Web Access Research Portal

Research Report 2018 - Office of the School of Creative Arts and Media

Journal Article
Ballico, C* and Carter, D, “A state of constant prodding: Live music, precocity and regulation”, Cultural Trends, 27 (3) pp. 203-217. doi:10.1080/09548963.2018.1474007 ISSN 0954-8963 (2018) [Refereed Article] [Full Text] [Detail]
Drinkall, J, “Weatherman UFOlogy”, Runway (23) ISSN 2203-5869 (2013) [Letter or Note in Journal] [Full Text] [Detail]
Forbes, AM, “Notions of the universal and spiritual in Percy Grainger’s early British folk-song settings”, Nineteenth Century Music Review pp. 1-20. doi:10.1017/S1479409817000581 ISSN 1479-4098 (2018) [Refereed Article] [Full Text] [Detail]
Hogan, J, “Surfacing”, Lo Squaderno, 48 (June) pp. 37-40. ISSN 1973-9141 (2018) [Refereed Article] [Full Text] [Detail]
Hogan, JM and Richardson, Benjamin, “Between nature and culture: ‘The Remarkable Tasmanian Devil’ at TMAG”, Art Monthly Australia, 306 pp. 30-31. ISSN 1033-4025 (2018) [Letter or Note in Journal] [Full Text] [Detail]
Juliff, T, “A new generation of British art: A problem of provincialism”, Australian and New Zealand Journal of Art, 18 (1) pp. 125-145. doi:10.1080/14434318.2018.1481335 ISSN 1443-4318 (2018) [Refereed Article] [Full Text] [Detail]
Lee, A and Baker, B and Haywood, N, “Finding pedagogical value in Australian contemporary popular music: A comparative case study of electric guitar compositional styles”, Journal of Popular Music Education, 2 (3) pp. 267-281. doi:10.1386/jpme.2.3.267_1 ISSN 2397-6721 (2018) [Refereed Article] [Full Text] [Detail]
Lee, DA and Baker, W and Haywood, N, “Instrumental teacher education and the incoming tide of information technology: a contemporary guitar perspective”, The Australian Journal of Teacher Education (Online), 43 (5) pp. 17-31. doi:10.14221/ajte.2018v43n5.2 ISSN 1835-517X (2018) [Refereed Article] [Full Text] [Detail]
Nielsen, H and Philpott, C, “Depths and Surfaces: Understanding the Antarctic Region through the Humanities and Social Sciences”, The Polar Journal, 8 (1) doi:10.1080/2154896X.2018.1468624 ISSN 2154-896X (2018) [Letter or Note in Journal] [Full Text] [Detail]
Nielsen, H and Philpott, C, The Polar Journal, 8 (1) ISSN 2154-896X (2018) [Edited Journal] [Full Text] [Detail]
Philpott, C, “Composing connections between continents: tracing the history of Australia’s engagement with Antarctica through music”, Australian Historical Studies, 49 (1) pp. 63-82. doi:10.1080/1031461X.2017.1417456 ISSN 1031-461X (2018) [Refereed Article] [Full Text] [Detail]
Philpott, C, “Promoting environmental awareness through context-based composition”, Organised Sound, 23 (Special issue 1) pp. 39-50. doi:10.1017/S1355771817000267 ISSN 1355-7718 (2018) [Refereed Article] [Full Text] [Detail]
Richardson, BJ and Hogan, J, “The ‘Remarkable Tasmanian Devil’: The aesthetics of persecution and protection”, Alternative Law Journal, 43 (4) pp. 269-274. doi:10.1177/1037969X18783536 ISSN 1037-969X (2018) [Refereed Article] [Full Text] [Detail]
Taylor, N and Keating, M, “Contemporary food imagery: food porn and other visual trends”, Communication Research and Practice, 4 (3) pp. 307-323. doi:10.1080/22041451.2018.1482190 ISSN 2204-1451 (2018) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “The Artist's Piano: Parisian Self-Portraits by Hugh Ramsay (1877-1906)”, Context, 43 pp. 1-12. ISSN 1038-4006 (2018) [Refereed Article] [Full Text] [Detail]
