Web Access Research Portal

Research Report 2013 - School of Creative Arts and Media

Journal Article
Lee, FMJ and Kunda, M, “The (Neo) Avant-Garde and (Their) Kitchen(s): Potluck and Participation”, The International Journal of Social, Political, and Community Agendas in the Arts, 7 (2) pp. 33-41. ISSN 2326-9960 (2013) [Refereed Article] [Full Text] [Detail]
Lewis, Robert, “Dark voices in revolt”, Theatre, Dance and Performance Training, 4 (3) pp. 368-380. doi:10.1080/19443927.2013.840674 ISSN 1944-3927 (2013) [Refereed Article] [Full Text] [Detail]
Mauro-Flude, MN, “Networked Art Forms and Tactical Magick Faerie Circuits (Part I of II)”, Feminist Journal of Art & Digital Culture (2013) [Professional, Refereed Article] [Detail]
Mauro-Flude, MN, “The intimacy of the command line”, Scan, 10 (2) pp. 1-9. ISSN 1449-1818 (2013) [Refereed Article] [Full Text] [Detail]
Mauro-Flude, MN, “Ode to paraphernalia': Bricolage as a design approach for electronic performance tools”, Technoetic Arts, 11 (1) pp. 47-59. doi:10.1386/tear.11.1.47_1 ISSN 1477-965X (2013) [Refereed Article] [Full Text] [Detail]
Philpott, CJ, “The sounds of silence: music in the Heroic Age of Antarctic exploration”, The Polar Journal, 3 (2) pp. 447-465. doi:10.1080/2154896X.2013.846976 ISSN 2154-896X (2013) [Refereed Article] [Full Text] [Detail]
Sierra, MA, “When Waste Returns: Re-imagining 'use value' in a tidal river”, Studio Research (1) pp. 48-59. ISSN 1839-6429 (2013) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Music and Cross-Cultural Exchange in the Art of Tom Roberts, Arthur Streeton and James McNeill Whistler”, Music in Art: International Journal for Music Iconography, 38 (1-2) pp. 89-99. ISSN 1522-7464 (2013) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Review: Peter DAYAN, Artas Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Farnham: Ashgate, 2011)”, Music in Art, XXXVII (1-2) pp. 291-292. ISSN 1522-7464 (2012) [Letter or Note in Journal] [Full Text] [Detail]
Turton-Turner, P, “Feminist Sensibilities: Focusing on the Art of Nancy Mauro-Flude and Selena de Carvalho”, NAVA Quarterly, 1 (1) pp. 13. ISSN 1032-9617 (2013) [Professional, Non Refereed Article] [Full Text] [Detail]
Turton-Turner, P, “Villainous Avatars: The Visual Semiotics of Misogyny and Free Speech in Cyberspace”, Forum on Public Policy, 2013 (1) pp. 1-18. ISSN 1938-9809 (2013) [Refereed Article] [Full Text] [Detail]
Turton-Turner, P, “The porn illusion: the infantilized woman in popular print media”, The International Journal of the Image, 3 (3) pp. 17-26. ISSN 2154-8560 (2013) [Refereed Article] [Full Text] [Detail]
Chapter in Book
Holmes, J, “A pink Moke, fur coat and the flying duck collection”, Impresario: Paul Taylor, The Melbourne Years, 1981-1984, Surpllus and Monash University Museum of Art (MUMA), H Hughes and N Croggon (ed), Australia, pp. 113-123. ISBN 9781922099082 (2013) [Research Book Chapter] [Full Text] [Detail]
Kunda, M, “Critical Response 'Our Day will Come'”, Iteration:Again, Punctum Books and Cast 27, David Cross (ed), Australia, pp. 133-142. ISBN 9780947335878 (2013) [Other Book Chapter] [Full Text] [Detail]
Malor, D, “St Paul's Chapel 'Beyond craftmanship' Launceston General Hospital”, Launceston, LGH Historical Committee and Food and Playsted P/L, P Richards, B Valentine, T Dunning, D Huon (ed), Launceston, pp. 263-266. ISBN 978-0-9872751-9-6 (2013) [Other Book Chapter] [Full Text] [Detail]
