Web Access Research Portal

Research Report 2017 - Office of the School of Creative Arts and Media

Journal Article
Grenfell, M and Deng, S, “‘Recomposing’ unpublished Chinese folk songs into new Australian compositions for pipa and piano”, Context: A Journal of Music Research, 42 pp. 37-52. ISSN 1038-4006 (2017) [Refereed Article] [Full Text] [Detail]
Hannah, DM, “Fluid States Pasifika: spacing events through an entangled oceanic dramaturgy”, Global Performance Studies, 1 (1) pp. 1-49. ISSN 2574-027X (2017) [Refereed Article] [Full Text] [Detail]
Philpott, C and Samartzis, P*, “At the End of Night: explorations of Antarctica and Space in the sound art of Philip Samartzis”, The Polar Journal, 7 (2) pp. 336-350. doi:10.1080/2154896X.2017.1373911 ISSN 2154-896X (2017) [Refereed Article] [Full Text] [Detail]
Teal, R* and Loo, S, “A pedagogy of the concept: rereading an architectural convention through the philosophy of Deleuze and Guattari”, The International Journal of Art & Design Education pp. 1-13. doi:10.1111/jade.12095 ISSN 1476-8070 (2017) [Refereed Article] [Full Text] [Detail]
Chapter in Book
Bleach, L, “Underground”, Minefield, A+A Publishing, Colless, E (ed), Australia ISBN 978-0-9953925-0-2 (2016) [Other Book Chapter] [Detail]
Deng, S, “Stylistic Development and performance practice: From unpublished Chinese folksongs to new Australian compositions”, Encounters Musical Meetings between Australia and China, Australian Academic Press, N Ng (ed), Australia, pp. 113-116. ISBN 9781922117069 (2012) [Other Book Chapter] [Full Text] [Detail]
Hannah, D, “Scenographic screen space: bearing witness and performing resistance”, Scenography Expanded, Bloomsbury Books, J McKinney and S Palmer (ed), United Kingdom, pp. 39-60. ISBN 9781474244381 (2017) [Research Book Chapter] [Full Text] [Detail]
Haywood, N, “Developing key concepts of ensemble performance”, Perspectives on Artistic Research in Music, Lexington Books, R Burke and A Onsman (ed), Lanham, pp. 127-142. ISBN 978-1-4985-44818 (2017) [Research Book Chapter] [Full Text] [Detail]
Hodges, G, “keep your eye on the prize”, Perspectives on Artistic Research in Music, Lexington Books, R Burke and A Onsman (ed), Lanham, pp. 91-100. ISBN 978-1-4985-44818 (2017) [Research Book Chapter] [Full Text] [Detail]
Wise, K and Tregloan, K*, “The Good-Morrow: twin hemispheres of art and design”, Art and Design: History, Theory, Practice, Cambridge Scholars Publishing, P Stupples and J Venis (ed), Newcastle upon Tyne, pp. 145-162. ISBN 978-1-5275-0307-6 (2017) [Research Book Chapter] [Full Text] [Detail]
Review
Forbes, AM, “Experiencing Music—Restoring the Spiritual: Music as Well-being”, Musicology Australia, 39 (1) pp. 65-67. ISSN 0814-5857 (2017) [Review Single Work] [Full Text] [Detail]
Conference Publication
Bossu, C and Fountain, W, “Capacity-building for the adoption of OEP in higher education”, Open Education Global Conference 2015 Program, 22-24 April 2015, Banff, Alberta, Canada, pp. 1. (2015) [Conference Extract] [Full Text] [Detail]
Forbes, AM and Monkhouse, H, “Teaching creative arts for older adults in an online environment”, 24-27 April 2017, Dublin, Ireland, pp. 43. ISBN 978-1-908320-84-1 (2017) [Conference Extract] [Full Text] [Detail]
Fountain, W and Hall, K and Wise, K and Tregloan, K*, “Curricula of value – in place and in service”, ACUADS Conference Program, 28-29 September 2017, Canberra, ACT, pp. 1-12. (2017) [Refereed Conference Paper] [Full Text] [Detail]
Fountain, WG and Veness, Z and Kratz, SJ and Wise, CJE and Jones, SL, “Preparing to Co-design new Design Education for Tasmania, Design Island”, Cumulus REDO Conference Proceedings, 30 May- 2 June, Design School Kolding, Denmark, pp. 750. ISBN 978-87-93416-15-4 (2017) [Conference Extract] [Full Text] [Detail]
Haddon, N and Juliff, T and Fountain, W and Kunda, M, “After you have gone: un-disciplined knowledge and new value/s, one year on”, ACUADS Conference Program, 28-29 September 2017, Canberra, ACT, pp. 1-11. (2017) [Refereed Conference Paper] [Full Text] [Detail]