Walters, S and Forbes, AM, “Lost and found: editing and performing a quartet attributed to Krause from the Sing-Akademie zu Berlin Notenarchiv”, Context, 43 pp. 13-27. ISSN 1038-4006 (2018) [Refereed Article] [Full Text] [Detail]
Warren, A, “Divisive dramaturgy: community engagement in contemporary mediated publics”, Australasian Drama Studies (72) pp. 204-237. ISSN 0810-4123 (2018) [Refereed Article] [Full Text] [Detail]
Warren, A, “Virtual perspective: the aesthetic lineages of immersive experience”, Refractory, 30 pp. 1-16. ISSN 1447-4905 (2018) [Refereed Article] [Full Text] [Detail]
Warren, A, “Can’t or won’t: sneaky feelings in the theatre”, Performance Paradigm, 14 pp. 87-107. ISSN 1832-5580 (2018) [Refereed Article] [Full Text] [Detail]
Warren, A, “Dispensing with the Law: Measuring alcohol and its effects in Shower Party”, Performance Research, 22 (6) pp. 13-19. doi:10.1080/13528165.2017.1412635 ISSN 1352-8165 (2017) [Refereed Article] [Full Text] [Detail]
Watt, Y and O'Sullivan, S* and Probyn-Rapsey, F*, “Should we eat our research subjects? Advocacy and animal studies”, Animal Studies Journal, 7 (1) Article 9. ISSN 2201-3008 (2018) [Refereed Article] [Full Text] [Detail]
Book
Philpott, C, Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson, Lyrebird Press, Melbourne, pp. 228. ISBN 9780734037886 (2018) [Authored Research Book] [Full Text] [Detail]
Sierra, M* and Wise, K, Transformative Pedagogies and the Environment: Creative Agency Through Contemporary Art and Design, Common Ground Research Networks, Champaign, IL, pp. 238. ISBN 978-1-86335-010-5 (2018) [Edited Book] [Full Text] [Detail]
Chapter in Book
Hodges, G, “On Music and Literacy”, Communicating: The Heart of Literacy, Chatter Matters Tasmania, Tasmania, pp. 91-94. (2018) [Other Book Chapter] [Full Text] [Detail]
Hogan, J, “Resonating estuary: Transitions from site to art”, ARt and Future: Energy, Climate, Cultures, Cambridge Scholars Publishing, P Stupples (ed), United Kingdom, pp. 99-115. ISBN 978-1-5275-0410-3 (2018) [Research Book Chapter] [Full Text] [Detail]
Legg, A and Philpott, C and Blacklow, P, “Singing the Lord's song in a strange land: An examination of the nexus between the Southern Gospel Choir and the city of Hobart, Tasmania”, Made in Australia and New Zealand: Studies in Popular Music, Routledge, S Brunt and G Stahl (ed), New York, pp. 133-144. ISBN 9781138195684 (2018) [Research Book Chapter] [Full Text] [Detail]
Ozolins, B, “Julie Gough: the art and culture of collecting”, Fugitive history: the art of Julie Gough, UWA Publishing, Julie Gough (ed), Crawley, pp. 67-75. ISBN 9781742585581 (2018) [Research Book Chapter] [Full Text] [Detail]
Sierra, M* and Wise, K, “Creative agency, pedagogy, and the environment”, Transformative Pedagogies and the Environment: Creative Agency through Contemporary Art and Design, Common Ground Research Networks, M Sierra and K Wise (ed), Champaign, IL, pp. 213-218. ISBN 978-1-86335-010-5 (2018) [Research Book Chapter] [Full Text] [Detail]
Sierra, M* and Wise, K and Brewin, R*, “The Interdisciplinary Witness: Interdisciplinary Pedagogy and Speaking the New”, Transformative Pedagogies and the Environment: Creative Agency through Contemporary Art and Design, Common Ground Research Networks, M Sierra and K Wise (ed), Champaign, IL, pp. 11-30. ISBN 978-1-86335-010-5 (2018) [Research Book Chapter] [Full Text] [Detail]
