Web Access Research Portal

Research Report 2019 - Office of the School of Creative Arts and Media

Journal Article
Baguley, M* and Kerby, M* and Bywaters, M, “‘Let the work speak for itself’: Augustine Dall'Ava, Australian sculptor”, Australian Art Education, 40 (2) pp. 246-261. ISSN 1032-1942 (2019) [Refereed Article] [Full Text] [Detail]
Cervera, F* and Chua, S* and Demetriou, Y* and Jeong, A* and Laine, E* and Sharifi, A* and Wan, E* and Warren, A, Orientations: where is the future now? (2.2) ISSN 2574-027X (2019) [Edited Journal] [Full Text] [Detail]
Kerby, M* and Baguley, M* and Bywaters, M, “My name's William and I'm a sculptor: William Eicholtz”, Australian Art Education, 40 (1) pp. 115-134. ISSN 1032-1942 (2019) [Refereed Article] [Full Text] [Detail]
Lamb, B and Smith, B*, “From Skyrim to Skellige: fantasy video game music within a neo-mediaevalist paradigm”, Musicology Australia, 40 Article 2. doi:10.1080/08145857.2018.1550140 ISSN 0814-5857 (2018) [Refereed Article] [Full Text] [Detail]
Lee, D and Baker, W and Haywood, N, “The ripple effects of pedagogies and curriculum in Australian tertiary contemporary popular music guitar education”, Australian Journal of Music Education, 52 (2) pp. 58-72. ISSN 0004-9484 (2019) [Refereed Article] [Full Text] [Detail]
O'Sullivan, S* and Watt, Y and Probyn-Rapsey, F*, “Tainted love: the trials and tribulations of a career in animal studies”, Society and Animals, 27 (4) pp. 361-382. doi:10.1163/15685306-00001677 ISSN 1568-5306 (2019) [Refereed Article] [Full Text] [Detail]
Probyn-Rapsey, F* and Watt, Y and O'Sullivan, S*, “'Pussy panic' and glass elevators: how gender is shaping the field of animal studies”, Australian Feminist Studies, 34 (100) pp. 198-215. doi:10.1080/08164649.2019.1644605 ISSN 0816-4649 (2019) [Refereed Article] [Full Text] [Detail]
Rainsford, M and Palmer, MA and Sauer, JD, “The Distinctiveness Effect in the Recognition of Whole Melodies”, Music Perception, 36 (3) pp. 253-272. doi:10.1525/mp.2019.36.3.253 ISSN 0730-7829 (2019) [Refereed Article] [Full Text] [Detail]
Silva, IS* and Pedrosa, R* and Azevedo, IG* and Forbes, AM and Fregonezi, GAF* and Dourado Jr, MET* and Lima, SRH* and Ferreira, GMH*, “Respiratory muscle training in children and adults with neuromuscular disease”, Cochrane Database of Systematic Reviews (9) pp. 1-86. doi:10.1002/14651858.CD011711 ISSN 1469-493X (2019) [Refereed Article] [Full Text] [Detail]
Stephens, E, “Education for tomorrow or education for the individual: What works for the future?”, Forum on Public Policy, 2016 (2) pp. 1-8. ISSN 1556-763X (2016) [Refereed Article] [Full Text] [Detail]
Warren, A, “Responding to rupture: kids killing kids”, Performance Research: A Journal of Performing Arts, 19 (6) pp. 71-77. doi:10.1080/13528165.2014.985102 ISSN 1352-8165 (2014) [Refereed Article] [Full Text] [Detail]
Warren, AD, “Mixed actor network reality: a performance in three networks”, Australasian Drama Studies (65) pp. 191-211. ISSN 0810-4123 (2019) [Refereed Article] [Full Text] [Detail]
Woollard, J, “‘The Elasticity of Her Spirits’: Actresses and Resilience on the Nineteenth-Century Colonial Stage”, Australasian Drama Studies, 70 ISSN 0810-4123 (2019) [Refereed Article] [Full Text] [Detail]
Woollard, J and Halba, H*, Australasian Drama Studies 73 [co-editor of reviews] (73) ISSN 0810-4123 (2018) [Edited Journal] [Full Text] [Detail]
Chapter in Book
Philpott, C, “Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica”, Anthropocene Antarctica: Perspectives from the Humanities, Law and Social Sciences, Routledge, E Leane and J McGee (ed), Abingdon, pp. 101-116. ISBN 9780429429705 (2019) [Research Book Chapter] [Full Text] [Detail]
Warren, A, “Knowledge, Movement, Technologies”, White Night: City as Event, Research Unit in Public Cultures, The University of Melbourne, D Butt (ed), Melbourne, Australia, pp. 45-50. ISBN 978 0 7340 5179 0 (2015) [Other Book Chapter] [Full Text] [Detail]