Hannah, DM, “The Intermedial Screen”, MEDIATIONS Art & Design Agency and Participation in Public Space: Conference Proceedings, 21-22 Novemeber, Royal College of Art, Kensignton, pp. 59-70. ISBN 9781910642184 (2017) [Non Refereed Conference Paper] [Detail]
Hart, B and Kratz, S and Horsley, A, “An autonomous writing machine”, Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, 27-30 June 2017, Singapore, pp. 469-470. ISBN 978-145034403-6 (2017) [Refereed Conference Paper] [Full Text] [Detail]
Juliff, T and Keating, MJ and Norrie, H and Veness, Z and Kratz, SJ, “Praxis now: Frayling’s 'Research in Art and Design' 24 years on”, ACUADS Conference Program, 28-29 September 2017, Canberra, ACT, pp. 1-14. (2017) [Refereed Conference Paper] [Full Text] [Detail]
Kratz, SJ, “Ancestral Archives and A Distributed Self: Speculations for Immortality”, Future Affects, 6 December 2017, University of Queensland, pp. 1. (2017) [Conference Extract] [Detail]
Kratz, SJ, “The Absence of Alice: Art and Science from Absence to Immortality”, 8 April 2017, Mt Gambier, South Australia (2017) [Conference Extract] [Full Text] [Detail]
Legg, A and Dentley, K* and Boden, M, “Let Freedom Ring”, Boîte Singers’ Festival 2017 - Program, 13-15 January 2017, Abbotsford, Victoria, Australia (2017) [Keynote Presentation] [Full Text] [Detail]
Leong, J* and Kratz, SJ, “Critical Connections: Art and Design in STEM Education”, The Art of Science: CONASTA 66: Conference Brief, 9-12 July 2017, Hobart, Tasmania, pp. 15. (2017) [Conference Extract] [Detail]
Monkhouse, H and Forbes, AM, “Perceptions of tertiary music students on the benefits of ensemble activities”, 24-27 April 2017, Dublin, Ireland, pp. 80. ISBN 978-1-908320-84-1 (2017) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Asian Contexts”, RIdIM 17th International Conference: Music and dance in visual culture Programme, 5-7 October 2017, Athens, Greece, pp. 19. (2017) [Chair International Conference] [Full Text] [Detail]
Design
Ozolins, BT, Noiheena: peace justice healing, Plimsoll Gallery, Centre for the Arts (2016) [Refereed Designs] [Full Text] [Detail]
Major Creative Work
Bleach, L, Remote Viewing, Performing Mobilities, RMIT Gallery (2015) [Published Creative Work] [Full Text] [Detail]
Bleach, L, Underground, Contemporary Art Tasmania (2015) [Published Creative Work] [Full Text] [Detail]
Boden, M, The Osiris Child: Science Fiction Volume 1, Storm Vision Entertainment PTY LTD, Sydney, Australia (2016) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, Infini (feature film), Storm Vision Entertainment PTY LTD, Sydney, Australia (2015) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, Terminus (feature film), Storm Vision Entertainment PTY LTD, Sydney, Australia (2015) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, Worlds Apart (Feature Film), Village Plus Productions, Europe, USA, Australia (2015) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, Sixty Jazz Club, Drink Tasmania and Matt Boden Music, Founders Room, Salamanca Arts Centre (2013) [Curated Exhibition] [Full Text] [Detail]
Carson, S, Soapbox #12, City of Hobart, Mathers Place, Bathurst Street and Criterion Lane, Hobart (2016) [Published Creative Work] [Full Text] [Detail]
Deng, S and Deng, W*, Chinese Concert, Queensland Chinese Association, Brisbane City Hall (2017) [Repeat Performance] [Full Text] [Detail]
Deng, S, Performance of Vine “Bagatelles” at Banff Centre, Canada, Banff Centre, Banff Centre, Canada (2016) [Performance] [Full Text] [Detail]
Deng, S, Shan Deng solo recital, China Conservatory of Music, China Conservatory of Music (2015) [Performance] [Full Text] [Detail]
Dobson, A, Jazztrack - Celebrating 40 Years (performance on Seashell), Austarlaian Broadcasting Corporation, Australia (2016) [Recorded Creative Work] [Full Text] [Detail]
Dobson, A, IASJ Jazz Performance, International Association of Schools of Jazz, Lisbon, Portugal (2015) [Performance] [Full Text] [Detail]
