Web Access Research Portal

Research Report 2016 - School of Creative Arts and Media

Journal Article
Boden, MJ, “Tom Pickering: Jazz on the periphery of the periphery”, Jazz Research Journal, 10 (1-2) pp. 109-125. doi:10.1558/jazz.v10i1-2.29128 ISSN 1753-8637 (2016) [Refereed Article] [Full Text] [Detail]
Bywaters, M, “House and Home: Malcom Bywaters”, International Journal of Practice-Based Humanities, 2 (1) pp. 1-28. ISSN 2207-3086 (2016) [Contribution to Refereed Journal] [Full Text] [Detail]
Hannah, D and Yates, A* and O'Neill, A*, “Curatorial Statement”, Performance Research: A Journal of Performing Arts, 21 (2) pp. 90. doi:10.1080/13528165.2016.1173926 ISSN 1352-8165 (2016) [Letter or Note in Journal] [Detail]
Hannah, DM, “North American Political Prisoners in Van Diemen's Land: Working in the Midlands”, The York Pioneer, 107 ISSN 0513-2711 (2012) [Non Refereed Article] [Detail]
Hannah, DM, “Bibliograhy of Published Works Relating to the Upper Canadian Rebellion of 1837-1838 and Associated Topics”, Australasian Canadian Studies, 30 (1) ISSN 1832-5408 (2012) [Non Refereed Article] [Detail]
Hogan, J, “Touching Evidence: a case for sensation over representation”, Non Liquet [The Westminster Online Working Papers], Law and the Senses Series: TOUCH (3/Oct) pp. 28-51. ISSN 1758-0218 (2017) [Refereed Article] [Full Text] [Detail]
McPherson, AJ and Philpott, C, “Circular breathing: expanding musical possibilities for flute players and composers”, Journal of Music Research Online, 7 pp. 1-11. ISSN 1836-8336 (2016) [Refereed Article] [Full Text] [Detail]
Philpott, C and Leane, E, “Making music on the march: sledging songs of the 'heroic age' of Antarctic exploration”, Polar Record, 52 (6) pp. 698-716. doi:10.1017/S0032247416000255 ISSN 0032-2474 (2016) [Refereed Article] [Full Text] [Detail]
Philpott, C and Humberstone, J*, “The Glitter Gang (1973-74): A microcosm of Malcolm Williamson's views on social inclusivity and his Australian identity”, Musicology Australia, 38 (1) pp. 1-28. doi:10.1080/08145857.2016.1159648 ISSN 0814-5857 (2016) [Refereed Article] [Full Text] [Detail]
Philpott, C and Forbes, AM, “From the outside: Helpmann, Nolan and Williamson’s Australian ballet, The Display (1964)”, Context: A Journal of Music Research, 40 pp. 17-34. ISSN 1038-4006 (2016) [Refereed Article] [Full Text] [Detail]
Philpott, C, “Sonic explorations of the southernmost continent: four composers' responses to Antarctica and climate change in the twenty-first century”, Organised Sound, 21 (1) pp. 83-93. doi:10.1017/S1355771815000400 ISSN 1355-7718 (2016) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Reconsidering Whistler's portrait of Henry Irving”, Burlington Magazine, 158 (1362) pp. 723-729. ISSN 0007-6287 (2016) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Reconsidering the ANZAC legend: music, national identity and the Australian experience of World War I, as portrayed in the Australian War Memorial’s Art and Photographic Collections”, Music in Art, 41 (1-2) pp. 11-22. ISSN 1522-7464 (2016) [Refereed Article] [Full Text] [Detail]
Whiting, S* and Carter, D, “Access, place and Australian live music”, M/C Journal, 19 (3) pp. 1-4. ISSN 1441-2616 (2016) [Refereed Article] [Full Text] [Detail]
Book
Bywaters, M, Domestic Space: Four Artists and the Australian Experience, Common Ground Publishing, United States, pp. 190. ISBN 9781612298733 (2016) [Authored Other Book] [Full Text] [Detail]
Chapter in Book
Forbes, AM, “Doctoral Research through Music Performance”, Doctoral Writing in the Creative and Performing Arts, Libri Publishing, Ravelli L, Paltridge B and Starfiled S (ed), United Kingdom, pp. 263-280. ISBN 9781909818477 (2014) [Research Book Chapter] [Full Text] [Detail]
Hannah, D, “Beyond Language: performing 'true-meant design;' 'that risky and dangerous negotiation between a doing...and a thing done'”, Designers' Shakespeare, Routledge, Brown JR and Di Benedetto S (ed), United Kingdom, pp. 170-194. ISBN 978-0415525077 (2016) [Research Book Chapter] [Full Text] [Detail]
