Web Access Research Portal

Research Report 2016 - Office of the School of Creative Arts and Media

Journal Article
Boden, MJ, “Tom Pickering: Jazz on the periphery of the periphery”, Jazz Research Journal, 10 (1-2) pp. 109-125. doi:10.1558/jazz.v10i1-2.29128 ISSN 1753-8637 (2016) [Refereed Article] [Full Text] [Detail]
Hogan, J, “Touching Evidence: a case for sensation over representation”, Non Liquet [The Westminster Online Working Papers], Law and the Senses Series: TOUCH (3/Oct) pp. 28-51. ISSN 1758-0218 (2017) [Refereed Article] [Full Text] [Detail]
Leane, E and Philpott, C, “What's wrong with 'expeditioner'?”, Polar Record pp. 1-2. doi:10.1017/S0032247416000772 ISSN 0032-2474 (2016) [Letter or Note in Journal] [Full Text] [Detail]
Philpott, C and Forbes, AM, “From the outside: Helpmann, Nolan and Williamson’s Australian ballet, The Display (1964)”, Context: A Journal of Music Research, 40 pp. 17-34. ISSN 1038-4006 (2016) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Reconsidering Whistler's portrait of Henry Irving”, Burlington Magazine, 158 (1362) pp. 723-729. ISSN 0007-6287 (2016) [Refereed Article] [Full Text] [Detail]
Whiting, S* and Carter, D, “Access, place and Australian live music”, M/C Journal, 19 (3) pp. 1-4. ISSN 1441-2616 (2016) [Refereed Article] [Full Text] [Detail]
Book
Bywaters, M, Domestic Space: Four Artists and the Australian Experience, Common Ground Publishing, United States, pp. 190. ISBN 9781612298733 (2016) [Authored Other Book] [Full Text] [Detail]
Chapter in Book
Watt, Y, “Down on the Farm: Why do Artists Avoid ‘Farm’ Animals as Subject Matter?”, Meat Culture, Brill, Potts A (ed), Netherlands, pp. 163-183. ISBN 9789004325869 (2016) [Research Book Chapter] [Full Text] [Detail]
Conference Publication
Collins, SM, “Globalisation and preservation in violin pedagogy: How the migration of violinists in the 20th century may have affected the way we teach today”, Australian Violin Pedagogy Conference, 5-7 June, Launceston (2015) [Non Refereed Conference Paper] [Detail]
Deng, S, “Shan Deng Masterclass”, Tasmanian Music Teachers' Association Annual Conference program, 5 March 2016, Hobart, Australia, pp. 2. (2016) [Plenary Presentation] [Full Text] [Detail]
Fountain, W and Wise, K, “Excursions and incursions: getting inside the social motives and practices re-shaping creative arts learning”, ACUADS 2016 Conference proceedings, 29-30 September, Brisbane, pp. 1-13. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Hogan, JM, “Touching evidence: a case for sensation over representation”, The Westminster Online Working Papers Series, Law and the Senses, pp. 28-51. (2016) [Non Refereed Conference Paper] [Full Text] [Detail]
Kratz, SJ, “Emergent methodologies between disciplinary belongings: new materialism and transdisciplinary creative practice”, SOMATECHNICS: Technicity, Temporality, Embodiment, November 30 - December 3, Byron Bay (2016) [Conference Extract] [Detail]
Kratz, SJ and Keating, M and Wise, K, “Strategic directions in practice-led research: rethinking research models in the creative arts”, ACUADS 2016 Conference proceedings, 29-30 September 2016, Brisbane, Australia, pp. 1-14. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Ozolins, B, “Grimstone & Savery: reviving the work of Australia’s first novelists”, Forgotten Books and Cultural Memory Conference, 26-28 May, Tiawan, pp. 1-13. (2016) [Plenary Presentation] [Full Text] [Detail]
Tregloan, K* and Wise, K and Fountain, W, “Multiple measures & interdisciplinary adventures: Benchmarking interdisciplinary assessment design in the Creative Arts and Humanities”, ACUADS 2016 Conference proceedings, 29-30 September, Brisbane, pp. 1-13. (2016) [Refereed Conference Paper] [Full Text] [Detail]
Veness, Z and Tieu, B*, “Poetic dimensions: Jewellery conversations about design process”, Proceedings of the ICDHS 2016 - 10th Conference of the International Committee for Design History & Design Studies, 26-28 October, Taipei, pp. 238-243. ISSN 2318-6968 (2016) [Refereed Conference Paper] [Full Text] [Detail]