Teniswood-Harvey, A, “The piano/fountain association: From Franz Liszt to Salvador Dali”, Musical Culture in Sounds, Words and Images: Essays in honor of Zdravko Blazekovic, HOLLITZER Wissenschaftsverlag, A Baldassarre and T Markovic (ed), Wien, pp. 603-618. ISBN 978-3-99012-451-2 (2018) [Research Book Chapter] [Full Text] [Detail]
Vella, JM, “Keep calm and carry on”, Associations: Creative Practice and Research, Melbourne University Press, J Oliver (ed), Melbourne, pp. 249-258. ISBN 9780522870312 (2018) [Research Book Chapter] [Full Text] [Detail]
Watt, Y, “Duck Lake project: art meets activism in an anti-hide, anti-bloke, antidote to duck shooting”, Animaladies: gender, animals, and madness, Bloomsbury, L Gruen and F Probyn-Rapsey (ed), New York, NY, pp. 203-218. ISBN 9781501342165 (2019) [Research Book Chapter] [Full Text] [Detail]
Review
Forbes, AM, “Christopher Redwood. William Hurlstone: Croydon’s Forgotten Musical Genius”, NABMSA Reviews, 5 (2) pp. 17-19. ISSN 2377-2573 (2017) [Review Single Work] [Full Text] [Detail]
Warren, A, “Bree Hadly, Theatre, Social Media ,and Meaning Making (Palgrave Macmillan, 2017)”, Australasian Drama Studies (72) pp. 265-271. ISSN 0810-4123 (2018) [Review Single Work] [Full Text] [Detail]
Conference Publication
Adler, S* and Grenfell, M and Kernis, AJ* and Likhuta, L*, “Political Music, Music Politics: A Discussion Panel”, 39th Annual New Music Festival, 20 October 2018, Bowling Green State University (2018) [Plenary Presentation] [Full Text] [Detail]
Collins, S, “Masterclass”, Australian Violin Pedagogy Conference Program, 22-24 September 2017, Sydney, NSW (2017) [Plenary Presentation] [Full Text] [Detail]
Forbes, AM and Vreugdenhil, A and Goldberg, L and Wood-Baker, R and Morse, A*, “Assessment of the effects of singing on respiratory function and wellbeing in people with dementia”, 5th International Conference of the International Association for Music and Medicine: Final Program and Abstract Book, 7-10 June 2018, Barcelona Spain, pp. 51-52. (2018) [Conference Extract] [Full Text] [Detail]
Grenfell, M, “Maria Grenfell, composer”, July 2018, School of Music, University of Auckland (2018) [Plenary Presentation] [Full Text] [Detail]
Grenfell, M, “Mentoring Emerging Women Composers”, The Gender Diversity in Music Making Conference, 6-8 July 2018, Monash University (2018) [Non Refereed Conference Paper] [Full Text] [Detail]
Haywood, N, “From the inside looking out: identifying problems (barriers) in group improvisation”, Fourth Rhythm Changes Conference: Jazz Utopias: conference program, 14-17 April 2016, Birmingham City University (2016) [Plenary Presentation] [Full Text] [Detail]
Hindrum, S and Hornblow, M and Power, J and Yong, A, “Biofabrication with SCOBY: material innovation and independent learning in a summer research unit”, Teaching Matters 2018, 21 November 2018, University of Tasmania, pp. 39. (2018) [Conference Extract] [Full Text] [Detail]
Hornblow, M and Power, J and Binte Mohd Sham, DS and Yip, E and Hindrum, S, “Advanced design research and the teaching-research nexus”, Teaching Matters 2018, 21 November 2018, University of Tasmania, pp. 39-40. (2018) [Conference Extract] [Full Text] [Detail]
Kingston, D, “Derek Bailey – An Informed Freedom”, Fourth Rhythm Changes Conference: Jazz Utopias: conference program, 14-17 April 2016, Birmingham City University (2016) [Plenary Presentation] [Full Text] [Detail]