Hannah, D and Brown, C*, “Mapping turbulent gestures and liquid ground”, Poetic Biopolitics: Practices of Relation in Architecture and the Arts, I.B.Tauris & Co Ltd, Rawes P, Loo S and Mathews T (ed), United Kingdom, pp. 221-244. ISBN 9781780769127 (2016) [Research Book Chapter] [Full Text] [Detail]
Watt, Y, “Down on the Farm: Why do Artists Avoid ‘Farm’ Animals as Subject Matter?”, Meat Culture, Brill, Potts A (ed), Netherlands, pp. 163-183. ISBN 9789004325869 (2016) [Research Book Chapter] [Full Text] [Detail]
Watt, Y, “Animal Factories”, The Art of The Animal, Lantern Books, Eddy K, Watson LA and O'Rourke J (ed), New York, pp. 143-154. ISBN 9781590564912 (2015) [Other Book Chapter] [Detail]
Wise, K, “David Thomas: Perceiving / Inner /Experience / Outer”, When a still painting shows us that we are moving: Impermanences and other projects 2010-2016, Surpllus, Melbourne, pp. 47-58. ISBN 978-1-922099-18-1 (2016) [Other Book Chapter] [Detail]
Wise, K, “Derealisation, cinema and the turbulence of information”, Transdiscourse 2: Turbulence and Reconstruction, De Gruyter, Scott, J (ed), Berlin, pp. 47-58. ISBN 978-3-11-046981-3 (2016) [Research Book Chapter] [Full Text] [Detail]
Review
Freeman, CJ and Watt, YM, “Georgette Leah Burns and Mandy Paterson eds. Engaging with Animals: Interpretations of a Shared Existence”, Animal Studies Journal, 4 (2) pp. 181-188. ISSN 2200-9140 (2015) [Review Single Work] [Detail]
Conference Publication
Collins, SM, “Globalisation and preservation in violin pedagogy: How the migration of violinists in the 20th century may have affected the way we teach today”, Australian Violin Pedagogy Conference, 5-7 June, Launceston (2015) [Non Refereed Conference Paper] [Detail]
Fountain, W and Wise, K, “Excursions and incursions: getting inside the social motives and practices re-shaping creative arts learning”, ACUADS 2016 Conference proceedings, 29-30 September, Brisbane, pp. 1-13. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Hannah, DM, “From Scenography to Performance Design”, PQ Transformations Symposium, 17-18 March 2016, Prague, Czech Republic (2016) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Guest Professor”, August 2016, Tromso, Norway (2016) [Keynote Presentation] [Detail]
Hannah, DM, “Mediating A/Part”, Elastic 3D Spaces Colloquium, 24-27 Feb, 2016, Concordia University, Montreal, Canada (2016) [Keynote Presentation] [Detail]
Hannah, DM, “SAAR (Summer Academy of Artistic Research)”, August 2016, Helsinki, Finland (2016) [Keynote Presentation] [Detail]
Hannah, DM, “The Scenographic Screen”, Interdisciplinary Performance Symposium, March 2016, University of Malta, Malta (2016) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “What Drawing Does”, April 2016, VUW, Wellington, NZ (2016) [Keynote Presentation] [Detail]
Hannah, DM, “At the Barricade: Borderline Events and the Transversal Spatial Condition”, Transversal Practices, International New Materialisms conference, 27-29 September 2015, VCA, Melbourne Australia (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Constructing Barricades and Creating Borderline Events”, Conversations in Feminiism and Art, May 2015, CAT Contemporary Art Tasmania (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Food, Performance & Design”, Terrace Talk,, May 2015, USA Pavillion, EXPO Milano, Italy (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Guest Professor”, August 2015, Stockholm, Sweden (2015) [Keynote Presentation] [Detail]
Hannah, DM, “In Freedom's Name: Transversal Encounters on the Borderline”, Performing Mobilities Conference, October, 2015, University of Melbourne, Australia (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Keynote”, 2015, Aalto University, Helsinki, Finland (2015) [Keynote Presentation] [Detail]
Hannah, DM, “Keynote Speaker”, Prague Quadrennial Symposium: Transformations, March 2016, Prague, Czech Republic (2015) [Keynote Presentation] [Detail]