Watt, Y, “Animal Factories and Anti-Duck Shooting: negotiating academia as an activist artist”, Beyond the Human: Feminism and the Animal Turn Symposium, 9-10 February, University of Wollongong (2016) [Keynote Presentation] [Detail]
Watt, Y, “Animal Factories and Anti-Duck Shooting: negotiating academia as an activist artist”, New Zealand Centre for Human-Animal Studies conference, 5-6 November 2015, University of Canterbury (2015) [Keynote Presentation] [Detail]
Watt, Y, “Artists and Animals: A Survey”, Minding Animals 3, 13-20 January, New Delhi (2015) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Art and Animal Advocacy: the artist as activist”, 5th Biennial Conference of the Australian Animal Studies Group, 8-10 July, University of Sydney (2013) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Animal Factories: a visual investigation into the hidden lives of animals in industrial agriculture”, Animal Death Symposium, 12-13 June, University of Sydney (2012) [Non Refereed Conference Paper] [Detail]
Watt, Y, “Reconstructing the Animal – contemporary artists interrogating human-animal relationships”, Australian Animal Studies Group Conference, 10-12 July, Griffith University (2011) [Non Refereed Conference Paper] [Detail]
Contract Report, Consultant's Report
Bossu, C and Fountain, W and Smyth, R* and Brown, N, Developing Australian Academics’ Capacity: Supporting the Adoption of Open Educational Practices in Curriculum Design, Office for Learning and Teaching, Department of Education and Training, Australian Government, Australia (2016) [Contract Report] [Full Text] [Detail]
Carter, D and Muller, P*, Value of 2SM Artspaces in Sydney Final report, Cit of Sydney, Australia (2016) [Contract Report] [Detail]
Carter, D and Muller, P*, Value of Live Music In Sydney Final Report, Cit of Sydney, Australia (2016) [Contract Report] [Detail]
Legg, A, Music School Consultation and Organisational Development Project Report, Brighton Grammar School, Australia (2016) [Consultants Report] [Full Text] [Detail]
Major Creative Work
Collins, S and McCallum, S*, Chamber Works: From the Great War - Sonatas to Soothe the Soul, Sydney Conservatorium of Music, Hobart (2015) [Performance] [Full Text] [Detail]
Collins, S and Letonja, M* and Bell, A* and Hudson, L* and Paulsen, SE* and Seymour, A* and Marten-Smith, J*, Schoenberg’s Pierrot Lunaire, Synesthesia Plus Festival and ABC Classic FM, MONA, Hobart (2015) [Published Creative Work] [Full Text] [Detail]
Collins, SM and Owen, J* and Farrands, S* and Paulsen, SE* and Bell, A*, Taverner Akhmatova Songs, Sculthorpe Quartet No.12, Schoenberg String Quartet No 2, DARK MOFO and ABC Classic FM, St David’s Cathedral, Hobart (2016) [Published Creative Work] [Full Text] [Detail]
Deng, S, Grenfell 'Choro' ABC Classic FM broadcast, ABC Classic FM, ABC (2016) [Broadcast] [Full Text] [Detail]
Grenfell, M, Poems of a Bright Moon, Australia Ensemble (2016) [Broadcast] [Full Text] [Detail]
Haddon, N, New Works, This Is No Fantasy, 'This Is No Fantasy', Melbourne, Australia (2016) [Published Creative Work] [Full Text] [Detail]
Haywood, N and Gibson, N* and Dobson, A and Kingston, D and O'Leary, L*, Jane’s Shed: The Acoustic Life of Sheds, Tasmanian International Arts Festival, Boat Harbour Tasmania, 1 (2015) [Performance] [Full Text] [Detail]
Haywood, N and Gould, T* and Vining, T*, TNT - 2 Pinots, 2 Pales and 2 Pints, Planet Studio, Hobart, 1 (2014) [Recorded Creative Work] [Full Text] [Detail]