Kingston, D, “Derek Bailey’s ballads: Combining traditions”, Instrument of Change: The International Rise of the Guitar (c. 1870-1945): abstracts, 9-11 December 2016, University of Melbourne, pp. 11. (2016) [Plenary Presentation] [Full Text] [Detail]
Kratz, SJ, “Species Entanglements and Expanded Kinship: Feminist Engagements with Technoscience”, 21-23 February 2018, Victorian College of the Arts, pp. 36. (2018) [Conference Extract] [Detail]
Reid, D and Cruickshank, V and Palmer, C and Drummond, M*, “The framing of men in teaching in the New Zealand and Australian press”, Annual Conference of the Journalism, Education and Research Association of Australia (JERAA), 3-5 December 2018, Hobart, Tasmania (2018) [Plenary Presentation] [Full Text] [Detail]
Teniswood-Harvey, A, “FashionFriday: Lang Lang’s Visual Marketing”, 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 80-81. ISBN 978-3-033-06809-4 (2018) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Gender politics and performance”, 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 26. ISBN 978-3-033-06809-4 (2018) [Chair International Conference] [Full Text] [Detail]
Teniswood-Harvey, A, “Images of Australian Musicians: Diversity, Identity, Status, Class”, Through the looking glass, 6-9 December 2018, Western Australian Academy of Performing Arts, pp. 88. (2018) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Panel Session: Music as Metaphor in Medieval and Early Modern Art”, Through the looking glass, 6-9 December 2018, Western Australian Academy of Performing Arts, pp. 32. (2018) [Chair National Conference] [Full Text] [Detail]
Teniswood-Harvey, A, “The enduring fascination of Lola Montez: 20th- and 21st-century interpretations of a 19th-century “Spanish” dancer”, Iberian musical crossroads through the ages: Images of music-making in their transcultural exchange: 15th Symposium of the ICTM Study Group on Iconography of the Performing Arts, 17-19 October 2018, Institut d’Estudis Catalans, pp. 3. (2018) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Transcultural exchanges between Portugal and the Estado da India”, Iberian musical crossroads through the ages: Images of music-making in their transcultural exchange: 15th Symposium of the ICTM Study Group on Iconography of the Performing Arts, 17-19 October 2018, Institut d’Estudis Catalans, pp. 3. (2018) [Chair International Conference] [Full Text] [Detail]
Teniswood-Harvey, A, “The depiction of musicians and dancers in Australia”, RIdIM 17th International Conference: Music and dance in visual culture Programme, 5-7 October 2017, Athens, Greece, pp. 76. (2017) [Conference Extract] [Full Text] [Detail]
Wise, K and MacDonald, A and Holmstrom, N and Brown, N and Hart, B and Kratz, S and Polley, J and Fountain, W and Tregloan, K*, “STEAM horizons: Boundary conditions and transitions”, 2018 ACUADS Conference Program, 27-28 September 2018, Perth, WA, Australia, pp. 22. (2018) [Conference Extract] [Full Text] [Detail]
Contract Report, Consultant's Report
Carter, D and Muller, P*, The Economic and Cultural Value of Live Music in the Northern Territory, MusicNT, Darwin, NT (2018) [Contract Report] [Full Text] [Detail]
Major Creative Work
Bleach, L, Phase Transition, Dark MOFO, MONA, The Hobart Penitentiary, Hobart (2018) [Other Exhibition] [Full Text] [Detail]