Hannah, DM, “Keynote Speaker”, February 2016, Concordia University, Montreal, Canada (2015) [Keynote Presentation] [Detail]
Hannah, DM, “Keynote Speaker”, December 2015, Helsinki University of the Arts, Finland (2015) [Keynote Presentation] [Detail]
Hannah, DM, “Praxis: Artistic Theory & Practice”, TaHTO Closiing Event, December 2015, Helsinki University of the Arts, Finland (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Speaker”, May 2015, Milan, Italy (2015) [Keynote Presentation] [Detail]
Hannah, DM, “Take 2: Conversations in Feminism and Art”, May 2015, Hobart, Australia (2015) [Keynote Presentation] [Detail]
Hannah, DM, “The Performative Screen”, Finnish Theatre Research Society Seminar, December, 2015, Aalto University Helsinki, Finland (2015) [Keynote Presentation] [Detail]
Hannah, DM, “The Performative Screen: Bearing Witness and Streaming Resistance”, PQ Theory Talks, Prague Quadrennial of Performance Design & Space, June 2015, Czech Republic (2015) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Architectural Design Research”, Venice Architecture Biennial, November 2014, Italy (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Artaudf's Spatial Speech: Addressing the Quotidian Violence of Public Space”, Contested Spaces, May 2014, Artaud Forum Brunel University, UK (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Borderline Performances: Weak(ening) Architecture”, Performance and Interdisciplinarity, May 2014, University of Malta, Malta (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Constructing Barricades and Creating Borderline Events”, Crossing Borders - Theatre and Cultural Encounters, May 2014, University of Helskinki, Finland (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Disappearing Acts: The Performative Exhibition as Spatial Research”, Architectural Design Research, November 2014, Venice Biennial, Italy (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Exposium thinking-Scenography”, 19-24 September 2014, Utrectht/Rotterdam, Netherlands (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Inscriptions of Crime and Pardon: Shared Performative Space and the Scenographic Exhibit”, PQ Shared Space Symposium, April 2014, Prague, Czech Republic (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Keynote Speaker”, Theatre Architecture Seminar, April 2013, University of Rio De Janeiro, Brazil (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Performance Design & Space: PQ and the Expanded Global Stage”, 17 November 2014, University of Novi Sad, Serbia (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Scenography”, September 2014, Utrecht, Netherlands (2014) [Keynote Presentation] [Detail]
Hannah, DM, “Shared Space, Co-creation & Scenography”, 18 September 2014, University of Utrecht, Netherlands (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Site-Specific Performance Design”, September 2014, Roskilde University, Denmark (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Wearing the Wearer: Active Garments that Actively Challenge Performing Bodies”, Critical Costume, May 2014, Aalto University, Helsinki, Finland (2014) [Non Refereed Conference Paper] [Detail]
Hannah, DM, “Keynote Speaker”, Prague Quadrennial Symposium: Spatial Curation, April 2013, Prague, Czech Republic (2013) [Keynote Presentation] [Detail]
Hogan, J, “Transversing Truganini Track”, Transversal Practices: Matter, Ecology and Relationality , VI Conference on New Materialisms, December, Melbourne (2015) [Non Refereed Conference Paper] [Detail]
Hogan, JM, “Touching evidence: a case for sensation over representation”, The Westminster Online Working Papers Series, Law and the Senses, pp. 28-51. (2016) [Non Refereed Conference Paper] [Full Text] [Detail]
Kratz, SJ and Keating, M and Wise, K, “Strategic directions in practice-led research: rethinking research models in the creative arts”, ACUADS 2016 Conference proceedings, 29-30 September 2016, Brisbane, Australia, pp. 1-14. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Newitt, J, “'Dancing in a state of crisis: gestures of catharsis and resistance”, Mind The Gap: The Artist In Culture Studies, Catholic University of Lisbon, Catholic University of Lisbon (2015) [Non Refereed Conference Paper] [Detail]
