail]
Vella, JM, Birds in Space, Tasmanian Museum and Art Gallery, Hobart, pp. 1 work (2009) [Published Creative Work] [Detail]
Vella, JM, Hobart Portrait Group: Life drawing session (version 2) in I Walk the Line: New Australian Drawing, Museum of Contemporary Art, Sydney, 2, pp. 1 work (2009) [Published Creative Work] [Full Text] [Detail]
Vella, JM, Onalog, Plimsoll Gallery, University of Tasmania, Hobart, pp. 5 works, 7 artists (2009) [Curated Exhibition] [Detail]
Vella, JM, Stigma Research Lab (SRL), Moonah Arts Centre/Contemporary Arts Spaces Tasman, Moonah, TAS, pp. 2 works (2009) [Published Creative Work] [Detail]
Vella, JM, TERROIR Portrait, National Portrait Gallery, Canberra, pp. 1 work (2009) [Published Creative Work] [Full Text] [Detail]
Vella, JM, Freestyle, Contemporary Art Services Tasmania, Hobart, pp. 1 (2007) [Published Creative Work] [Detail]
Vella, JM, Bath (Yet to be Acquired), Criterion Gallery, Hobart (2006) [Published Creative Work] [Detail]
Vella, JM, Fume, Devonport Regional Gallery (2006) [Published Creative Work] [Full Text] [Detail]
Vella, JM, Marks Made, Canberra Contemporary Arts Space (CCAS), Canberra, pp. 1 (2006) [Published Creative Work] [Detail]
Vella, JM, Nocturnal, Kelly's Garden, Salamanca Arts Centre, Hobart, pp. 1 (2005) [Published Creative Work] [Detail]
Vella, JM, The House of Silverfish, Woolmers Estate, Longford, pp. 1 (2003) [Published Creative Work] [Detail]
Vella, JM, Pattern as Subject, Contemporary Art Services Tasmania, Hobart (2002) [Published Creative Work] [Detail]
Walch, M, Trust - prospect, Ten Days on the Island, Penghana, Queenstown, Tasmania (2009) [Published Creative Work] [Full Text] [Detail]
Walch, MB and Sawford, R, Bob Brown video portrait, National Portrait Gallery, National Portrait Gallery, Canberra (2008) [Recorded Creative Work] [Detail]
Walch, MB, OverDrawn, Australian Centre for the Moving Image, Tasmania, Australia, pp. 1 (2004) [Published Creative Work] [Full Text] [Detail]
Walch, MB, Six traces in far dimensions: Re-mapping Tasmania, Department of Fine Arts, Bangladesh Shilpakala Aca, Bangladesh, pp. 1 (2004) [Published Creative Work] [Detail]
Walch, MB, Overwritten/Underwritten; Mount Lyell Project, Art Gallery of South Australia, Adelaide, pp. 2 (2002) [Published Creative Work] [Full Text] [Detail]
Woods, EJ, Landscapers, State Library of Queensland & touring (2008) [Published Creative Work] [Detail]
Zika, P, Paul Zika: Home and Away - reconstructing artifice, Carnegie Gallery/Hobart City Council, Carnegie Gallery, Hobart, 1 (2009) [Published Creative Work] [Full Text] [Detail]
Zika, P, Paul Zika: Bolivian Weave, Stephen McLaughlan Gallery, Melbourne (2008) [Published Creative Work] [Detail]

Other Creative Work
Berg, C, Imitations of Vastness, Academy Gallery, Launceston, pp. 5 (2008) [Representation of Original Art] [Detail]
Berg, C, Street Show #1, Academy Gallery, Launceston, pp. 2 (2008) [Representation of Original Art] [Detail]
Berg, C, Commission for Royal Hobart Hospital, Royal Hobart Hospital, Hobart, pp. 1 (2007) [Acquisition] [Detail]
Blakebrough, L, The 25th Gold Coast International Ceramic Art Award, Gold Coast City Art Gallery, Gold Coast , pp. 1 (2006) [Representation of Original Art] [Detail]