Boden, M, Benji (Feature Film Orchestration), Blumhouse Productions, International (2018) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, What if...(feature film orchestration), Village Plus Productions, Greece (2012) [Recorded Creative Work] [Full Text] [Detail]
Bywaters, MC and Malpas, J and Lehman, K, Imagining food: art, aesthetics and design, University of Tasmania, Academy Gallery - Launceston, Makers Space and Burnie Regional Art Gallery, Burnie (2017) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC and Lehman, K and Eri, R and Huang, T and Fan, F*, Navigating the internal landscape: an artistic interpretation of disease, University of Tasmania, Academy Gallery - Launceston and Makers Space - Burnie, 500, pp. 8 (2016) [Other Exhibition] [Full Text] [Detail]
Collins, S and Banney, D*, Musicus Medicus NSW Doctors Orchestra, Khachaturian Violin Concerto with improvised cadenza, Dr Susan Collins, The Concourse Concert Hall, Chatswood, NSW (2017) [Performance] [Full Text] [Detail]
Deng, S and Grenfell, M, Choro, ABC Classic FM, Tasmanian Symphony Orchestra Studio, 10 September 2018 (2018) [Broadcast] [Full Text] [Detail]
Deng, S and Grenfell, M, Choro, ABC Classic FM, Tasmanian Symphony Orchestra Studio, 28 June 2018 (2018) [Broadcast] [Full Text] [Detail]
Deng, S and Tanfield, P, Duo Tasman China Tour, Propel, China Conservatory, Harbin concert hall, Xuzhou concert hall, Fuzhou concert hall (2017) [Curated Exhibition] [Full Text] [Detail]
Dobson, A, “Beds are Burning” original arrangement for Hobart Liberation Orchestra featuring Petra Haden for Mona Foma 2018, MONA, pp. 31 (2018) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Knitting Unicorns, Hush, Performance at City Recital Hall, Sydney, 18 (2018) [Recorded Creative Work] [Full Text] [Detail]
Grenfell, M, SOUNZ showcase of women composers: curated playlists, SOUNZ New Zealand Music Centre (2018) [Other Exhibition] [Full Text] [Detail]
Grenfell, M, Ten Suns Ablaze, ABC Classic FM, Sir John Clancy Auditorium, University of New South Wales, Sydney, Australia (2018) [Broadcast] [Full Text] [Detail]
Grenfell, M, Desert Rain, ABC, Premiere in Hobart Town Hall, 28 October 2018 (2017) [Recorded Creative Work] [Full Text] [Detail]
Grenfell, M, Spirals, ABC Radio, Federation Concert Hall, Hobart, Tasmania, 1, pp. 61 (2017) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Migratory Aesthetics: Heterochrony as painting, University of Tasmania, The Academy Gallery, Tidal Waters, Brook Street Pier, and Hadley's Orient Hotel (2018) [Published Creative Work] [Full Text] [Detail]
Haddon, N, The subtle edge of migration: a rocky shore, Falls Park Pavilion, Evandale, The Long Gallery, Salamanca Arts Centre, paranaple Arts Centre, Devonport (2018) [Published Creative Work] [Full Text] [Detail]
Haddon, N, We can always go back: nostalgia and the poor image, Contemporary Art Tasmania, Hobart and Moonah Arts Centre, Moonah (2018) [Published Creative Work] [Full Text] [Detail]
Haddon, N, Painting the Colonial Folly, Academy Art Gallery, Bett Gallery, Tasmanian Museum and Art Gallery, The Glover Prize Exhibition, Hadley's Art Prize Exhibition, and Galerie Pom Pom (2017) [Published Creative Work] [Full Text] [Detail]
Haywood, N, Hobart Liberation Orchestra featuring Petra Haden, MOFO, MONA Nolan Gallery and MONA Main Stage, 2018 (2018) [Curated Exhibition] [Full Text] [Detail]
Haywood, N, Many Rivers, Jazzhead Records, public release recording (2017) [Recorded Creative Work] [Full Text] [Detail]