Tregloan, K* and Wise, K and Fountain, W, “Multiple measures & interdisciplinary adventures: Benchmarking interdisciplinary assessment design in the Creative Arts and Humanities”, ACUADS 2016 Conference proceedings, 29-30 September, Brisbane, pp. 1-13. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Veness, Z and Tieu, B*, “Poetic dimensions: Jewellery conversations about design process”, Proceedings of the ICDHS 2016 - 10th Conference of the International Committee for Design History & Design Studies, 26-28 October, Taipei, pp. 238-243. ISSN 2318-6968 (2016) [Refereed Conference Paper] [Full Text] [Detail]
Watt, Y, “Animal Factories and Anti-Duck Shooting: negotiating academia as an activist artist”, Beyond the Human: Feminism and the Animal Turn Symposium, 9-10 February, University of Wollongong (2016) [Keynote Presentation] [Detail]
Watt, Y, “Animal Factories and Anti-Duck Shooting: negotiating academia as an activist artist”, New Zealand Centre for Human-Animal Studies conference, 5-6 November 2015, University of Canterbury (2015) [Keynote Presentation] [Detail]
Watt, Y, “Artists and Animals: A Survey”, Minding Animals 3, 13-20 January, New Delhi (2015) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Art and Animal Advocacy: the artist as activist”, 5th Biennial Conference of the Australian Animal Studies Group, 8-10 July, University of Sydney (2013) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Animal Factories: a visual investigation into the hidden lives of animals in industrial agriculture”, Animal Death Symposium, 12-13 June, University of Sydney (2012) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Reconstructing the Animal – contemporary artists interrogating human-animal relationships”, Australian Animal Studies Group Conference, 10-12 July, Griffith University (2011) [Non Refereed Conference Paper] [Detail]
Design
Ozolins, B and Hefferenan, P* and Brienese, E* and Allen, T* and de Gryse, G*, Immigration Place Australia: Leaving crossing arriving becoming, National Archives of Australia, Canberra, and the Immigration Place Australia website, Immigration Place Australia, Canberra (2015) [Refereed Designs] [Full Text] [Detail]
Contract Report, Consultant's Report
Carter, D and Muller, P*, Value of 2SM Artspaces in Sydney Final report, Cit of Sydney, Australia (2016) [Contract Report] [Detail]
Carter, D and Muller, P*, Value of Live Music In Sydney Final Report, Cit of Sydney, Australia (2016) [Contract Report] [Detail]
Major Creative Work
Brassington, P, Just So, Arc One Gallery, Melbourne, Australia (2016) [Published Creative Work] [Detail]
Brassington, P, Public Image, Private Lives: Family, friends and self in photography, Art Gallery of South Australia, Adelaide, Australia (2016) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Hiding in Plain Sight: A selection of works from the Michael Buxton Collection, Bendigo Art Gallery, Victoria, Australia (2015) [Published Creative Work] [Detail]
Brassington, P, Mad Women in the Attic? A Feminist Revisioning of the Archive, Plimsoll Gallery, Hobart Tasmania (2015) [Published Creative Work] [Detail]
Brassington, P, Mind Shadows, Arc One Gallery, Melbourne, Australia, 1 (2015) [Published Creative Work] [Detail]
Brassington, P, Pat Brassington, 10 Cubed Gallery, Melbourne, Australia (2014) [Published Creative Work] [Detail]
Brassington, P, The Brassington Affair, Plimsoll Gallery, Centre for the Arts, Hobart Tasmania (2014) [Published Creative Work] [Detail]
Brassington, P, In Search of the Marvellous, Contemporary Art Tasmania Gallery, Hobart, Australia (2013) [Published Creative Work] [Full Text] [Detail]
Brassington, P, It’s Just a Heartbeat Away, Monash Gallery of Art, Victoria, Australia (2013) [Published Creative Work] [Detail]