Review
Warren, AD, “Births, deaths and rituals: a revamped Ten Days on the Island explores Tasmania’s past and present”, The Conversation (19 March) (2019) [Review Several Works] [Full Text] [Detail]
Woollard, J, “Imagined landscapes: Geovisualizing Australian spatial narratives [Book Review]”, Australasian Drama Studies, 69 pp. 206-210. ISSN 0810-4123 (2019) [Review Single Work] [Full Text] [Detail]
Woollard, J, “Gordon McMullan and Phillip Mead, with Ailsa Grant Ferguson, Kate Flaherty and Mark Houlahan's Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916-2016 [Book Review]”, Journal of the Association for the Study of Australian Literature, 3 (18) ISSN 1833-6027 (2018) [Review Single Work] [Full Text] [Detail]
Woollard, J, “Performance, feminism and affect in Neoliberal Times [Book Review]”, Australasian Drama Studies (73) pp. 336-344. ISSN 0810-4123 (2018) [Review Single Work] [Full Text] [Detail]
Conference Publication
Blackhall, ML and Berry, R and Ahuja, KDK and Geraghty, DP and Walls, JT, “In vitro investigation of sweet cherry extract”, Nutrition Society of Australia 42nd Annual Scientific Meeting, 27-30 November 2018, Canberra, Australia (2018) [Conference Extract] [Full Text] [Detail]
Dodd, B and Lester, L, “Between public and brand engagement: communicating an ecological crisis”, 24-28 May, Washington, D.C. (2019) [Conference Extract] [Full Text] [Detail]
Dodd, B and Hughes, C, “News media, minority governments and 'New Tasmania'”, The Media School Friday Seminar, 17 August, The University of Tasmania (2018) [Plenary Presentation] [Full Text] [Detail]
Dodd, B, “Solutions journalism and the politically awkward question of leadership”, Annual Conference of the Journalism Education and Research Association of Australia, 3-5 December, The Media School of the University of Tasmania (2018) [Conference Extract] [Full Text] [Detail]
Dodd, B, “Propositional journalism and navigational leadership in Tasmania”, The Annual Conference of the Australian & New Zealand Communication Association, 4 - 7 July, The University of Sydney, pp. 64-65. (2017) [Conference Extract] [Full Text] [Detail]
Dodd, B, “Framing the Future: A Tasmanian Case Study”, Institute for the Study of Social Change: Friday Seminar Series, 30 September, Hobart, Tasmania (2016) [Conference Extract] [Full Text] [Detail]
Lee, Daniel and Baker, WJ and Haywood, N, “Engaging with 21st century methodologies in contemporary education research: developing a multi-sited, distance, online ethnography”, Proceedings of the 64th annual meeting of the Florida Educational Research Association, 13 -15 November, St Petersburg, Florida, pp. 1-11. (2019) [Refereed Conference Paper] [Full Text] [Detail]
Lee, Daniel and Baker, WJ and Haywood, N, “The role of music in higher education: cultural perpetuation in hidden curriculum”, Proceedings of the 64th annual meeting of the Florida Educational Research Association, 13 -15 November, St Petersburg, Florida, pp. 1-10. (2019) [Refereed Conference Paper] [Full Text] [Detail]
Legg, A, “Keynote”, 10-13 July, Queensland, Australiia (2019) [Keynote Presentation] [Full Text] [Detail]
MacDonald, A and Wise, K* and Holmstrom, NG and Brown, N and Polley, J and Tregloan, K* and Kratz, S and Hart, B* and Fountain, WG, “STEAM Horizons: Navigating contentions and possibilities for interdisciplinary pedagogy and learning in Tasmania”, AARE Conference 2018 (2018) [Conference Extract] [Full Text] [Detail]
Reid, D and Forde, S* and Munk, I* and Touwen, C* and Dodd, B, “Freelancing, Foreign Exchange and Professional Development: Discussing the Europe and Australia in the World exchange programme”, Annual Conference of the Journalism Education and Research Association of Australia, 3-5 December, The Media School of the University of Tasmania (2018) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Belonging and Detachment: Representing Musical Identity in Visual Culture”, 19th International Conference of Association RIdIM, 13-15 November 2019, Hobart, Australia ISBN 9783033068094 (2019) [Chair International Conference] [Full Text] [Detail]