Hodges, G, Glen Hodges Quintet 2017 Tour, Launceston, Ulverstone, Stanley, Queenstown TAS (2017) [Performance] [Full Text] [Detail]
Jones, SL, Order of the Thistle, Urban-a-wearness, Radiant Pavilion, Melbourne Contemporary Jewellery and Object Biennial 2017 (2017) [Published Creative Work] [Full Text] [Detail]
Keating, M and Johnstone, SD and Boden, M, The Agent, Australian National Capital Artists, ANCA Gallery (2018) [Published Creative Work] [Full Text] [Detail]
Keating, M, The Big Picture: portrait of an art's centre, Salamanca Arts Centre, Hobart, Tasmania (2018) [Published Creative Work] [Full Text] [Detail]
Keating, MJ and Boden, M, The Outsider, Moonah Arts Centre, Tasmania (2018) [Published Creative Work] [Full Text] [Detail]
Kingston, D, Yellow Lights, independant, Hobart, Tasmania (2014) [Recorded Creative Work] [Full Text] [Detail]
Legg, AFJ, Brian Jackson and the Southern Gospel Choir, MOFO, Museum of New and Old Art, Hobart (2018) [Performance] [Full Text] [Detail]
Legg, AFJ, Australian Primary Principals Association: The Heart Of Leadership and Maryborough Music Conference Gospel Choir, APPA and MMC, Federation Concert Hall, Hobart and Maryborough Performing Arts Centre (2015) [Performance] [Full Text] [Detail]
MacDonald, A, Anne MacDonald: Pink & Blue, Artereal Gallery, Artereal Gallery, Sydney, pp. 1-17 (2018) [Published Creative Work] [Full Text] [Detail]
MacDonald, AL, Pink & Blue (bunnies no.1) 2017, Jospehine Ulrick and Win Schubert Photography Award, Home of the Arts (HOTA), Surfers Paradise, 2/5 (2018) [Repeat Curated Exhibition] [Full Text] [Detail]
MacDonald, AL, The Romance no.1, Dark Rooms: Women Directing the Lens 1978 -98, Griffith University Art Museum, Brisbane (2018) [Revision/New Edition] [Full Text] [Detail]
Miller, D* and George-allen, S and Roche, T* and Mackenzie, K* and Carter, D, Death is a Miracle + Classics EP Prodcution, Tym Records, Brisbane (2017) [Recorded Creative Work] [Full Text] [Detail]
Newitt, J, Fossil, A Published Event, Fullers bookshop, pp. 96 (2018) [Published Creative Work] [Full Text] [Detail]
Newitt, J, I Go Further Under, Carriageworks, Carriageworks, Sydney (2018) [Published Creative Work] [Full Text] [Detail]
Ozolins, B and Harvey, MK* and von Caemmerer, A*, The Green Brain Cycle, MOFO, Pulse Gallery, MONA, Berriedale, Tasmania (2018) [Published Creative Work] [Full Text] [Detail]
Perren, C* and Carter, D, Cults by Nonsemble EP Production, Sugarrush Records, Brisbane (2017) [Recorded Creative Work] [Full Text] [Detail]
Stubbs, SL, Memorial, Warm Design, 146 ArtSpace (2017) [Curated Exhibition] [Full Text] [Detail]
Vella, J, Panopticon, University of Tasmania, Tasmanian College of the Arts (2017) [Other Exhibition] [Detail]
Watt, YM, Duck Lake Redux, Interlude Gallery, Moonah Arts Centre (2018) [Published Creative Work] [Full Text] [Detail]
Watt, YM, Sexual Politics of Meat Exhibition, The Animal Museum, Los Angeles, The Animal Museum, Los Angeles (2017) [Published Creative Work] [Full Text] [Detail]
Other Creative Work
Collins, S and Gault, T* and Brieber, T* and Choe, M* and Lemoh, T*, Raymond Hanson Piano Quintet recording for ABC Classic FM broadcast and ABC archive, Australian Broadcasting Corporation, Australia, pp. 1 (2017) [Minor Creative Work] [Full Text] [Detail]
Deng, S and Grenfell, M, Five Songs from the East, California State University, Los Angeles, CA, pp. 3 (2018) [Performance Practice] [Detail]