Brassington, P, Louise Bourgeois and Australian Artists, Heide Museum of Modern Art, Victoria, Australia (2013) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Metamorph, Domain: A contested landscape, Ten Days on the Island, Domain House, Queens Domain, Hobart, Tasmania (2013) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Quill, Bett Gallery, Hobart and Stills Gallery, Sydney (2013) [Published Creative Work] [Detail]
Brassington, P, Parallel Collisions, 12th Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Australia (2012) [Published Creative Work] [Detail]
Brassington, P, Pat Brassington: A Rebours, Australian Centre for Contemporary Art, Melbourne, The Australian Centre for Photography, Sydney, Tasmanian Museum and Art Gallery, Hobart, Devonport Regional Gallery, Devonport, Te Tuhi Gallery, Auckland, NZ, Horsham Regional Art Gallery, Victoria (2012) [Published Creative Work] [Full Text] [Detail]
Brassington, P, Journeys: through history, theory and practice, Centre for the Arts, Plimsoll Gallery, Hobart Tasmania (2011) [Published Creative Work] [Detail]
Brassington, P, The Devil had a Daughter, Monash University Museum of Art, Melbourne, Australia, 1 (2011) [Published Creative Work] [Full Text] [Detail]
Carter, D, The Shadows Calling, Mona, Dark Mofo / Detached Gallery, 1 (2015) [Published Creative Work] [Full Text] [Detail]
Collins, S and McCallum, S*, Chamber Works: From the Great War - Sonatas to Soothe the Soul, Sydney Conservatorium of Music, Hobart (2015) [Performance] [Full Text] [Detail]
Davies, PE and Wise, CJE, Derwent Heavy Metal Wise Head 1: Video art installation, University of Tasmania, Museum of Old and New Art, Hobart (2016) [Recorded Creative Work] [Full Text] [Detail]
Davies, PE, Launch of Oceans of the Unknown, University of Tasmania, IMAS Gallery Salamanca (2016) [Curated Exhibition] [Full Text] [Detail]
Deng, S, Grenfell 'Choro' ABC Classic FM broadcast, ABC Classic FM, ABC (2016) [Broadcast] [Full Text] [Detail]
Deng, S, Musical Encounter Series, The Banff Centre, The Banff Centre, Rolston Recital Hall (2016) [Other Exhibition] [Full Text] [Detail]
Grenfell, M, Voyage, Australian Broadcasting Corporation, Salon, Melbourne Recital Centre, 31 Sturt Street, Southbank VIC 3006, 1, pp. 24 (2015) [Recorded Creative Work] [Full Text] [Detail]
Haywood, N and Brown, A* and Ball, E* and Hughes, G* and Nov, P*, Ithaca Bound, Head Records, Melbourne, Australia, 1 (2015) [Recorded Creative Work] [Full Text] [Detail]
Haywood, N and Brown, A* and Ball, E* and Hughes, G* and Nov, P*, Ithaca Bound, Melbourne International Jazz festival: Bennetts Lane Jazz Club, Melbourne, Australia, 1 (2015) [Performance] [Full Text] [Detail]
Haywood, N and Gibson, N* and Dobson, A and Kingston, D and O'Leary, L*, Jane’s Shed: The Acoustic Life of Sheds, Tasmanian International Arts Festival, Boat Harbour Tasmania, 1 (2015) [Performance] [Full Text] [Detail]
Haywood, N and Gould, T* and Vining, T*, TNT - 2 Pinots, 2 Pales and 2 Pints, Planet Studio, Hobart, 1 (2014) [Recorded Creative Work] [Full Text] [Detail]
Hogan, J, Membrane of Memory: Care instructions, Langford 120 Gallery, Melbourne, 1 (2015) [Published Creative Work] [Full Text] [Detail]
Hogan, J, The Stone Dialogues, Nomad Art Darwin, Darwin, 1, pp. 21 (2015) [Published Creative Work] [Full Text] [Detail]
Keating, M, Transformed labour, 'Collaboration' 35th Anniversary of the Tasmania-Fujian Sister State, Fujian Museum, Fujian China, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Keating, M, The Andalusian Art Wall, Spec Property and Boroondara Council Balwyn, The Andalusian 182-186 Whitehorse Rd, Balwyn, Melbourne, 1 (2015) [Published Creative Work] [Full Text] [Detail]
Keating, M and Johnstone, S, The Paper Canary, Climarte Festival, MARS Galley, Melbourne Australia, 1 (2015) [Published Creative Work] [Full Text] [Detail]