Keating, M and Johnstone, S, Deluge Rouge, Melbourne Central Art Loop, Melbourne Central Shopping Centre, Melbourne, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Keating, M, Transformed labour, 'Collaboration' 35th Anniversary of the Tasmania-Fujian Sister State, Fujian Museum, Fujian China, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Keating, M and Johnstone, S, Witness, MARS Gallery, Melbourne, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Kratz, S, Foundations and Ripples, The Block, Creative Industries Precinct, Queensland, Brisbane, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Kratz, S, Sulcus Loci, SLQ Gallery at the State Library of Queensland, 2016 Asia Pacific Architecture Forum and World Science Festival, Brisbane, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Long, S, Brainstorm‘ the waves fell, withdrew and fell again soundtrack, MOFOFONE, Amanda Jane Davies, Dark Mofo, Hobart Tasmania (2016) [Published Creative Work] [Full Text] [Detail]
Long, S, Snapshot Photography and Migrant Women Sound Producer, UTAS Morris Miller Library, UTAS Inversek Library and TMAG, Hobart and Launceston (2016) [Published Creative Work] [Full Text] [Detail]
Long, S, ‘Just As You Are’ Kristin Berardi CD, Red Planet Recording, Utas Conservatorium Recital Hall, Hobart (2016) [Recorded Creative Work] [Full Text] [Detail]
Long, S, 2 Pinots, 2 Pales and 2 Hours CD, Red Planet Recording, Hobart, 1 (2014) [Recorded Creative Work] [Full Text] [Detail]
Long, S, Brighter Day, Tiki Hut Productions, Spark in the Dark and Red Planet Recording, Hobart City Hall, Hobart (2012) [Recorded Creative Work] [Detail]
Long, S, Eleven Duos by Russell Gilmour CD, Tasmanian Government House Ballroom, Hobart (2012) [Recorded Creative Work] [Full Text] [Detail]
Long, S, Walkabout’, 301 Studios, Hobart (2011) [Recorded Creative Work] [Full Text] [Detail]
MacDonald, AL, Candle, Josephine Ulrick and Win Schubert Photography Award, Gold Coast Arts Centre, Gold Coast City Gallery, 3/5 (2016) [Repeat Exhibition] [Full Text] [Detail]
MacDonald, AL, Sugar (candy boxes), Sugar (party plates), X/I, Artereal Gallery, Artereal Gallery, Sydney, 1 (2016) [Published Creative Work] [Full Text] [Detail]
MacDonald, AL, Party no.7, 9 and 11, Madwomen in the Attic?, University of Tasmania, Plimsoll Gallery, 2/5 (2015) [Repeat Exhibition] [Full Text] [Detail]
MacDonald, AL, Party no.7, Growth, Change, Influence, University of Tasmania and Queen Victoria Museum and Art Gallery, Queen Victoria Museum and Art Gallery, 2/5 (2015) [Repeat Exhibition] [Full Text] [Detail]
Newitt, J, To Attempt to Become Other, Secretly or Not, Stenar Projects and Ar Sólido Lisbon, Portugal, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, Graphos, MONA: Museum of Old and New Art, MONA: Museum of Old and New Art, Berriedale, Tasmania, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, The Black Tulip, Tasmanian Archive and Heritage Office, Allport Library and Museum of Fine Arts, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, Unity, Bett Gallery, North Hobart, Tasmania, Bett Gallery, North Hobart, Tasmania, 1 (2016) [Published Creative Work] [Full Text] [Detail]
Scott, M, A World in Things, Queen Victoria Museum and Art Gallery, Launceston, Tasmania, pp. 6 (2016) [Published Creative Work] [Full Text] [Detail]
Scott, M, Breathing of the Terrestrial Machine, Contemporary Art Tasmania, Hobart, Tasmania, 1, pp. 3 (2014) [Published Creative Work] [Full Text] [Detail]
Watt, Y, Animaladies Exhibition and Postcard Project, Interlude Gallery, Sydney, Australia (2016) [Curated Exhibition] [Full Text] [Detail]
Watt, Y, Animal Factories, Artspace, Hobart, Australia, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Other Creative Work
Collins, S, Bach's Chaconne performance at Navigating the internal landscape: an artistic, Academy Gallery, Inveresk (2016) [Performance Practice] [Detail]
Collins, S, Chanber Music Masterclass, Griffith University, Queensland Conservatorium, Australia (2016) [Performance Practice] [Detail]
Collins, S, Heart of Darkness: Taverner Akhmatova Songs, Sculthorpe Quartet No.12, St David’s Cathedral, Hobart, pp. 80' (2016) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Conservatorium Recital Hall, Hobart (2016) [Performance Practice] [Detail]
Collins, S and Fritzsch, J, Baroque Treasures recital: Locatelli Sonata Op 8 No. 4 manuscript realisation, University of Tasmania Conservatorium Recital Hall, Hobart (2015) [Performance Practice] [Detail]