Frankham, N and Wise, K and Kratz, SJ and Veness, Z, Remanence, Ten Days on the Island, Domain House, Glebe, Hobart (2017) [Curated Exhibition] [Full Text] [Detail]
Frankham, NH and Malone, P* and Scott, MG, Jane Elizabeth, Ten Days on the Island, Oak Lodge Richmond (2017) [Curated Exhibition] [Full Text] [Detail]
Frost, R, Princess Visions, Princess Theatre, Launceston, Stairwell Gallery Princess Theatre (2015) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Voyage (recording), ABC Classic FM, Adelaide, Australia (2015) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Choro, Australian Music Centre, Tianjing Concert Hall, China, 1, pp. 13 (2014) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Choro (2014) [Repeat Performance] [Full Text] [Detail]
Hodges, G and Haywood, N and Dobson, A and Muir, RG and Marskell, SM, Glen Hodges Quintet 2017 Hot August Jazz, Hobart Jazz Society, The Republic Hotel (2017) [Repeat Performance] [Full Text] [Detail]
Hodges, G, Riversounds, Self published 31 December 2014, MONA, Hobart (2014) [Performance] [Full Text] [Detail]
Hodges, G and Berardi, K*, Glen Hodges and Kristin Berardi perform original jazz songs, Lunchtime Recital Series, UTAS Conservatorium Recital Hall (2009) [Performance] [Full Text] [Detail]
Jones, S, 2017 Inscription and Place, Tasmanian Museum and art Gallery, Hobart, Tasmania, Tasmanian Museum and art Gallery, Hobart, Tasmania, TMAG (2017) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, BUDA 2015 Contemporary Australian Silver & Metalwork Award, Castlemaine Art Gallery and Historical Museum, Castlemaine Art Gallery and Historical Museum, 2015 (2015) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, Serial Exchange, Loop Project Space, Loop Project Space (2015) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, Waiting to be noticed, Ginger Boy wears Jewels, Melbourne, Radiant Pavilion, Radiant Pavilion, Ginger Boy (2015) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, Future Strategies From the New Art Alumni, RMIT, Project Space, Spare room, RMIT (2014) [Curated Exhibition] [Full Text] [Detail]
Keating, M and Johnstone, S, The Onlooker, M16 Artspace, M16 Artspace (2017) [Published Creative Work] [Full Text] [Detail]
Kratz, SJ, BioSynthetic Systems, BioSynthetic Systems, The Block, Creative Industries Precinct, Queensland University of Tasmania, Brisbane (2017) [Published Creative Work] [Full Text] [Detail]
Kratz, SJ and Gowers, AM, Deconstructed: The Science and Technology behind Contemporary Art and Design, National Science Week, Festival of Bright Ideas, PW1 Exhibition Building, Hobart (2017) [Curated Exhibition] [Full Text] [Detail]
Kratz, SJ, Non-Linear Histories, Spiro Grace Art Rooms, Spring Hill, Queensland (2017) [Published Creative Work] [Full Text] [Detail]
Kratz, SJ, The Contamination of Alice: Instance #10: Becoming Alice and The Desire for Immortality, Riddoch Art Gallery, Riddoch Art Gallery, Mt Gambier (2017) [Published Creative Work] [Full Text] [Detail]
Kratz, SJ, Small wonders: A collection of curiousities, National Science Week, Festival of Bright Ideas, PW1 Exhibition Building, Hobart (2016) [Published Creative Work] [Full Text] [Detail]
Kratz, SJ, The Contamination of Alice: Instance #9, Contemporary Art Tasmania, Hobart (2016) [Published Creative Work] [Full Text] [Detail]
Legg, AFJ, Standing In The Shadows Of MONA 2016, Museum of New and Old Art (MONA), MONA Mainstage (2016) [Performance] [Full Text] [Detail]
Legg, AFJ, The Australian International Symphony Orchestra Institute: Unleash the Fire Within, UTAS, City Hall, Hobart (2016) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, The KD and Dr Legg Gospel Music Experience: Festival of Voices 2016, Festival of Voices Inc, Odeon Theatre, Hobart: Federation Concert Hall, Hobart. (2016) [Published Creative Work] [Full Text] [Detail]
Legg, AFJ, The Southern Gospel Choir and the Taste of Tasmania, Hobart City Council, Salamanca Place: Mac 1 (2016) [Published Creative Work] [Full Text] [Detail]