Sierra, MA, “Raquel Ormella, I live with Birds: Critical Response”, Iteration:Again, 13 public art projects across Tasmania, Punctum books, David Cross (ed), New York, pp. 76-81. ISBN 978 0 947335 87 8 (2013) [Other Book Chapter] [Full Text] [Detail]
Watt, YM, “Animal Factories: Exposing Sites of Capture”, Captured: The Animal within Culture, Palgrave Macmillian, M Boyde (ed), United Kingdom, pp. 75-84. ISBN 978-1-137-33049-9 (2013) [Research Book Chapter] [Full Text] [Detail]
Review
Malor, D, “ART3's SWERVE: a deviation into new processes”, Imprint, 48 (1) pp. 38. ISSN 0313-3907 (2013) [Review Several Works] [Full Text] [Detail]
Malor, D, “Fernando do Campo: Onomatopoeia”, Artlink Indigenous, 33 (2) pp. 137. ISSN 0727-1239 (2013) [Review Several Works] [Full Text] [Detail]
Malor, D, “Printmakers in Paper Town: Burnie Print Prize 2013”, Imprint, 48 (2) pp. 6. ISSN 0313-3907 (2013) [Review Several Works] [Full Text] [Detail]
Conference Publication
Bleach, L, “Regarding the Earth: Ecological Vision in Word and Image”, 31 AUGUST to 2 SEPTEMBER, 2012 (2012) [Non Refereed Conference Paper] [Full Text] [Detail]
Forbes, AM, “Spiritual transcendence and the stilo antico of Antonio Lotti”, re-Visions- Proceedings of the New Zealand Musicological Society and the Musicological Society of Australia Joint Conference, 2-4 December 2010, New Zealand, pp. 238-245. ISBN 978-0-473-24221-3 (2013) [Refereed Conference Paper] [Full Text] [Detail]
Fraser, A, “Dialogue in the flute works of Jean Françaix (1912-1977)”, Proceedings of the New Zealand Musicological Society and the Musicological Society of Australia Joint Conference, 2-4 December 2010, New Zealand, pp. 122-131. ISBN 978-0-473-24221-3 (2013) [Refereed Conference Paper] [Full Text] [Detail]
McIntyre, SE, “The simplification of complex notation presented in aleatoric form”, re-Visions: Proceedings of the New Zealand Musicological Society and the Musicological Society of Australia Joint Conference, 2-4 December 2010, New Zealand, pp. 31-43. ISBN 978-0-473-24221-3 (2013) [Refereed Conference Paper] [Full Text] [Detail]
Negrin, L, “The Paradoxical Nature of 'Pauperist' Style as Haute Couture”, Trending Now: New Developments in Fashion Studies, September 2012, Oxford University, pp. 13-23. ISBN 978-1-84888-211-9 (2013) [Non Refereed Conference Paper] [Full Text] [Detail]
Negrin, L, “Art and Gastronomy: An analysis of the significance of the new cultural spaces that blur the boundary between art and the food and wine experience”, August, Copenhagen, pp. 1-29. (2009) [Non Refereed Conference Paper] [Full Text] [Detail]
Major Creative Work
Bywaters, MC and de Couvreur, G*, Charles Blackman and Family, Academy Gallery, Launceston, 200, pp. 12 (2013) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC, Heteromania, Academy Gallery, Academy Gallery, 200, pp. 6 (2013) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC, House and home, Burnie Regional Art Gallery (2013) [Published Creative Work] [Full Text] [Detail]
Bywaters, MC, Moments: Mary Ballantyne Fooks, Academy Gallery, Academy Gallery, 200, pp. 6 (2013) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC, Papering the Landscape: Re -visioning Cataract Gorge, NEW Gallery University of Tasmania, NEW Gallery, 200, pp. 6 (2013) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC, What a Life!, University of Tasmania, NEW Gallery, 200, pp. 6 (2013) [Curated Exhibition] [Full Text] [Detail]
Carter, D, Changing Light, Independent (iTunes / etc.), Online / Radio (2013) [Recorded Creative Work] [Full Text] [Detail]
Carter, D, Flood Plains, Bandcamp / Independent, Online / Brisbane Festival / Melbourne Fringe Festival (2013) [Recorded Creative Work] [Full Text] [Detail]
