Other Creative Work |
Collins, S, Bach's Chaconne performance at Navigating the internal landscape: an artistic, Academy Gallery, Inveresk (2016) [Performance Practice] [Detail] |
Collins, S, Chanber Music Masterclass, Griffith University, Queensland Conservatorium, Australia (2016) [Performance Practice] [Detail] |
Collins, S, Heart of Darkness: Taverner Akhmatova Songs, Sculthorpe Quartet No.12, St David’s Cathedral, Hobart, pp. 80' (2016) [Performance Practice] [Detail] |
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Conservatorium Recital Hall, Hobart (2016) [Performance Practice] [Detail] |
Collins, S and Fritzsch, J, Baroque Treasures recital: Locatelli Sonata Op 8 No. 4 manuscript realisation, University of Tasmania Conservatorium Recital Hall, Hobart (2015) [Performance Practice] [Detail] |
Collins, S and Fritzsch, J*, Baroque Treasures: Bach Partita No.2 in D Minor, Locatelli Sonata Op.8. No.4, in C, Handel Sonata in D, Op1.No.13, University of Tasmania, Hobart (2015) [Performance Practice] [Detail] |
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Sydney Town Hall, Australia (2015) [Performance Practice] [Detail] |
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Killara Music Club, Australia (2015) [Performance Practice] [Detail] |
Collins, S, Peadagogy session for Violin and Chamber Orchestra, Farrall Centre, Australia (2015) [Performance Practice] [Detail] |
Collins, S, Semi Final Performance, Young Performers Awards, Hobart Town Hall, Hobart (2015) [Performance Practice] [Detail] |
Collins, S, Southern Cross Soloists: Travels of a Trickster, Redland Performing Arts Centre, Australia (2015) [Performance Practice] [Detail] |
Collins, S, Violin Materclass for advanced Students, University of Queensland, Australia (2015) [Performance Practice] [Detail] |
Collins, S, Synaesthesia and performance of Schoenberg’s Pierrot Lunaire, MONA, Hobart, pp. 35’32 (2014) [Performance Practice] [Detail] |
Deng, S and Heald, J*, Piano in Stereo concert, University of Tasmania Conservatorium Recital Hall, University of Tasmania Conservatorium Recital Hall, pp. 2 (2016) [Performance Practice] [Full Text] [Detail] |
Kratz, SJ, Strange Creatures, The Walls, Contemporary Art Space, Gold Coast, pp. 1 (2016) [Representation of Original Art] [Detail] |
Long, S, Recording Engineer 'FATSO', Red Planet Recording, Hobart, pp. 1 (2016) [Performance Practice] [Full Text] [Detail] |
Long, S, Master Engineer 'The Passion Vine' CD by Eleanor Tucker, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail] |
Long, S, Mastering Engineer: Verticoli, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail] |
Long, S, Journey’ Utas Southern Gospel Choir USA Tour Documentary, Red Planet Recording, Dallas, Tuskegee and LA, pp. 1 (2014) [Performance Practice] [Detail] |
Long, S, Sound Engineer ‘Happy New Year’ CD, Violent Femmes, Red Planet Recording, Hobart, pp. 1 (2014) [Performance Practice] [Detail] |
Long, S, Recording Engineer 'Hurry Up and Wait’ CD, Katy and the 3rd Row, Red Planet Recording, Hobart, pp. 1 (2013) [Performance Practice] [Detail] |
Long, S, Recording Engineer 'Conversations', Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail] |
Long, S, Sound Engineer ‘Swimming Upstream’ CD, Let The Cat out, Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail] |
MacDonald, AL, Pink and Blue, Inappropriate Appropriate Ideas, The Curated Shelf, Hobart, pp. 1 (2016) [Representation of Original Art] [Full Text] [Detail] |
MacDonald, AL, Cherish (fairy dress), Cherish (kitty doll), Toybox, Goulbourn Regional Art Gallery, Goulbourn, NSW, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail] |
MacDonald, AL, Cloth (red velvet), Party no.2, Monash Gallery of Art, Monash, VIC, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail] |
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Clarinet Recital Performance of Thomas Dunhill Phantasy Suite, Op. 91 for Clarinet and Piano, Nino Rota Sonata in Re per clarinetto e pianoforte, Charles Stanford Sonata for Clarinet and Piano, Op. 129, Conservatorium of Music, University of Tasmania, Hobart, Tasmania (2015) [Performance Practice] [Full Text] [Detail] |
Scott, MG, ‘The Seer’, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail] |
Smithies, K, Recital at Epsom House with Anna Eklund-Tarantion, Hobart (2016) [Performance Practice] [Full Text] [Detail] |
Teniswood-Harvey, A, CD Launch – Carpe Diem: Piano Music from Italy, University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice] [Detail] |
Teniswood-Harvey, A and Harvey, MK and Spiers, C* and Cummings, K*, Handel in the Mix: Music by Michael Kieran Harvey, Colin Spiers, Richard Vella and G.F. Handel and performed by Michael Kieran Harvey, Arabella Teniswood-Harvey, Karen Cummings and Colin Spiers, Harold Lobb Concert Hall, The Conservatorium of Mu, University of Newcastle, NSW, pp. 2.5 hour concert (2016) [Performance Practice] [Full Text] [Detail] |
Teniswood-Harvey, A and Harvey, MK and Edwards, JA, Let's dance (with Handel): music for two pianos and voice by Australian composer Richard Vella, University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice] [Detail] |
Teniswood-Harvey, A and Harvey, MK and Edwards, J, Let's Dance (with Handel): music for two pianos and voice by Australian composer Richard Vella, Conservatorium Recital Hall, Hobart, Hobart, pp. 75 minutes (2016) [Performance Practice] [Full Text] [Detail] |
Teniswood-Harvey, A and Harvey, MK, Music for Two Pianos: Debussy's 'En blanc et noir' and Stravinsky's 'The Rite of Spring', University of Tasmania, University of Tasmania Conservatorium Recital Hall, pp. 2 (2016) [Performance Practice] [Full Text] [Detail] |