Legg, AFJ, Australian International Symphony Orchestra Institute: Feel The Intensity, University of Tasmania, Hobart City Hall (2015) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ and Long, SC, Journey: The Southern Gospel Choir in the USA, The Southern Gospel Choir, Digital Kitchen (2015) [Published Creative Work] [Full Text] [Detail]
Legg, AFJ and Hirst, R* and Moginie, J* and Lurighi, M, Standing In the Shadows Of MONA 2014, MONA, MONA Laws (2014) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, The Australian International Symphony Orchestra Institute: A Scorching Performance, University of Tasmania, Hobart City Hall (2014) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ and Haywood, N, The Context and Culture of Improvised Music & the Transculturalisation of African American Gospel Music into an Australian Context: iCon and Beat Night, MONO FOMA and the Conservatorium of Music, Lark Distillery, The Dechanezux Theatre, Museum of New and Old Art (MONA) (2014) [Performance] [Full Text] [Detail]
MacDonald, AL, Party, Hawkesbury Regional Gallery, Hawkesbury Regional Gallery, 4/5 (2017) [Repeat Curated Exhibition] [Full Text] [Detail]
Malpas, J and Hodges, G and Legg, A and Lurighi, M and Edwards, JA, WWI: Songs and Music, UTAS, Stanley Burbury Theatre, University of Tasmania, Sandy Bay, Tasmania (2014) [Other Exhibition] [Full Text] [Detail]
Ozolins, B, BAC Brighton Army Camp, Ten Days on the Island, Brighton Army Camp, Brighton, Tasmania (2017) [Published Creative Work] [Full Text] [Detail]
Ozolins, B, Death Mask, Dark MOFO, Narryna Heritage Museum, Hampden Road, Battery Point, Tasmania (2017) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, The Secretary, Lake Macquarie City Art Gallery, Lake Macquarie City Art Gallery, NSW (2017) [Other Exhibition] [Full Text] [Detail]
Ozolins, BT, Unity II, Sydney Contemporary and Bett Gallery, Carriage Works, Redfern, Sydney (2017) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, Tree, Gippsland Art Gallery, Gippsland Art Gallery (2016) [Other Exhibition] [Full Text] [Detail]
Philpott, C, Listening from a distance: Experiencing Antarctica in sound art, RMIT Design Hub, RMIT University Design Hub, pp. 21-24 (2017) [Published Creative Work] [Full Text] [Detail]
Philpott, C, Antarctica: Sonic Reckonings Essay, Arizona State University, the Balance-Unbalance 2015 International Conference, pp. 1-24 (2015) [Published Creative Work] [Full Text] [Detail]
Tanfield, P, Spiegeltent Performances, Ten Days on the Island, Spiegeltent, Hobart and Eral Arts Centre, Launceston (2014) [Performance] [Full Text] [Detail]
Tanfield, P, Hobart Chamber Orchestra, Hobart Chamber Orchestra, The Farrall Centre and St. Davids Cathedral (2013) [Performance] [Full Text] [Detail]
Tanfield, P, Tasmanian Discovery Orchestra and Discovery Ensembles, MONA, MONA (2013) [Performance] [Full Text] [Detail]
Teniswood-Harvey, A, Saturday Evening Concert with Julian Day, ABC National Radio Classic FM, 4 October (2014) [Broadcast] [Full Text] [Detail]
Tregloan, K* and Wise, K and Forsyth, G* and Baker, S*, Multiple Measures - online tool and website, http://multiplemeasures.org.au/ (2016) [Recorded Creative Work] [Full Text] [Detail]
Trenos, HR and George, DER, Islamophilia, Melbourne Theatre Company, Lawler Theatre, Southbank Complex, Melbourne, 1, pp. 2 hours 15 minutes (2017) [Performance] [Full Text] [Detail]
Vella, J, Church and State, Mdina Biennale, Mdina Cathedral Museum, Mdina, MALTA (2016) [Published Creative Work] [Full Text] [Detail]
Vella, J, Mine_, exhaust, Contemporary Art Services Tasmania, Hobart (2016) [Published Creative Work] [Full Text] [Detail]
Vella, JM, a house is not a home (IN TRANSIT: Contemporary Media Art), Artists from Malta, NRW-Forum and Stadskantoor (2017) [Repeat Exhibition] [Detail]
Wise, K and Kelly, T*, Feel (for the Water), Sea Swim: Head Above Water, Peninsula Arts Gallery, University of Plymouth, UK (2016) [Published Creative Work] [Full Text] [Detail]
Other Creative Work