Deng, S, Grieg Piano Concerto, Town Hall Hobart, Hobart Town Hall, pp. 1 (2018) [Performance Practice] [Full Text] [Detail]
Deng, S and Sheng-Yuan, V*, Piano duet Edvard Grieg Piano Concerto in A Minor 3rd Movement, Hobart Buddhist Academy, Hobart Casino Wrest Point Showroom, pp. 1 (2018) [Performance Practice] [Full Text] [Detail]
Deng, S, Travel Diaries Sydney: Composing Australia Book Launch, University of Tasmania, Conservatorium of Music, pp. 2 (2018) [Performance Practice] [Full Text] [Detail]
Forbes, AM, A Boy was Born, St David's Cathedral Hobart and Holy Trinity Launceston, Hobart and Launceston, pp. 18 pieces (2018) [Performance Practice] [Full Text] [Detail]
Forbes, AM and O'Neill, D* and O'Neill, S*, At the Foot of the Cross - excerpts from Pergolesi Stabat Mater, All Saints Anglican Church, Hobart, pp. 8 (2018) [Performance Practice] [Full Text] [Detail]
Grenfell, M, TSO Composers' Project, Tasmanian Symphony Orchestra, Hobart, pp. 6 pieces (2018) [Performance Practice] [Full Text] [Detail]
Grenfell, M, On Jasmin, Self, Hobart, pp. 15 (2017) [Minor Creative Work] [Full Text] [Detail]
Newitt, J, Untitled (Fossil), The Rosny Barn, Clarence City Council, Rosny, Tasmania, pp. 1 (2018) [Minor Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK, 2 Pianos - music by Bartok and Zimmermann, Tasmanian Conservatorium of Music, Conservatorium Recital Hall, pp. 2 pieces (50 mins duration) (2018) [Performance Practice] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK and Goddard, M and Patten, T* and Barnes, J and Yu, J*, The Golden Ratio, Conservatorium of Music, University of Tasmania, Tasmania, pp. 2 (2017) [Performance Practice] [Full Text] [Detail]
Other Public Output
Blackwood, G, “Meet the Foys, likely inventors of the family car holiday to Uluru”, ABC News, Australian Broadcasting Corporation, Australia, 4 December 2018 (2018) [Newspaper Article] [Full Text] [Detail]
Bywaters, MC, “MOFO: Stage Set”, Southern Cross News Tasmania, Southern Cross Austereo Pty Ltd, Tasmania, 12 January 2018 (2018) [Media Interview] [Full Text] [Detail]
Bywaters, MC, “Speeding through set up for Mona Foma: Interview with Tess Brunton”, The Examiner, Fairfax Media, Launceston, Tasmania, 12 January 2018 (2018) [Media Interview] [Full Text] [Detail]
Carter, D, “Snoop, Dre, Cypress Hill: How hip hop went mainstream — and embraced weed — in the 1990s: Interview with Paul Donoughue”, ABC News, Australian Broadcasting Corporation, Australia, 21 September 2018 (2018) [Media Interview] [Full Text] [Detail]
Deng, S, “Arts Tasmania Artist Investment grant: Interview with Joel Rheinberger”, Evenings with Joel Rheinberger, Australian Broadcasting Corporation, Hobart, Tasmania, 27 September 2018 (2018) [Media Interview] [Full Text] [Detail]
Deng, S, “Bright way to put Tassie in spotlight: interview with Penny Thow”, The Mercury, News Corporation, Hobart, Tasmania, 18 October 2018, p. 25. (2018) [Newspaper Article] [Full Text] [Detail]
Deng, S, “Shan Deng loves Dancing: Interview with Honor Marino”, Obsession Session with Honor, Edge Radio 99.3FM, Sandy Bay, Tasmania, 22 March 2018 (2018) [Media Interview] [Full Text] [Detail]
Forbes, AM, “Drive: Interview with Piia Wirsu”, ABC Northern Tasmania Radio, Australian Broadcasting Corporation, Tasmania, 23 May 2018 (2018) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Collective wisdom: from knitting unicorns to bioluminescent plankton: Interview with Angus McPherson”, Limelight, Limelight Arts Media Pty Ltd., Sydney, 10 September 2018 (2018) [Media Interview] [Full Text] [Detail]