Collins, S and Fritzsch, J*, Baroque Treasures: Bach Partita No.2 in D Minor, Locatelli Sonata Op.8. No.4, in C, Handel Sonata in D, Op1.No.13, University of Tasmania, Hobart (2015) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Sydney Town Hall, Australia (2015) [Performance Practice] [Detail]
Collins, S, Kingfisher Trio: BEETHOVEN Piano Trio in E-flat major, Op.70 No.2 and BRAHMS Piano Trio in B Major, Op.8 No.1 (1889 version), Killara Music Club, Australia (2015) [Performance Practice] [Detail]
Collins, S, Peadagogy session for Violin and Chamber Orchestra, Farrall Centre, Australia (2015) [Performance Practice] [Detail]
Collins, S, Semi Final Performance, Young Performers Awards, Hobart Town Hall, Hobart (2015) [Performance Practice] [Detail]
Collins, S, Southern Cross Soloists: Travels of a Trickster, Redland Performing Arts Centre, Australia (2015) [Performance Practice] [Detail]
Collins, S, Violin Materclass for advanced Students, University of Queensland, Australia (2015) [Performance Practice] [Detail]
Collins, S, Synaesthesia and performance of Schoenberg’s Pierrot Lunaire, MONA, Hobart, pp. 35’32 (2014) [Performance Practice] [Detail]
Deng, S and Heald, J*, Piano in Stereo concert, University of Tasmania Conservatorium Recital Hall, University of Tasmania Conservatorium Recital Hall, pp. 2 (2016) [Performance Practice] [Full Text] [Detail]
Kratz, SJ, Strange Creatures, The Walls, Contemporary Art Space, Gold Coast, pp. 1 (2016) [Representation of Original Art] [Detail]
Long, S, Recording Engineer 'FATSO', Red Planet Recording, Hobart, pp. 1 (2016) [Performance Practice] [Full Text] [Detail]
Long, S, Master Engineer 'The Passion Vine' CD by Eleanor Tucker, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail]
Long, S, Mastering Engineer: Verticoli, Red Planet Recording, Hobart, pp. 1 (2015) [Performance Practice] [Detail]
Long, S, Journey’ Utas Southern Gospel Choir USA Tour Documentary, Red Planet Recording, Dallas, Tuskegee and LA, pp. 1 (2014) [Performance Practice] [Detail]
Long, S, Sound Engineer ‘Happy New Year’ CD, Violent Femmes, Red Planet Recording, Hobart, pp. 1 (2014) [Performance Practice] [Detail]
Long, S, Recording Engineer 'Hurry Up and Wait’ CD, Katy and the 3rd Row, Red Planet Recording, Hobart, pp. 1 (2013) [Performance Practice] [Detail]
Long, S, Recording Engineer 'Conversations', Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail]
Long, S, Sound Engineer ‘Swimming Upstream’ CD, Let The Cat out, Red Planet Recording, Hobart, pp. 1 (2012) [Performance Practice] [Full Text] [Detail]
MacDonald, AL, Pink and Blue, Inappropriate Appropriate Ideas, The Curated Shelf, Hobart, pp. 1 (2016) [Representation of Original Art] [Full Text] [Detail]
MacDonald, AL, Cherish (fairy dress), Cherish (kitty doll), Toybox, Goulbourn Regional Art Gallery, Goulbourn, NSW, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail]
MacDonald, AL, Cloth (red velvet), Party no.2, Monash Gallery of Art, Monash, VIC, Australia, pp. 2 (2015) [Acquisition] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Clarinet Recital Performance of Thomas Dunhill Phantasy Suite, Op. 91 for Clarinet and Piano, Nino Rota Sonata in Re per clarinetto e pianoforte, Charles Stanford Sonata for Clarinet and Piano, Op. 129, Conservatorium of Music, University of Tasmania, Hobart, Tasmania (2015) [Performance Practice] [Full Text] [Detail]
Scott, MG, ‘The Seer’, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Smithies, K, Recital at Epsom House with Anna Eklund-Tarantion, Hobart (2016) [Performance Practice] [Full Text] [Detail]
Teniswood-Harvey, A, CD Launch – Carpe Diem: Piano Music from Italy, University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice] [Detail]