Brassington, P, Book of Jonah, 1932. sinking into a world whose bars would hold me fast forever, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Brassington, P, Singing in the Rain & House Guest #2, Criterion Gallery, Hobart, pp. 2 (2008) [Representation of Original Art] [Detail]
Brassington, P, Tatts, 2005: A Spy in the House of Love, 2004: Fresh Fruit, 2005, Salamanca Arts Centre, Hobart, pp. 3 (2008) [Representation of Original Art] [Detail]
Davis, JG, Implicate Order, Perth Institute of Contemporary Arts, Perth, pp. 1 (2008) [Representation of Original Art] [Detail]
Dixon, GA, Convict Badge #1, Paper Clipping, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2005) [Representation of Original Art] [Detail]
Fisher, RP, Button Seat, Design Centre of Tasmania, Launceston, pp. 1 (2006) [Acquisition] [Detail]
Fisher, RP, Point; Stack; Steps, Plimsoll Gallery, University of Tasmania, Hobart, pp. 3 (2006) [Representation of Original Art] [Detail]
Fisher, RP, Pulse, Academy Gallery, Launceston, pp. 1 (2005) [Representation of Original Art] [Detail]
Haddon, N, Purblind (Guru), Bendigo Art Gallery, Bendigo, pp. 1 (2009) [Representation of Original Art] [Detail]
Haddon, N, Glister No.1, Inflight Art, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Haddon, N, Now More Than Ever, Criterion Gallery, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Haddon, N, Reciclar, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Haddon, N, Vestigial (40), National Gallery of Victoria, Melbourne, pp. 1 (2008) [Acquisition] [Detail]
Haddon, N, Wear No.4, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2007) [Acquisition] [Detail]
Haddon, N, Survivor - Erase Me, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2006) [Acquisition] [Detail]
Haddon, N, Arbour No.3 (Shack Head), Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2005) [Representation of Original Art] [Detail]
Haddon, N, Panel (Idol), Perth Institute of Contemporary Arts, Perth, pp. 1 (2005) [Representation of Original Art] [Detail]
Haddon, N, Support - Running Scared & Reconstituted No. 1 (running Scared), Letitia Street Studios, Hobart, pp. 2 (2005) [Representation of Original Art] [Detail]
Haddon, N, Survivor (Graft), InFlight Art, Hobart, pp. 1 (2005) [Representation of Original Art] [Detail]
Haddon, N, Desabordamiento No.1 & Purblind No.1, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2004) [Representation of Original Art] [Detail]
Haddon, N, Slip No.1 & Slip No.2, Academy Gallery, Launceston, pp. 2 (2003) [Representation of Original Art] [Detail]
Hawthorne, LE, Forced Collaboration: Lucy Hawthorne and Sarah James, Inflight Artist Run Initiative, Hobart, pp. 1 (2009) [Representation of Original Art] [Detail]
Hobba, L, At any given moment...focus your thoughts, Academy Gallery, Launceston, pp. 1 (2008) [Representation of Original Art] [Detail]
Hobba, L, Home away from (thinking of) home - objects of desire; Bad moon rising, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2008) [Representation of Original Art] [Detail]
Hobba, L, Last rites, Academy Gallery, Launceston, pp. 1 (2008) [Representation of Original Art] [Detail]
Keating, MJ, Deep Water, Dark Water (2007) in Platform Seoul, Platform Seoul, Seoul, Korea, pp. 1 (2009) [Representation of Original Art] [Detail]