Grenfell, M, “Interview with Ryk Goddard”, Breakfast with Ryk Goddard, Australian Broadcasting Corporation, Hobart, 1 August 2018 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “Critical practices: Integrating ideas and practice”, NiTRO: Non Traditional Research Outcomes, The Australian Council of Deans and Directors of Creative Arts, Australia, 24 august 2018 (2018) [Magazine Article] [Full Text] [Detail]
Haddon, N, “Hadley's Art Prize 2018: Interview with Olivia Hicks”, WIN News Tasmania, WIN Network, Hobart, 20 July 2018 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “Hadley's Art Prize: Interview with Joel Rheinberger”, Evenings with Joel Rheinberger, Australian Broadcasting Corporation, Hobart, 23 July 2018 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “Hadley’s Art Prize winner says art career is not easy: interview with Linda Smith”, The Mercury, News Corporation, Hobart, Tasmania, 14 October 2018 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “Tasmanian artist wins Hadley's Art Prize with War of the Worlds-inspired painting: interview with ABC Tasmania News”, ABC Tasmania News, Australian Broadcasting Corporation, Australia, 20 July 2018 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “The War of the Worlds-inspired artwork that just took home a $100,000 prize: Interview with Eddie Ayres”, The Hub on Art, Australian Broadcasting Corporation, Australia, 1 August 2018 (2018) [Media Interview] [Full Text] [Detail]
Harman, K and Philpott, C, “A Tasmanian Requiem is a musical reckoning, and a pathway to reconciliation”, The Conversation, The Conversation Media Group Ltd, Australia, 24 April 2018 (2018) [Magazine Article] [Full Text] [Detail]
Hutchins, B and Lester, L, “Sport, the environment and climate change – A note from Australia”, Play the Game, Danish Institute for Sports Studies, Denmark, 19 December 2017 (2017) [Magazine Article] [Full Text] [Detail]
Kratz, SJ, “Mofo at MONA: operatic bodies, experimental encounters and expanded horizons”, The Conversation, The Conversation Media Group Ltd, Australia, 25 January 2018 (2018) [Magazine Article] [Full Text] [Detail]
Legg, A, “Aretha Franklin and her community opened their doors and their hearts to me”, The Conversation, The Conversation Media Group Ltd, Australia, 17 August 2018 (2018) [Magazine Article] [Full Text] [Detail]
MacDonald, AJ and Wise, K, “Stemming the flow of STEAM”, Loud Mouth - Music Trust E-Zine, Australian Arts Trust, Australia, 2018, 8 April (2018) [Magazine Article] [Full Text] [Detail]
Philpott, C, “Sledging songs, penguins and melting ice: how Antarctica has inspired Australian composers”, The Conversation, The Conversation Media Group Ltd, Australia, 29 August 2018 (2018) [Magazine Article] [Full Text] [Detail]
Starr, F* and Harman, K, “David Stuurman: Chief, resistance fighter, Khoi hero”, Sydney Living Museums, Hyde Park Barracks Museum, Australia (2017) [Magazine Article] [Full Text] [Detail]
Warren, A, “Going Down finds hilarious satire in migrant identity”, The Conversation, The Conversation Media Group Ltd, Australia, 14 May 2018 (2018) [Magazine Article] [Full Text] [Detail]

* This author is not affiliated with the University of Tasmania.