Chatwin, DA, Primatives: Design Island, Exhibited at Mawson Pavillion, Hobart and Design Centre of Tasmania, Launceston (2007) [Curated Exhibition] [Full Text] [Detail]
Deng, S, Conversations, Master Performers, Conservatorium of Music recital hall, Utas (2013) [Performance] [Full Text] [Detail]
Deng, S, piano recital, Kettering concerts, Kettering Hall (2013) [Repeat Performance] [Full Text] [Detail]
Deng, s, Shan Deng in recital, Con of Music, Conservatorium of Music recital hall, Utas (2013) [Performance] [Full Text] [Detail]
Deng, S, Chinese Concert, Con of Music, Conservatorium of Music recital hall, Utas (2012) [Performance] [Full Text] [Detail]
Deng, S and Lee, g*, Violin and pinao recital, Queensland Conservatorium, Griffith University, Queensland Conservatorium recital hall (2012) [Performance] [Full Text] [Detail]
Deng, s and Lee, g*, Violin and pinao recital, Kettering concerts, Kettering Hall (2012) [Performance] [Full Text] [Detail]
Frankham, N and Lehman, K and Lester, E, Domain: a contested landscape, Exhibition, Ten Days on the Island. Artists: Lisa Anderson, Lucy Bleach, Joy Barber, Patricia Brassington, Lindsay Broughton, Steven Carson, Linda Erceg, Ruth Frost, Megan Keating, Milan Milojevic, Brigita Ozolins, Geoff Parr, Troy Ruffels, Marie Sierra, David Stephenson, Lucia Usmiani, John Vella, Martin Walch and Paul Zika, Plimsoll Gallery, Domain House, Queens Domain, Hobart (2013) [Curated Exhibition] [Full Text] [Detail]
Frost, R, Domain House: an observation, Domain House, Queens Domain, Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Frost, R, Works included in the MONA exhibition 'Theatre of the World', MONA, Berriedale, Tasmania (2012) [Published Creative Work] [Full Text] [Detail]
Haddon, N, After the Burn, Mt Nelson (a new landscape emerges), Art Gallery of New South Wales, Fleurieu Biennale, Art Gallery of New South Wales, Fleurieu Biennale (2013) [Other Exhibition] [Full Text] [Detail]
Hart, W, Conversations in the Dark, Dark Mofo festival 2013, MONA, Rosny Barn, Rosny Park, Tasmania, 2013 (2013) [Published Creative Work] [Full Text] [Detail]
Hart, W, Tools My Father Gave Me, Penny Contemporary Gallery, Penny Contemporary Gallery, 187 Liverpool Street, Hobart, Tasmania, 15th Feb - 11th March, 2013 (2013) [Other Exhibition] [Full Text] [Detail]
Haywood, N and Dobson, A and Vining, V* and Ottaway, K, Tank at Clarence Jazz Festival, Clarence Jazz festival, Rosny Barn, 2013 (2013) [Performance] [Full Text] [Detail]
Keating, MJ, 3 creative works + catalogue essay- Paper cutting- the do- it-yourself tradition Modular Living; Hard rubbish & blackberry #1, 2013, Modular Living; Hard rubbish & blackberry #2, 2013, Modular Living; Hard rubbish & blackberry #3, 2013, University of Southern Queensland, USQ Arts Gallery University of Southern Queensland,Toowoomb (2013) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, Elysium Fields 2013 & Common Garden Variety 2013, Ten Days on the Island, Domain House, Queens Domain, Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Keating, MJ, Mobile Living, MARS Gallery Melbourne, MARS Gallery, Bay St Melbourne (2013) [Published Creative Work] [Full Text] [Detail]
Legg, A, Syn[A]: Clavier A Lumieres, MONA, MONA (2012) [Performance] [Full Text] [Detail]
Legg, A, Festival of Voices: Curatorship, Workshop Program, Festival of Voices: UTAS, Hobart, TAS (2011) [Curated Exhibition] [Full Text] [Detail]
Lewis, Robert, The Photo, CentrStage Theatre/UTAS, Annexe Theatre, Launceston (2013) [Other Exhibition] [Full Text] [Detail]