Keating, MJ, Meg Keating on Cath Robinson's Thought Noise/Wave from Preludes (If Played Simultaneously), 2009 in Some Text Missing catalogue, Contemporary Art Spaces Tasmania, Hobart, pp. 1 (2009) [Minor Creative Work] [Detail]
Keating, MJ, Song Cycle 1, 2 and 3, Rimbun Dahan, Selangor, Malaysia, pp. 3 (2009) [Representation of Original Art] [Detail]
Keating, MJ, What the worlds needs now (2007-2008), Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2009) [Representation of Original Art] [Detail]
Langridge, CF, Eternal Recurrence, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Langridge, CF, Final Cause, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2005) [Representation of Original Art] [Detail]
Langridge, CF, Half a Day Off Per Week in Summer; Press Cloth; The Workers in the Jam Room Were Mainly Women, Salamanca Arts Centre, Hobart, pp. 3 (2002) [Representation of Original Art] [Detail]
Langridge, CF, In Memory; Almost, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2002) [Representation of Original Art] [Detail]
MacDonald, AL, Pink Things, Artereal, Sydney, pp. 1 (2008) [Representation of Original Art] [Detail]
Mauro-Flude, MN, 'Resist' She Said, Plimsoll Gallery, University of Tasmania, Hobart, pp. 3 (2008) [Representation of Original Art] [Detail]
Milojevic, MA, Pinnacle Grouse (after Audbon), Long Gallery / The Hutchins School, Hobart, pp. 1 (2009) [Representation of Original Art] [Detail]
Milojevic, MA, Pinnacle Grouse (after Audbon); Peryton (after Audbon), James Makin Gallery, Collingwood, VIC, pp. 2 (2009) [Representation of Original Art] [Detail]
Milojevic, MA, works in Stories of our making: contemporary prints from Australia, Bower Ashton Gallery, University of West England, Bristol, pp. 1 (2009) [Representation of Original Art] [Detail]
Milojevic, MA, works in The Enchanted Forest: new gothic storytellers exhibition, Tweed River Art Gallery, Murwillumbah, NSW, pp. 5 (2009) [Representation of Original Art] [Full Text] [Detail]
Newitt, J, $1 for Your Story, Museum of Old and New Art, Hobart, pp. 1 (2009) [Acquisition] [Detail]
Newitt, J, Passive Aggressive 2009, Landscape 2009-ongoing, Two Side of the Same Coin 1009, Self Portrait 2008-2009, Linden Centre for Creative Art, St Klida, Melbourne, pp. 1 work, 6 pages (2009) [Representation of Original Art] [Detail]
Newitt, J, Saturday Nights, 2007, Campbelltown Arts Centre, Campbelltown, Sydney, pp. 1 (2009) [Representation of Original Art] [Detail]
Newitt, J, Unstable Ground 2006-2007, Sherman Galleries, Sydney, pp. 1 work, 6 pages (2007) [Representation of Original Art] [Detail]
Parr, GG, The ballad of Hollow Mountain, Contemporary Art Services Tasmania, Hobart, pp. 1 (2009) [Representation of Original Art] [Detail]
Parr, GG, The Scientific Artist, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Parr, GG, Place, 1983, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 x 6 panel (2006) [Representation of Original Art] [Detail]
Parr, GG, Queenstown, MT. Lyell Mining C. and Railway Offices, Penghana Rd, Queenstown, Queenstown, pp. 1 (2003) [Representation of Original Art] [Detail]
Parr, GG, Air Born, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 x 3 panel print (2002) [Representation of Original Art] [Detail]