Teniswood-Harvey, A, “Belonging and Detachment: Representing Musical Identity in Visual Culture, 19th International Conference of Association RIdIM”, University of Tasmania, 13-15 November 2019, Hobart, Australia ISBN 9783033068094 (2019) [Conference Edited] [Full Text] [Detail]
Teniswood-Harvey, A, “Centred on the periphery: the development of an Australian musical avant-garde in the 1960s”, 19th International Conference of Association RIdIM, Belonging and Detachment: Representing Musical Identity in Visual Culture, 13-15 November 2019, Hobart, Australia, pp. 66. (2019) [Conference Extract] [Full Text] [Detail]
Teniswood-Harvey, A, “Future Perspectives of Music Research in Higher Education”, 7-10 July, Lucerne, Switzerland, pp. 19. (2019) [Plenary Presentation] [Full Text] [Detail]
Teniswood-Harvey, A, “Sounding Spaces”, 7-10 July, Lucerne, Switzerland, pp. 17. (2019) [Chair International Conference] [Full Text] [Detail]
Teniswood-Harvey, A, “Visual Art and Agency in the Identity Formation of Peter Sculthorpe (1929-2014)”, 7-10 July, Lucerne, Switzerland, pp. 61. (2019) [Conference Extract] [Full Text] [Detail]
Tesch, L and Forbes, A-M, “The benefits of creative arts programs for people receiving renal dialysis”, Proceedings of the 15th National Rural Health Conference, 24-29 March 2019, Hobart, Tasmania, pp. 1-9. (2019) [Refereed Conference Paper] [Full Text] [Detail]
Contract Report, Consultant's Report
Carter, D, Profile of the Tasmanian Music Industries, Music Tasmania, Australia (2018) [Consultants Report] [Full Text] [Detail]
Legg, A, Music School Consultation & Organisational Development Project Report, Brisbane Grammar School, Brisbane (2019) [Consultants Report] [Full Text] [Detail]
Major Creative Work
Boden, M, Post Matinée, Lionshare Records, International (2017) [Recorded Creative Work] [Full Text] [Detail]
Boden, M, Flor de Pedra, iTunes, CD Baby, Amazon, International (2015) [Recorded Creative Work] [Full Text] [Detail]
Grenfell, M, And the Air was Dancing, Ivy Street Ensemble, Denver, Colorado (2019) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Contemporary Music Ensemble: performance of 'Ceol na Fidhle', Oberlin Contemporary Music Ensemble, Warner Concert Hall, Oberlin Conservatory, Oberlin OH, United States, Timothy Weiss, conductor (2019) [Repeat Performance] [Full Text] [Detail]
Grenfell, M, Flinders and Trim, Tasmanian Symphony Orchestra, Hobart, Tasmania (2019) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Flinders and Trim: radio broadcast, ABC Classic, Hobart, Tasmania (2019) [Broadcast] [Full Text] [Detail]
Grenfell, M, Masterworks 2 - Rising Above: repeat performance of 'Concertino for Clarinet, Cello, Double Bass, and String Orchestra', North State Symphony Orchestra, Laxson Auditorium, Chico, CA, United States (2019) [Repeat Performance] [Full Text] [Detail]
Hodges, G, Glen Hodges Quintet 2017 Hobart Concert and Live Recording Session, UTAS Conservatorium Recital Hall (2017) [Repeat Performance] [Full Text] [Detail]
Hodges, G, Turkish Turnaround, Glen Hodges, Launceston, Ulverstone, Stanley, Queenstown TAS, pp. 1-3 (2017) [Published Creative Work] [Full Text] [Detail]
Hogan, J, Rhizoming: Language of Print and Place, Craft + Design Centre, Canberra, ACT (2019) [Published Creative Work] [Full Text] [Detail]
Hogan, J, Stain of Blackening Plumes, Ten Days on the Island, Hobart, Tasmania and Freemantle, WA (2017) [Published Creative Work] [Full Text] [Detail]
Juliff, T, Pandemic: Gothic pathologies, quarantines, and creative explorations of fear and transmission, Plimsoll Gallery, Hobart, Tasmania (2019) [Curated Exhibition] [Full Text] [Detail]