Lewis, Robert, The Trojan Women, Annexe Theatre, Launceston (2013) [Other Exhibition] [Full Text] [Detail]
MacDonald, AL, Anne MacDonald: Party, Artereal Gallery, Sydney, 1/5, pp. 7 (2013) [Published Creative Work] [Full Text] [Detail]
MacDonald, AL, Anne MacDonald: Party, Bett Gallery, Hobart (2013) [Repeat Exhibition] [Detail]
MacDonald, AL, Party no.2 in William and Winifred Bowness Photography Prize, Monash Gallery of Art, Melbourne, 1, pp. 1 (2013) [Published Creative Work] [Detail]
MacDonald, AL, Party no.3 in Josephine Ulrick and Win Schubert Photography Award, Gold Coast City Gallery, Surfers Paradise, 1, pp. 1 (2013) [Published Creative Work] [Detail]
Ozolins, B, The Library, Domain House, Queens Domain, Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, In the beginning, Plimsoll Gallery, Tasmanian College of the Arts, Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, Moira, Museum of Old and New Art (MONA), MONA, Berriedale, Tasmania (2013) [Published Creative Work] [Full Text] [Detail]
Scott, M, Black Powder, Contemporary Art Tasmanian and Detached Cultural Organisation, Contemporary Art Tasmania Gallery, North Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Scott, MG, Domain Walks, Bett Gallery Hobart, Bett Gallery Hobart (2013) [Published Creative Work] [Full Text] [Detail]
Stephenson, D, Sant'Ivo alla Sapienza, Rome, 1997, Flatlands: photography and everyday space, Art Gallery of New South Wales, Sydney, pp. 1 (2013) [Revision/New Edition] [Full Text] [Detail]
Stephenson, DM and Walch, MB, 'Derwent River entering Lake King William, 8/10/2012, 5:29am' in Domain: a contested environment, Plimsoll Gallery, Tasmanian College of the Arts, University of Tasmania, for Ten Days on the Island, Domain House, Queens Domain, Hobart, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, 'Self-Portrait looking down a survey cut, proposed site of Gordon below Franklin Dam', 1982, in Australia: land and landscape, Royal Academy of Arts, in conjunction with National Gallery of Australia, London, UK, pp. 1 (2013) [Repeat Exhibition] [Full Text] [Detail]
Stephenson, DM, Three Views, John Buckley Gallery, Melbourne (2011) [Published Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Paling, EJ, Kenneth Leighton: Music for Violin and Piano, Move Records, Melbourne, pp. includes an 8 page booklet (2013) [Recorded Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Paling, EJ, Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin, Move Records, Melbourne, pp. includes 8 page booklet (2013) [Recorded Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Williams, JD and Quaife, M*, 2012 Symphony Australia TSO Composers' School Chamber Music Presentation, TSO Studio (2012) [Performance] [Full Text] [Detail]
Teniswood-Harvey, A and Glazer, L* and de Montfort, P* and Ono, A*, Cross Cultural Interchange and Aspirations od Universality: The Peacock Room in 1908, Smithsonian, USA (2011) [Recorded Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A, The Ring of Bone: The Piano Music of Elisabeth Lutyens, Move Records, Melbourne, pp. includes a 12 page booklet (2011) [Recorded Creative Work] [Full Text] [Detail]
Walch, MB, Chamonix Valley and North Lyell from East Owen Spur: North Lyell Mine disaster 1912, Allport Library and Museum of Fine Arts, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Walch, MB, Sticks and Stones, Flinders University City Gallery, Adelaide Fringe Festival, 1 (2009) [Published Creative Work] [Detail]