Keating, M and Johnstone, S, The Ministry of Pulp and Smoke, Salamanca Arts Centre, Hobart, TAS: Gosford Regional Gallery, NSW; Goulburn Regional Gallery, NSW and Swan Hill Regional Gallery, VIC, Australia, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Long, S, Brainstorm‘ the waves fell, withdrew and fell again soundtrack, MOFOFONE, Amanda Jane Davies, Dark Mofo, Hobart Tasmania (2016) [Published Creative Work] [Full Text] [Detail]
Long, S, Snapshot Photography and Migrant Women Sound Producer, UTAS Morris Miller Library, UTAS Inversek Library and TMAG, Hobart and Launceston (2016) [Published Creative Work] [Full Text] [Detail]
Long, S, ‘Just As You Are’ Kristin Berardi CD, Red Planet Recording, Utas Conservatorium Recital Hall, Hobart (2016) [Recorded Creative Work] [Full Text] [Detail]
Long, S, 2 Pinots, 2 Pales and 2 Hours CD, Red Planet Recording, Hobart, 1 (2014) [Recorded Creative Work] [Full Text] [Detail]
Long, S, Brighter Day, Tiki Hut Productions, Spark in the Dark and Red Planet Recording, Hobart City Hall, Hobart (2012) [Recorded Creative Work] [Detail]
Long, S, Eleven Duos by Russell Gilmour CD, Tasmanian Government House Ballroom, Hobart (2012) [Recorded Creative Work] [Full Text] [Detail]
Long, S, Walkabout’, 301 Studios, Hobart (2011) [Recorded Creative Work] [Full Text] [Detail]
Lucieer, V and Hogan, J and Rees, A, Oceans of the Unknown, University of Tasmania, IMAS Gallery Salamanca (2016) [Curated Exhibition] [Full Text] [Detail]
Mate, KJH and Trenos, HR, The Sensory Meal, Junction Arts Festival 2016, Old Brisbane Arcade, Launceston, Tasmania (2016) [Performance] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Performance of Alfred Pratt Idylle Printanière, Op. 17. No. 2, Roger Fiske, Sonata for Clarinet and Piano, Arnold Bax Sonata for Clarinet and Piano, Otto Goldschmidt Evening, from Two Pieces, Op. 26, Conservatorium of Music, University of Tasmania, Hobart, Tasmania (2014) [Performance] [Full Text] [Detail]
Newitt, J, conundrum, Contemporary Art Tasmania, Hobart, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Newitt, J, To Attempt to Become Other, Secretly or Not, Stenar Projects and Ar Sólido Lisbon, Portugal, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, Graphos, MONA: Museum of Old and New Art, MONA: Museum of Old and New Art, Berriedale, Tasmania, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, The Black Tulip, Tasmanian Archive and Heritage Office, Allport Library and Museum of Fine Arts, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, Unity, Bett Gallery, North Hobart, Tasmania, Bett Gallery, North Hobart, Tasmania, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Scott, M, A World in Things, Queen Victoria Museum and Art Gallery, Launceston, Tasmania, pp. 6 (2016) [Published Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A, Carpe Diem: piano music from Italy, Move Records, Melbourne, Australia, 1 (2016) [Recorded Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK and Edwardes, C* and Tomlinson, V*, 2014 Accompanists' Festival Piano with Percussion: An Elder Perspectives Recital, Accompanists’ Guild of South Australia, Elder Hall, University of Adelaide (2014) [Performance] [Full Text] [Detail]
Watt, Y, Animaladies Exhibition and Postcard Project, Interlude Gallery, Sydney, Australia (2016) [Curated Exhibition] [Full Text] [Detail]
Watt, Y, Animal Factories, Artspace, Hobart, Australia, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Wise, K, Navigating the Terrain, Academy Gallery, Tasmanian College of the Arts, Inveresk, 1 (2016) [Other Exhibition] [Detail]
Zika, P, The Brassington Affair, Plimsoll Gallery, Hobart, Tasmania (2014) [Curated Exhibition] [Full Text] [Detail]
Zika, P, Domain arabesque, Domain: a contested landscape, Exhibition, Ten Days on the Island, Domain House, Queens Domain, Hobart, Tasmania (2013) [Other Exhibition] [Full Text] [Detail]
Zika, P, Terme’ series (#4 – 14) Exhibitions, Plimsoll Gallery, Stephen McLaughlan Gallery, Melbourne; Penny Contemporary, Hobart; Plimsoll Gallery, Hobart; Penerbit Universiti, Pendidikan Sultan Idris (2012) [Published Creative Work] [Full Text] [Detail]