Parr, GG, Prismatic Sky, Bett Gallery, Hobart, pp. 3 (2002) [Representation of Original Art] [Detail]
Parr, GG, The National Picture 1985, Lake Macquarie City Art Gallery, Lake Macquarie, pp. 1 (2002) [Representation of Original Art] [Detail]
Robinson, JH, Annie is the Bunyip, Smith St Cafe, Hobart, pp. 2 (2007) [Representation of Original Art] [Detail]
Robinson, JH, Annie Saw the Bunyip #1, Long Gallery, Salamanca Arts Centre, Hobart, pp. 1 nine panel print (2007) [Representation of Original Art] [Detail]
Smith, PG, Tripping the Light Fantastic: When Art and Science Converge, Craftwest, Perth, pp. 35 (2003) [Catalogue] [Detail]
Usmiani, L, 2 rpm, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Usmiani, L, Try Again; Curtain, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2006) [Representation of Original Art] [Detail]
Usmiani, L, Something Fishy, CAST, Hobart, pp. 1 (2004) [Representation of Original Art] [Detail]
Vella, JM, Blind, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2009) [Acquisition] [Detail]
Vella, JM, Fit - 7_ _ _; Status Free Vehicle, Moonah Arts Centre/CAST, Hobart, pp. 2 (2009) [Representation of Original Art] [Detail]
Vella, JM, Green Machines, Tasmanian School of Art, Hobart, pp. 70 pages, 16 works (2009) [Catalogue] [Detail]
Vella, JM, Hobart Portrait Group: Life Drawing Session (version II), Museum of Contemporary Art (MCA), Sydney, pp. 1 (2009) [Representation of Original Art] [Detail]
Vella, JM, Permissiontosit, Criterion Gallery Hobart, Launceston, pp. 1 (2009) [Representation of Original Art] [Detail]
Vella, JM, Poleposition, Clarendon House, Evandale, pp. 1 (2009) [Representation of Original Art] [Detail]
Vella, JM, Spatial Origami, Queen Victoria Museum and Art Gallery, Launceston, pp. 1 (2009) [Representation of Original Art] [Detail]
Vella, JM, The New Black, Criterion Gallery, Hobart, pp. 1 (2009) [Representation of Original Art] [Detail]
Vella, JM, Scape, Arts@Work/ Hydro Tasmania Consulting, Hobart, pp. 1 (2008) [Acquisition] [Detail]
Vella, JM, Scape, Arts@Work/ Hydro Tasmania Consulting, Hobart, pp. 1 (2008) [Acquisition] [Detail]
Vella, JM, Placemats: a series of fundamental floors (version II), Academy Gallery, Launceston, pp. 1 (2006) [Representation of Original Art] [Detail]
Vella, JM, Skidmarks, Conical Inc., Melbourne, pp. 1 (2006) [Representation of Original Art] [Detail]
Vella, JM, GE 40 Watt, Academy Gallery, Launceston, pp. 1 (2003) [Representation of Original Art] [Detail]
Vella, JM, Family Ties (Wetspot), Moores Building, Fremantle WA, pp. 1 (2002) [Representation of Original Art] [Detail]
Walch, MB, Source, Novamedia, Washington DC, USA, pp. 1 (2009) [Representation of Original Art] [Detail]
Walch, MB, Losing the Plot - XYZ/T v15-220206, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] [Detail]
Walch, MB, Utah Tanks, West Lyall Open-Cut, MT Lyell, Tasmania, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2006) [Representation of Original Art] [Detail]
Walch, MB, Anamorphic Landscape, Claremont College, Hobart, pp. 1 (2003) [Acquisition] [Detail]
Walch, MB, Split Decisions 1 & 2/Exploration and Development, Bett Gallery, Hobart, pp. 2 (2003) [Representation of Original Art] [Detail]