Other Creative Work
Carter, D, Mary Meets Mohammad Soundtrack, Warratah Films, International Cinema Release (2013) [Minor Creative Work] [Full Text] [Detail]
Chatwin, DA, Spring, Riverlea Australia Pty Ltd, Hobart, pp. 1 (2007) [Acquisition] [Full Text] [Detail]
Dobson, A, 17 g.v, Self Published, Hobart, pp. 1 (2013) [Minor Creative Work] [Detail]
Dobson, A, The O.C, Self Published, Hobart, pp. 1 (2013) [Minor Creative Work] [Detail]
MacDonald, AL, Party no. 3, Gold Coast City Gallery, Surfers Paradise, Queensland, pp. 1 (2013) [Acquisition] [Full Text] [Detail]
Malor, D, 'Of attitude and l'attitude', Papering the landscape: re-visioning Cataract Gorge (work by Sue Henderson), NEW Gallery, University of Tasmania, Newnham, TAS, pp. 6 (2013) [Catalogue] [Full Text] [Detail]
Malor, D, 'Preface' to Enucleo: Contemporary Clay, Curators: Serena Rosevear and Patrick Sutczak, Launceston, Tasmania, pp. 2 of 48 (2013) [Catalogue] [Full Text] [Detail]
Malor, D, 'Touching ground' for Melissa Smith, Touching Ground, Handmark Gallery, Hobart, TAS, pp. 4 (2013) [Catalogue] [Full Text] [Detail]
Malor, D, Haughton Forrest and friends, Burnie Regional Art Gallery, Burnie, Tasmania, pp. 6pp (essay 3pp) (2013) [Catalogue] [Full Text] [Detail]
Malor, D, Metal That Moves, Salamanca Arts Centre/ Tasmanian Blacksmiths Assoc, Hobart, Tasmania, pp. 16pp (2013) [Catalogue] [Full Text] [Detail]
Malor, D, Transit - Ross Byers Solo Commission: Stories in form, Devonport Regional Art Gallery, Devonport, Tasmania, pp. 6pp (essay pp 3-4) (2013) [Catalogue] [Full Text] [Detail]
Malor, D, Hidden treasures of Launceston: A dream of connectedness, Academy Gallery, Launceston, Tasmania, pp. 4 (essay pp 2-3) (2012) [Catalogue] [Full Text] [Detail]
Munday, I, John Martyn-The Island years, Universal/Island UK, United Kingdom, pp. 2 (2013) [Representation of Original Art] [Full Text] [Detail]
Walch, MB, Mist Opportunities, Parliament House Art Collection, Department of Parlimentary Services, Canberra, pp. 1 (2013) [Acquisition] [Full Text] [Detail]
Thesis
Bywaters, MC, “House and home: An investigation of domestic space in contemporary Australian visual art” (2012) [PhD] [Full Text] [Detail]
Hodder, AL, “The influence of Igor Stravinsky on the compositional style of Aaron Copland's Piano Variations” (2010) [Masters Research] [Full Text] [Detail]
Other Public Output
Bywaters, MC, “Early Flight Inspiration for Work”, The Advocate, Burnie, April 13, 2013, p. 1. (2013) [Media Interview] [Full Text] [Detail]
Deng, S, “Concerted Effort by Old Friends”, The Mercury, Hobart, TAS (2013) [Media Interview] [Full Text] [Detail]
Deng, S, “East Meets West”, The Mercury, Hobart, TASmania (2013) [Media Interview] [Full Text] [Detail]
Deng, S, “Fun on a Grand Scale”, The Mercury, Hobart, TAS (2013) [Media Interview] [Full Text] [Detail]
Lewis, Robert, “Theatre Company Acts on its Brand”, Examiner, Launceston, March 4 (2013) [Media Interview] [Full Text] [Detail]
Ozolins, BT, “Grimstone and Savery” (2012) [Award] [Full Text] [Detail]
Ozolins, BT, “Interview”, dasSUPERPAPER, Rococo Productions, 21, pp. 16-18. (2011) [Magazine Article] [Full Text] [Detail]
Ozolins, BT, “The Reading Room”, Island, Island Magazine, Sandy Bay, TAS, 127, pp. 51-53. (2011) [Magazine Article] [Full Text] [Detail]
Turton-Turner, P, “Piccinini's work 'not demeaning to women'”, The Sunday Examiner, The Sunday Examiner, Launceston, Tasmania, 30 June, p. 14. (2013) [Media Interview] [Full Text] [Detail]

* This author is not affiliated with the University of Tasmania.