Zika, P, Journeys: through history, theory and practice, Plimsoll Gallery, Hobart, Tasmania (2011) [Curated Exhibition] [Full Text] [Detail]
Other Creative Work
Collins, S, Bach's Chaconne performance at Navigating the internal landscape: an artistic, Academy Gallery, Inveresk (2016) [Performance Practice] [Detail]
Collins, S, Chanber Music Masterclass, Griffith University, Queensland Conservatorium, Australia (2016) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Conservatorium Recital Hall, Hobart (2016) [Performance Practice] [Detail]
Collins, S and Fritzsch, J, Baroque Treasures recital: Locatelli Sonata Op 8 No. 4 manuscript realisation, University of Tasmania Conservatorium Recital Hall, Hobart (2015) [Performance Practice] [Detail]
Collins, S and Fritzsch, J*, Baroque Treasures: Bach Partita No.2 in D Minor, Locatelli Sonata Op.8. No.4, in C, Handel Sonata in D, Op1.No.13, University of Tasmania, Hobart (2015) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Sydney Town Hall, Australia (2015) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Killara Music Club, Australia (2015) [Performance Practice] [Detail]
Collins, S, Peadagogy session for Violin and Chamber Orchestra, Farrall Centre, Australia (2015) [Performance Practice] [Detail]
Collins, S, Semi Final Performance, Young Performers Awards, Hobart Town Hall, Hobart (2015) [Performance Practice] [Detail]
Collins, S, Southern Cross Soloists: Travels of a Trickster, Redland Performing Arts Centre, Australia (2015) [Performance Practice] [Detail]
Collins, S, Violin Materclass for advanced Students, University of Queensland, Australia (2015) [Performance Practice] [Detail]
Deng, S, Masterclass at Tasmanian Teacher’s Association Conference, The Hutchins School, Hobart (2016) [Performance Practice] [Detail]
Deng, S, Mock Examiner, Australian Music Examination Board’s Examiner Seminar, Hobart (2016) [Performance Practice] [Detail]
Dobson, A and Haywood, N, Dobson/Ottaway/Haywood/Jackson performance for Cinco de Mayo @ Hobart Brewing Company, HobartBrewing Company, Hobart, pp. 80 minutes (2016) [Performance Practice] [Full Text] [Detail]
Dobson, A and Haywood, N and Ottaway, K and Jackson, A*, Dobson/Ottaway/Haywood/Jackson Quartet performance @ Ah-Hum Jazz Festival, Ah-Hum Jazz Festival, Hobart, pp. 60 minutes (2016) [Performance Practice] [Full Text] [Detail]
Dobson, A, Jimmy Peters and the Pantones @ the Winston January 31/2016, The Winston, Hobart, pp. 180 Minutes (2016) [Performance Practice] [Full Text] [Detail]
Dobson, A and Ottaway, K and Haywood, N, Modern Operative Performance @ Clarence Jazz Festival, Clarence City Council, Clarence, pp. 60 minutes (2016) [Performance Practice] [Full Text] [Detail]
Dobson, A, Performance with Boy and Bear, Odeon Theatre, Hobart, pp. Harlequin Dream (2016) [Performance Practice] [Full Text] [Detail]
Dobson, A, Studley Moore Performance, The Homestead, Hobart, pp. 120 minutes (2016) [Performance Practice] [Full Text] [Detail]
Grenfell, M, Residential Summer String Camp, Launceston Youth and Community Orchestras, Ulverstone, Tasmania, Australia, pp. 1 (2016) [Performance Practice] [Full Text] [Detail]
Hannah, D and Di Stefano, J*, Bodies at the Vanishing point: Doublethink and Ann Shelton’s Eventual Photographic Constructions. In Dark Matter: Ann Shelton Retrospective Catalogue, Auckland Art Gallery, New Zealand, pp. 134-143. ISBN 978-0-86463-309-5 (2016) [Catalogue] [Full Text] [Detail]
Hodges, GJ and Dobson, A and Haywood, N, Performance at Tasmanian Whisky Launch, UTAS Research Engagement dinner, UTAS 125 years Celebration dinner, pp. 3 (2016) [Performance Practice] [Detail]
Hogan, J, Behind the Personal Library: Collectors Creating the Canon, Center for Book Arts, New York (2015) [Representation of Original Art] [Detail]
Hogan, J, Location, JAM JAR Galleries: Crossing the Line 2: Drawing in the Middle East, Dubai, UAE (2015) [Representation of Original Art] [Detail]
Hogan, J, New Makings, Tanjung Malim, Malaysia (2015) [Representation of Original Art] [Detail]