Walch, MB, Mt Lyell Project series, Various locations in Madrid, Madrid, pp. 2 (2002) [Representation of Original Art] [Detail]
Watt, YM, works exhibited in Marcher Sur Les Pelouses, Plimsoll Gallery, University of Tasmania, Hobart, pp. 12 (2009) [Representation of Original Art] [Detail]
Watt, YM, Works exhibited in Minding Animals, Lockup Gallery, Newcastle, Newcastle, pp. 4 (2009) [Representation of Original Art] [Detail]
Woods, EJ, Public Notice, Salamanca Arts Centre, Hobart, pp. 2 (2009) [Representation of Original Art] [Detail]
Zika, P, Cornucopia 1 (1998); Cornucopia 5 (2000); Cornucopia 6 (2000) , Glen Eira City Council, Melbourne, pp. 3 (2008) [Representation of Original Art] [Detail]

Thesis
Fisher, RP, “A Sculptural re-interpretation of aspects of European two-dimensional visual art in the period 1910 - 1940” (2006) [PhD] [Detail]
Hart, W, “Knowledge, Knowing and Being: An Investigation of Software Art as Vehicle for the Exploration of Emerging Concepts in Language and Cognition” (2008) [PhD] [Detail]
Newitt, J, “Relational Perspectives: a visual investigation into social and cultural relationships with place” (2008) [PhD] [Detail]
Rees-Pagh, YD, “Curiosities and Contradictions: ” (2007) [Masters Research] [Detail]
Walch, MB, “Beyond Linearity: Contemporary Drawing and the Naturalistic Representation of Experience” (2009) [PhD] [Detail]
Watt, YM, “Animals, Art and Activism” (2009) [PhD] [Detail]

Entry
Usmiani, L, “Lucia Usmiani”, Nourish, Zara Stanhope (ed), Hobart, 1, pp. 77 (2007) [Entry] [Detail]
Watt, YM, “Art, Animals and Ethics”, Encyclopaedia of Animal Rights and Animal Welfare, Second Edition, Bekoff, Marc (ed), Santa Barbara, California, 1, pp. 77-81 (2009) [Entry] [Detail]

Other Public Output
Blakebrough, L, “Finalist, Australian of the Year Awards” (2008) [Award] [Detail]
Blakebrough, L, “Les Blakebrough: Ceramics”, Les Blakebrough: Ceramics, Craftsman House, Fishermans Bend (2005) [Award] [Detail]
Bleach, L, “Companion Planting”, Artlink, Artlink Australia, Adelaide, 28, 3 (2008) [Magazine Article] [Detail]
Bleach, L, “Professional Development Grant, Arts Tasmania” (2008) [Award] [Detail]
Bleach, L, “Revue des Deux Mondes”, Landscape Architecture Australia, Architecture Media, Port Melbourne, 119 (2008) [Award] [Detail]
Brassington, P, “Pat Brassington”, Pat Brassington, Quintas, Hobart (2006) [Award] [Detail]
Fisher, RP, “Sculpture: Fred Fisher”, Object, Australian Centre for Craft and Design, Surry Hills, NSW, 1, 55 (2008) [Magazine Article] [Detail]
Fisher, RP, “Dean's Commendation for Outstanding Doctoral Thesis” (2007) [Award] [Detail]
Haddon, N, “ABC TV News”, The Glover Prize 2008, Hobart, 7 March 2008 (2008) [Media Interview] [Detail]
Haddon, N, “ABC TV Stateline”, Interview on art practice, Hobart, 3rd October 2008 (2008) [Media Interview] [Detail]
Haddon, N, “Fleurieu Biennale”, Analgesic Landscape (NW Tas), McLaren Vale, SA (2008) [Award] [Detail]
Haddon, N, “The Glover Prize 2008”, Purblind (Opiate), Tasmania (2008) [Award] [Detail]
Haddon, N, “Survivor (Del Tynk Flynn Gyp)” (2006) [Award] [Detail]
Haddon, N, “Scrape No. 1”, Poimena Gallery, Launceston, TAS (2005) [Award] [Detail]
Hobba, L, “Leigh Hobba - the space of presence: time spans”, Real Times, Open City Inc, Sydney NSW, 1, 78 (2009) [Magazine Article] [Detail]