Teniswood-Harvey, A and Harvey, MK and Spiers, C* and Cummings, K*, Handel in the Mix: Music by Michael Kieran Harvey, Colin Spiers, Richard Vella and G.F. Handel and performed by Michael Kieran Harvey, Arabella Teniswood-Harvey, Karen Cummings and Colin Spiers, Harold Lobb Concert Hall, The Conservatorium of Mu, University of Newcastle, NSW, pp. 2.5 hour concert (2016) [Performance Practice] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK and Edwards, JA, Let's dance (with Handel): music for two pianos and voice by Australian composer Richard Vella, University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice] [Detail]
Teniswood-Harvey, A and Harvey, MK and Edwards, J, Let's Dance (with Handel): music for two pianos and voice by Australian composer Richard Vella, Conservatorium Recital Hall, Hobart, Hobart, pp. 75 minutes (2016) [Performance Practice] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK, Music for Two Pianos: Debussy's 'En blanc et noir' and Stravinsky's 'The Rite of Spring', University of Tasmania, University of Tasmania Conservatorium Recital Hall, pp. 2 (2016) [Performance Practice] [Full Text] [Detail]
Other Public Output
Bywaters, MC, “Arts forum takes on cancer”, The Examiner, Fairfax Media, Australia, 26 Feb, p. 9. (2016) [Magazine Article] [Detail]
Bywaters, MC, “Navigating exhibition”, ABC Launceston - Drivetime, Australian Broadcasting Corporation, Australia, 6 April (2016) [Media Interview] [Detail]
Bywaters, MC, “Strictly Strings Soirée Fundraiser”, The Examiner, Fairfax Media, Australia, 9 April, p. 55. (2016) [Magazine Article] [Detail]
Bywaters, MC, “Strong Expression of self: Students showcase vivid work for prize”, The Sunday Examiner, Fairfax Media, Australia, 10 July, p. 11. (2016) [Media Interview] [Full Text] [Detail]
Bywaters, MC, “Volunteers gain skills”, The Examiner Newspaper, Fairfax Media, Launceston, 29 August (2016) [Media Interview] [Detail]
Deng, S and Tanfield, P, “Classic way to travel”, The Mercury, News Corp Australia, Australia, 27 October, p. 30. (2016) [Newspaper Article] [Full Text] [Detail]
Deng, S, “Many hands make right work”, The Mercury, News Corp Australia, Australia, 26 May (2016) [Media Interview] [Full Text] [Detail]
Deng, S, “TMTA Member Profile - Shan Deng: from Beijing to Banff”, 2016 TMTA Journal, Tasmanian Music Teachers’ Association, Australia, pp. 18-21. (2016) [Internal Newsletter] [Full Text] [Detail]
Deng, S, “Awarded Artist Investment Programme $8 782”, Arts Tasmania, Tasmania (2015) [Award] [Detail]
Deng, S, “2013 Yearbook of Chinese in Australia”, Chinese Yearbook Association Australia Inc, China (2014) [Magazine Article] [Full Text] [Detail]
Deng, S, “Awarded International Pathway Grant $14,788”, Australian Arts Council, Australia (2014) [Award] [Detail]
Grenfell, M, “Old, Male, and Stale: The Women Fighting Classical Music's Woman Problem”, Broadly, VICE Media LLC, USA, 30 October (2016) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Spotlight on students”, The Mercury, News Corp Australia, Australia, 22 September (2016) [Media Interview] [Full Text] [Detail]
Hannah, DM, “Space, Design and the Audience as Beast: Interview with Dorita Hannah”, Engaging Spaces: Sites of Performance, Interaction and Reflection:, Copenhagen (2015) [Media Interview] [Detail]
Haywood, N and Browne OAM, A* and Ball, E* and Hughes, G* and Noy, P*, “Australian Jazz Bell Awards Winners - Best Australian Small Jazz Band ' Allan Browne Quintet - Ithaca Bound'” (2016) [Award] [Detail]
Kratz, SJ, “Dark Mofo and the affective power of a creative storm”, The Conversation: Arts and Culture, The Conversation Media Trust, Australia, 14 June (2016) [Magazine Article] [Detail]
Kratz, SJ, “Scientists ponder the evolutionary urge to create - but where are the women?”, The Coversation: Arts and Culture, The Conversation Media Trust, Australia, 9 Nov (2016) [Magazine Article] [Detail]
Ozolins, B, “Does our Biology drive us to create art?”, Michael Cathcart on Books and Arts Daily, ABC National Radio, Hobart, Nov 7 (2016) [Media Interview] [Full Text] [Detail]

* This author is not affiliated with the University of Tasmania.