Bleach, L, Something More Solid, Domain House, Hobart, Hobart, Tasmania, pp. 1-13 (2017) [Minor Creative Work] [Detail]
Bleach, L and Vella, JM and Wise, K, Night Garden, MONA, Hobart, Tasmania (2016) [Minor Creative Work] [Full Text] [Detail]
Boden, M, Improvising soloist and composer 'Matt Boden trio' tour, Jazzgroove Association, Melbourne (2014) [Performance Practice] [Detail]
Boden, M, 'Improvising soloist Leigh Baker and the New Sheiks, DeGraves Street Stage, Melbourne (2013) [Performance Practice] [Detail]
Boden, M, 'Improvising Sololist' with Heather Stewart, Roots Stage, Melbourne (2013) [Performance Practice] [Detail]
Boden, M, Improvising Soloist with Leigh Barker and the New Sheiks, Caveau de la Huchette, Paris (2013) [Performance Practice] [Detail]
Boden, M, Improvising soloist with Maria Lurighi on 17th and 20th Century works, Detached, Hobart, Tasmania (2013) [Performance Practice] [Detail]
Boden, M, Improvising Soloist with the house band for late night jam sessions, Ascona, Switzerland (2013) [Performance Practice] [Detail]
Boden, M, Improvising Soloist with the Melbourne Rhythm project, Melbourne Town Hall, Melbourne (2013) [Performance Practice] [Detail]
Carson, S, Colour Me, Adelaide City Council, Town Hall Gallery, Adelaide, pp. 6 (2015) [Representation of Original Art] [Full Text] [Detail]
Carson, S, Casting and Weeding Diptych (Loose Weave 3 and Pinking), Toowoomba Regional Art Gallery, Toowoomba, Queensland, pp. 1 (2013) [Acquisition] [Full Text] [Detail]
Carson, S, Casting and Weeding Diptych and Tight Wound 1 and 2, Toowoomba Regional Art Gallery, Toowoomba, Qld, pp. 3 (2013) [Representation of Original Art] [Full Text] [Detail]
Carson, SJ, New Makings: Untitled, from Bound Series 3, Plimsoll Gallery, University of Tasmania, Hunter Street Hobart, pp. 1 Dyptich (2015) [Representation of Original Art] [Full Text] [Detail]
Collins, SM and Paulsen, S and Gifford, D*, Kingfisher Piano Trio 2017 tour, Vonk Music House and The Concourse Concert Hall, Kettering, Tas; Hobart, Tas; Sydney, NSW, pp. 4 (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Smithies, KE, Flight of the Bumblebee, Conservatorium of Music, Hobart, Tasmania, pp. 1 (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Smithies, KE, Piano in Stereo concert, Con of Music, Conservatorium of music recital hall, Hobart, pp. one piece (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Lynch, S*, Shostacovich Piano Concerto No. 2, Conservatorium of Music, Utas, Conservatorium of Music, Utas, pp. 10mins (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Lynch, S*, Shostacovich Piano Concerto No. 2, Chinese Buddist Academy, Tasman Room, Wrest Point Casino, pp. 8mins (2017) [Performance Practice] [Full Text] [Detail]
Deng, S, Songs of Healing and Hope, Concert hall, Queensland Performing Arts Complex, Queensland, pp. 1 (2015) [Performance Practice] [Detail]
Dobson, A, 'Improvising Soloist' Ebony and Ivory - The Music of Duke Ellington, Sixty Jazz Club, Hobart, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Dobson, A, Improvising Soloist with Kelly Ottaway's Modern Operative, Sixty Jazz Club, Hobart, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Dobson, A, Improvising Soloist with the Julius Schwing Quintet, Sixty Jazz Club, Hobart, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Dobson, A, TANK live at Bennett's Lane, Bennett's Lane Jazz Club, Melbourne (2014) [Performance Practice] [Full Text] [Detail]
Forbes, AM, Palestrina: Prince of Polyphony, All Saint's Hobart; Holy Trinity Launceston, Hobart, pp. 12 (2017) [Catalogue] [Full Text] [Detail]
Forbes, AM, Rachmaninoff All Night Vigil op.37, Festival of Voices, Hobart, pp. 10 pages, single booklet (2017) [Catalogue] [Full Text] [Detail]
Forbes, AM and Bainbridge, Andrew*, Rachmaninoff All Night Vigil op.37, Festival of Voices St David's Cathedral, Hobart, pp. 1 (2017) [Performance Practice] [Full Text] [Detail]