Hobba, L, “leigh hobba: the performance”, Real Time, Open City Inc, Sydney NSW, 1, online (2009) [Magazine Article] [Detail]
Hobba, L, “Leigh Hobba - The Space of Presence”, Into the Music, Australian Broadcasting Corporation Radio National, Sydney NSW, 1, September 15 2007 (2007) [Media Interview] [Detail]
Hobba, L, “Leigh Hobba - The space of presence in Hobart ”, Art Monthly, Australian National University, Canberra, 1, 201 (2007) [Magazine Article] [Detail]
Hobba, L, “Leigh Hobba - The Uncertainty of Presence”, Into the Music, Australian Broadcasting Corporation Radio National, Sydney NSW, 1, September 15 2007 (2007) [Media Interview] [Detail]
Hobba, L, “leigh hobba: theme and variation”, Real Time, Open City Inc, Sydney NSW, 1, online (2007) [Magazine Article] [Detail]
Hobba, L, “The Space of Presence: Leigh Hobba”, Artlink, Artlink Australia, Adelaide, 27, 3 (2007) [Magazine Article] [Detail]
Jacobs, KA and Vella, JM, “Interview for ABC Radio (Hobart) The role of art in addressing social stigma”, ABC Radio, Hobart, 1 (2009) [Media Interview] [Full Text] [Detail]
Keating, MJ, “Rimbun Dahan Residency” (2008) [Award] [Detail]
Keating, MJ, “Australia Council Grant - New Work Established” (2005) [Award] [Detail]
Keating, MJ, “Asialink Residency, Beijing, China” (2000) [Award] [Detail]
Ozolins, BT, “Inaugural QANTAS Contemporary Art Award” (2008) [Award] [Detail]
Ozolins, BT, “Dean's Commendation for Outstanding Doctoral Thesis” (2005) [Award] [Detail]
Parr, GG, “The National Picture; Place II; Lake Pedder 1973”, Tasmanian Visions, Polymath Press, Sandy Bay, TAS (2006) [Award] [Detail]
Rees-Pagh, YD, “Cosmogenesis 2, 2005; From Ancient Tides, 2005; ”, Novosibirsk, Russia (2005) [Award] [Detail]
Rees-Pagh, YD, “Ambient, 2002”, Novosibirsk, Russia (2003) [Award] [Detail]
Vella, JM, “John Vella”, Studio: Australian Painters on the Nature of Creativity (2007) [Award] [Detail]
Vella, JM, “New Work Grant (established), Australia Council” (2003) [Award] [Detail]
Vella, JM, “Arts industry grant, Arts Tasmania” (2002) [Award] [Detail]
Walch, MB, “Martin Walch”, Dumbo Feather, pass it on, Bezar Holdings Pty Ltd, Sydney NSW, 1, 19 (2009) [Magazine Article] [Detail]
Walch, MB, “Drowning By Numbers: mapping four seasons at one location”, Hobart City Art Prize - winner, two-dimensional fine art category, Hobart City Council, Hobart, Tasmania (2008) [Award] [Detail]
Walch, MB, “Martin Walch: Apocalyptic Vision ”, Tasmanian Visions, Polymath Press, Hobart, 1, 1 (2006) [Award] [Detail]
Walch, MB, “Mining the lunar beauty of Queenstown - the stereoscopic photography of Martin Walch”, Space - ABC Arts online, Australian Broadcasting Corporation, Sydney NSW, May 2003 (2003) [Media Interview] [Detail]
Walch, MB, “Place Works”, Artlink, Adelaide, 22, 2 (2002) [Magazine Article] [Detail]
Watt, YM, “Framed: Vegan Artists for Animal Rights - Annie Potts talks to Yvette Watt”, Vegan Voice, Vegan Voice, Nimbin NSW, 38, June-Aug (3) (2009) [Magazine Article] [Detail]
Woods, EJ, “New Work Grant, Australia Council” (2008) [Award] [Detail]
Woods, EJ, “Professional Development Grant, Arts Queensland” (2008) [Award] [Detail]
Woods, EJ, “New Works Grant, Arts Tasmania” (2007) [Award] [Detail]

* This author is not affiliated with the University of Tasmania.