Hogan, J, New Makings, Plimsoll Gallery, Hobart (2015) [Representation of Original Art] [Detail]
Hogan, J, Three Figures at the Base of a Mountain: finalist Hobart Art Prize, TMAG, Hobart (2015) [Representation of Original Art] [Detail]
Hogan, J, Trajectories: Fifteen, Langford 120, Melbourne, pp. 1 (2015) [Representation of Original Art] [Detail]
Kratz, SJ, Strange Creatures, The Walls, Contemporary Art Space, Gold Coast, pp. 1 (2016) [Representation of Original Art] [Detail]
Long, S, Recording Engineer 'FATSO', Red Planet Recording, Hobart, pp. 1 (2016) [Performance Practice] [Full Text] [Detail]
Long, S, Master Engineer 'The Passion Vine' CD by Eleanor Tucker, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail]
Long, S, Mastering Engineer: Verticoli, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail]
Long, S, Journey’ Utas Southern Gospel Choir USA Tour Documentary, Red Planet Recording, Dallas, Tuskegee and LA, pp. 1 (2014) [Performance Practice] [Detail]
Long, S, Sound Engineer ‘Happy New Year’ CD, Violent Femmes, Red Planet Recording, Hobart, pp. 1 (2014) [Performance Practice] [Detail]
Long, S, Recording Engineer 'Hurry Up and Wait’ CD, Katy and the 3rd Row, Red Planet Recording, Hobart, pp. 1 (2013) [Performance Practice] [Detail]
Long, S, Recording Engineer 'Conversations', Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail]
Long, S, Sound Engineer ‘Swimming Upstream’ CD, Let The Cat out, Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail]
MacDonald, AL, Pink and Blue, Inappropriate Appropriate Ideas, The Curated Shelf, Hobart, pp. 1 (2016) [Representation of Original Art] [Full Text] [Detail]
MacDonald, AL, Candle, #YOLO, Artereal Gallery, Sydney, pp. 1 (2015) [Representation of Original Art] [Detail]
MacDonald, AL, Cherish (fairy dress), Cherish (kitty doll), Toybox, Goulbourn Regional Art Gallery, Goulbourn, NSW, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail]
MacDonald, AL, Cloth (red velvet), Party no.2, Monash Gallery of Art, Monash, VIC, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Clarinet Recital Performance of Thomas Dunhill Phantasy Suite, Op. 91 for Clarinet and Piano, Nino Rota Sonata in Re per clarinetto e pianoforte, Charles Stanford Sonata for Clarinet and Piano, Op. 129, Conservatorium of Music, University of Tasmania, Hobart, Tasmania (2015) [Performance Practice] [Full Text] [Detail]
Scott, MG, ‘The Seer’, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Wise, K, Liquid Archive, Monash University Museum of Modern Art, Melbourne (2014) [Representation of Original Art] [Detail]
Other Public Output
Bywaters, MC, “Arts forum takes on cancer”, The Examiner, Fairfax Media, Australia, 26 Feb, p. 9. (2016) [Magazine Article] [Detail]
Bywaters, MC, “Navigating exhibition”, ABC Launceston - Drivetime, Australian Broadcasting Corporation, Australia, 6 April (2016) [Media Interview] [Detail]
Bywaters, MC, “Strictly Strings Soirée Fundraiser”, The Examiner, Fairfax Media, Australia, 9 April, p. 55. (2016) [Magazine Article] [Detail]
Bywaters, MC, “Strong Expression of self: Students showcase vivid work for prize”, The Sunday Examiner, Fairfax Media, Australia, 10 July, p. 11. (2016) [Media Interview] [Full Text] [Detail]
Bywaters, MC, “Volunteers gain skills”, The Examiner Newspaper, Fairfax Media, Launceston, 29 August (2016) [Media Interview] [Detail]
Hannah, DM, “Space, Design and the Audience as Beast: Interview with Dorita Hannah”, Engaging Spaces: Sites of Performance, Interaction and Reflection:, Copenhagen (2015) [Media Interview] [Detail]
Haywood, N and Browne OAM, A* and Ball, E* and Hughes, G* and Noy, P*, “Australian Jazz Bell Awards Winners - Best Australian Small Jazz Band ' Allan Browne Quintet - Ithaca Bound'” (2016) [Award] [Detail]
Wise, K, “Lucy Bleach: Tectonic slowness”, Artlink Magazine, Artlink Australia, Australia, 36, 1 (2016) [Magazine Article] [Detail]

* This author is not affiliated with the University of Tasmania.