Forbes, AM and Bainbridge, A*, Nares The Souls of the Righteous soloist in Saints & Angels with Allegri Ensemble, All Saint's Church Hobart, Hobart, Tasmania, pp. 16 (2016) [Performance Practice] [Full Text] [Detail]
Grenfell, M, Desert Rain, Self, Hobart, pp. 1 piece (2017) [Minor Creative Work] [Full Text] [Detail]
Grenfell, M, Knitting Unicorns, Self, Hobart, pp. 14 (2017) [Minor Creative Work] [Full Text] [Detail]
Grenfell, M, TSO Composers' Project, Tasmanian Symphony Orchestra, Hobart (2017) [Performance Practice] [Full Text] [Detail]
Haddon, N, We bring our own fires, UTAS, Ten Days on the Island, Domain House, Hobart, pp. 9 paintings (2017) [Representation of Original Art] [Full Text] [Detail]
Haddon, N, We bring our own fires in ‘Remanence’, Ten Days on the Island exhibition, Domain House, Hobart, pp. 9 (2017) [Representation of Original Art] [Detail]
Haddon, N, We’ll bring our own fruit, Academy Gallery, Tasmanian College of the Arts, Launceston, Tasmania, pp. 1 (2017) [Representation of Original Art] [Full Text] [Detail]
Haywood, N, Nick Haywood Quartet: Final PhD Recital, University of Tasmania, Hobart, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Henderson, SJ, Across the line, New Gallery 1 and 2, University of Tasmania (2014) [Catalogue] [Full Text] [Detail]
Henderson, SJ, Papering Topographies, Sawtooth ARI, Launceston, Tasmania (2014) [Minor Creative Work] [Full Text] [Detail]
Henderson, SJ, Stage design ' The Country, Martin Crimp', Next stage, Launceston (2014) [Minor Creative Work] [Full Text] [Detail]
Hodder, AL and Penicka, M*, Martin Penicka and Amanda Hodder in Recital, The Farrell Centre, Hobart, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Hodges, G, Carols Together, Hobart Central Church, Hobart, Tasmania (2016) [Performance Practice] [Full Text] [Detail]
Hodges, G, Rosny Jazz Concert: Bob Schultz Rosny 'Barn' performance space, Rosny 'Barn', Hobart, Tasmania (2013) [Performance Practice] [Detail]
Jones, S, 2016 National Contemporary Jewellery Award 2016, Griffith Regional Art Gallery, Griffith, NSW, pp. 1 (2016) [Minor Creative Work] [Full Text] [Detail]
Lewis, Robert, r&j + j&r, Annexe Theatre, Launceston, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Lewis, Robert, Savages, Elizabeth St. Car Park, Launceston, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Lewis, Robert, The Possum, Mudlark Theatre, Earl Arts Centre, Princess Theatre, Tasmania (2014) [Performance Practice] [Full Text] [Detail]
Long, R, Black Tuesday, Domain House, Hobart, pp. 1 (2017) [Performance Practice] [Full Text] [Detail]
MacDonald, A, All that glitters, Artereal Gallery, Rozelle, NSW, pp. 1 (2017) [Representation of Original Art] [Full Text] [Detail]
MacDonald, AL, Party no.6 in Josephine Ulrick and Win Schubert Photography Award, Gold Coast City Gallery, Surfers Paradise, Queensland, pp. 1 (2014) [Representation of Original Art] [Detail]
Middleton, V* and Bartlett, I* and Hodges, G, MoodSwing, Real Productions, Brisbane, Australia, pp. 3:45 minutes (2017) [Minor Creative Work] [Full Text] [Detail]
Newitt, J, A Broken Link: Spectacle and Untitled, Golden Age Cinema and Central Saint Martins, Sydney and London, pp. 2 (2017) [Minor Creative Work] [Full Text] [Detail]
Newitt, J, To Attempt to Become Other, Secretly or Not, 55 Sydenham Road, Sydney, pp. 1 (2017) [Minor Creative Work] [Full Text] [Detail]
Rogers, I* and Miller, D* and Gillies, A* and Carter, D, I Hate Myself And I Want To Live, No Anchor, Australia, pp. 8 pieces (2016) [Minor Creative Work] [Full Text] [Detail]
Ruffels, TD, Tundra, Bett Gallery, Hobart, Tasmania (2014) [Minor Creative Work] [Full Text] [Detail]
Salter, B* and Carter, D, Ben Salter - Back Yourself: Recording Production, Australian Broadcasting Corporation, Australia, pp. 10 (2017) [Minor Creative Work] [Full Text] [Detail]
Scott, MG and Edgar, D*, formed & unformed, University of Tasmania and Arts Tasmania, Department of Economic Development, Tourism and the Arts, Hobart, Tasmania (2014) [Catalogue] [Full Text] [Detail]
Stephenson, DM and Walch, MB, Drowned Forests of the Navarre, Lake King William, 13 August 2012, Centre for Contemporary Photography, Melbourne (2014) [Minor Creative Work] [Full Text] [Detail]
Stephenson, DM, Dusk, Hong Kong and Dusk to Dawn series in Vespertine, Walker Street Gallery and Arts Centre, Melbourne, Australia, pp. 14 (2014) [Minor Creative Work] [Full Text] [Detail]
Stephenson, DM, Light Cities/Asia, John Buckley Gallery, Melbourne, Australia, pp. 9 (2014) [Minor Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Lichnovsky, M*, Intercontinental, Conservatorium Recital Hall, Hobart, Hobart, pp. one hour of music (7 pieces) (2017) [Performance Practice] [Full Text] [Detail]
Teniswood-Harvey, A and Paling, E*, Violin and Piano Recital: Poulenc, Prokofiev, Hindemith, HObart Town Hall, Hobart Town Hall, pp. 90 minute concert (3 pieces) (2017) [Performance Practice] [Full Text] [Detail]
Trenos, HR, The Country, Annexe Theatre, Inveresk & Backspace Theatre, Tasmania (2014) [Minor Creative Work] [Full Text] [Detail]
Vella, J, Brainstorm, Centre for the Arts, Hobart, Tasmania, pp. 1 (2016) [Minor Creative Work] [Full Text] [Detail]
Vella, J and Bleach, L, Assistant Curators of Sowatkins, Plimsol Gallery, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Vella, J and Bleach, L, Curation of Ogoh Ogoh, Dark Mofo, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Watt, YM, Luck of the Draw, Gallery central, Perth, WA (2014) [Minor Creative Work] [Full Text] [Detail]
Wise, K and Kratz, S, Dark Ocean, Dark MOFO, Hobart, Tasmania (2016) [Minor Creative Work] [Full Text] [Detail]
Thesis
Blacklow, PM, “An exploration of pre and post-stressed timber forms utilising plantation-grown eucalypt timber” (2016) [PhD] [Full Text] [Detail]
Carson, S, “The ordinary everyday: exploiting sensations of uncertainty and instability to underpin an aesthetic language in abstract sculpture and installation artworks, informed by direct experiences of the daily life” (2016) [PhD] [Full Text] [Detail]
Other Public Output
Bleach, L and Vella, JM, “Live Site catalyst”, Island Magazine, Hobart, 147, pp. 56-61. (2017) [Magazine Article] [Detail]
Bleach, L and Vella, JM and Wise, CJE, “Night Garden – Live Site catalyst”, DDCA + NTRO Publication, The Australian Council of Deans and Directors of Creative Arts, Hobart, 4 (2016) [Magazine Article] [Detail]
Bywaters, M, “Malcolm Bywaters: interview by Linden New Art”, Linden New Art: The Second 10 years 1997-2006, Linden New Art, Melbourne, Vic (2017) [Media Interview] [Full Text] [Detail]
Bywaters, M, “Treasures on Public Display”, Sunday Examiner, Fairfax Media, Australia, April 3, pp. 38-39. (2017) [Newspaper Article] [Full Text] [Detail]
Bywaters, MC, “Food analysis through artwork”, The Examiner, Fairfax Media, Australia, 23 Feb (2017) [Newspaper Article] [Full Text] [Detail]
Bywaters, MC, “The Academy Gallery – a short history”, University of Tasmania: 125 years, University of Tasmania, Hobart, Tasmania, pp. 131-133. (2015) [Magazine Article] [Full Text] [Detail]
Delbridge, M, “Excavating Marina Abramović’s Private Archaeology – review”, The Conversation, The Conversation Media Group Ltd, Australia, 15 June 2015 (2015) [Magazine Article] [Full Text] [Detail]
Deng, S, “Introduction for Lunar New Year broadcast”, ABC Classic FM Recording, Australian Broadcasting Company, Australia, Jan 25 (2017) [Media Interview] [Full Text] [Detail]
Deng, S, “It's a handy way to join forces: interview with Penny Thow”, The Mercury, News Corporation, Hobart, Tasmania, 25 May 2017 (2017) [Media Interview] [Full Text] [Detail]
Deng, S, “Many hands make bright work: Piano in Stereo review”, The Mercury, News Corp, Australia, 31 May (2017) [Newspaper Article] [Full Text] [Detail]
Deng, S, “Sneak peek at fine China: Interview by Penny Thow”, The Mercury, News Corporation, Hobart, Tasmania, 30 November 2017 (2017) [Media Interview] [Full Text] [Detail]
Gowers, AM and Kratz, S, “Art & Science: Towards a meaningful and mutual exchange”, NiTRO: Non Traditional Research Outcomes, The Australian Council of Deans and Directors of Creative Arts, Australia, 6 July 2017 (2017) [Magazine Article] [Full Text] [Detail]
Grenfell, M, “Making Waves 3 - Portfolio Careers”, Making Waves, ABC Classic FM, www.abc.net.au (2017) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Maria Grenfell Tasmanian composer”, ABC Classic FM International Womens Day Special, Australian Broadcasting Company, Hobart, 8 March (2017) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Maria Grenfell tutors young composers in TSO project”, CutCommon: The new generation of classical music, CutCommon, Australia, 22 June 2017 (2017) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Maria Grenfell's swooping melodies make spirals”, Limelight, Australia's classical music and arts magazine, Arts Illuminated Pty Ltd, Australia, June (2017) [Magazine Article] [Full Text] [Detail]
Grenfell, M, “Nature Works”, Warp Magazine, Warp, Online, June, p. 17. (2017) [Media Interview] [Full Text] [Detail]
Hodges, G, “Balancing Guitars In The Mix: Finding space for guitar in your ensemble”, Off to a Great Start, Yamaha Music Australia, Australia, pp. 22-23. (2017) [Magazine Article] [Full Text] [Detail]
Hodges, G, “Glen Hodges Quintet tour and concert”, Sunday Afternoon, Australian Broadcasting company, Hobart, Tasmania, 4 June 2017 (2017) [Media Interview] [Full Text] [Detail]
Hodges, G, “The psychology of supermarket music”, ABC Hobart Drive, ABC News, Australian Broadcasting company, 20 March 2017 (2017) [Media Interview] [Full Text] [Detail]
Hodges, G, “University of Tasmania’s Conservatorium of Music to visit Coast”, The Advocate, Fairfax Media, Australia, 13 April 2013 (2017) [Media Interview] [Full Text] [Detail]
Hodges, G, “Yamaha Guitar Artists”, Yamaha, Yamaha Music Australia, Australia (2017) [Award] [Full Text] [Detail]
Hodges, G, “Nicholas Bosly Pask interviews Glen Hodges on film music”, Evenings across Australia, Australian Broadcasting company, Hobart, Tasmania, 7 October 2016 (2016) [Media Interview] [Full Text] [Detail]
Hodges, G, “Tasmanian Treasure Trove ABC radio series”, Evenings with Melanie Tait, Australian Broadcasting company, Hobart, Tasmania, 21 June 2016 (2016) [Media Interview] [Full Text] [Detail]
Hodges, G, “Anonymous donor gives 130 rare guitars to Tasmania’s Conservatorium of Music”, The Mercury, News Corp, Australia, 25 November 2015 (2015) [Media Interview] [Full Text] [Detail]
Hodges, G, “Donation to the Conservatorium of Music”, Drive, Australian Broadcasting company, Hobart, Tasmania, 25 November 2015 (2015) [Media Interview] [Full Text] [Detail]
Hodges, G, “Hancock guitars Artists”, Hancock Guitars, Hancock Guitars, Australia (2015) [Award] [Full Text] [Detail]
Kratz, SJ, “Art-Science: Provocations for Immortality”, Hobart Digital Humanities Pathways Forum, eRSA, Hobart, Tasmania, 1 December 2017 (2017) [Media Interview] [Full Text] [Detail]
Kratz, SJ and Leong, J*, “CRITICAL CONNECTIONS: Connecting Art, Design and STEM”, Interalia Magazine, The Interalia Centre, United Kingdom, November (2017) [Magazine Article] [Full Text] [Detail]
Kratz, SJ, “Immortal Selves: Biofabrication at the Intersection of Art and Science”, QUT Bioprinting Regulation Research Workshop, QUT Intellectual Property and Innovation Law Research Program, Australia, 11 December 2017 (2017) [Media Interview] [Detail]
Kratz, SJ, “Trepidation and delight: experiencing Dark Mofo with a three-year-old”, The Conversation, The Conversation Media Group Ltd, Australia, 14 June 2017 (2017) [Magazine Article] [Full Text] [Detail]
Ozolins, BT, “Death Mask by Brigita Ozolins: Book and Arts interview with Michael Cathcart”, ABC Radio National, Australian Broadcasting Corporation, Hobart, Tasmania, 9 June 2017 (2017) [Media Interview] [Full Text] [Detail]
Watt, Y, “When Is It Okay to Use Animals in Art?”, Artsy Editorial, United States, 11 May (2017) [Media Interview] [Detail]

* This author is not affiliated with the University of Tasmania.