Keating, M and Boden, M, We will watch over you, Chinese Contemporary Art Tasmania, Hobart, Tasmania and Sydney, NSW (2019) [Published Creative Work] [Full Text] [Detail]
Kingston, D and Houston, H and Robb, T and Boden, M, Tributary: Recorded album, Scratch Match Records, Hobart, Tasmania (2019) [Recorded Creative Work] [Full Text] [Detail]
Kingston, D, PDLS: an album by PDLS, Independant, Hobart, Tasmania (2018) [Recorded Creative Work] [Full Text] [Detail]
Long, SC, Sound production and recording of ‘Blind' by Mama K and the Big Love, Red Planet Recording, Hobart, Tasmania (2017) [Recorded Creative Work] [Full Text] [Detail]
Long, SC, Recording and sound production of 'All Draped Up' by The Raccoons, Red Planet Recording, Hobart, Tasmania (2016) [Recorded Creative Work] [Full Text] [Detail]
Teniswood-Harvey, A and Harvey, MK and Tomlinson, V* and Griswold, E*, Clocked Out with Arabella Teniswood and Michael Kieran Harvey, The Queensland Conservatorium, Ian Hangar Recital Hall, Griffith University (2019) [Performance] [Full Text] [Detail]
Walch, MB and Stephenson, D, The Derwent Project, Tasmanian Museum and Art Gallery, Hobart, Tasmania (2017) [Curated Exhibition] [Full Text] [Detail]
Watt, Y and Juliff, T and Krebber, A* and Riedinger, M* and Holck, A*, OktoLab19, Plimsoll Gallery, University of Tasmania (2019) [Curated Exhibition] [Full Text] [Detail]
Woollard, J, Miss W Treads, La Mama Theatre, Melbourne, Australia (2017) [Performance] [Full Text] [Detail]
Woollard, J and Lazaroo, K*, Bright Shiny and Green Night, La Mama Theatre, Melbourne, Australia (2015) [Performance] [Full Text] [Detail]
Other Creative Work
Boden, M and Kingston, D and Dobson, A and Keating, M, The Insider Out, Salamanca Arts Centre, Hobart (2018) [Performance Practice] [Full Text] [Detail]
Collins, S, Sounds of Summer, Charles Sturt University, Wagga Wagga (2018) [Performance Practice] [Full Text] [Detail]
Deng, S and Grenfell, M, Bowling Green New Music Festival, Bowling Green New Music Festival, Ohio, United States (2018) [Performance Practice] [Full Text] [Detail]
Deng, S and Wu, Y*, East meets West, The University of Tasmania, Conservatorium Recital Hall, Hobart Tasmania (2018) [Performance Practice] [Full Text] [Detail]
Dobson, A and Ottaway, K and Zappner, V* and Haywood, N and Thomas, B and Gilmartin, E*, International Jazz Day, Burnie Town Hall, Burnie (2019) [Performance Practice] [Full Text] [Detail]
Dobson, A and Boden, M, Rug Cutters Quartet: Jazz in the Gardens, Cascade Brewery, Hobart, Tasmania (2019) [Performance Practice] [Full Text] [Detail]
Dobson, A and Ottaway, K and Haywood, N and Jerome, J* and Johnston, L and Jones, T* and Parish, N and Ellis, M and Nugent, NJ and Churches, L*, The Modern Operative Live at Yambu, Hobart (2019) [Performance Practice] [Full Text] [Detail]
Dobson, A, 'gone gone gone': alto and tenor saxophone in Hey Mook, Zenith Records, TAS, Australia, pp. 9 (2018) [Minor Creative Work] [Full Text] [Detail]
Drinkall, J, Morton House + Eco Spirit, Modern Art Projects, The Blue Mountains, NSW, Australia, pp. 23 (2014) [Representation of Original Art] [Full Text] [Detail]
Forbes, AM, Ave Regina Coelorum, St Mary's Cathedral, Hobart, pp. 11 (2019) [Minor Creative Work] [Full Text] [Detail]
Forbes, AM, Campra, Humphry, Handel as guest artist with Musica Dolce, St George's Anglican Church, Battery Point, Tasmania (22 April 2018), pp. 3 (2019) [Performance Practice] [Full Text] [Detail]
Grenfell, M, Di Primavera, Australian Broadcasting Corporation, Australia, pp. 1 (2019) [Minor Creative Work] [Full Text] [Detail]
Grenfell, M, Fanfare for a City, The Tasmanian Symphony Orchestra, TAS, Australia, pp. 1 piece (2019) [Performance Practice] [Full Text] [Detail]
Grenfell, M and Draeger, C*, On a moonlit night, a recluse plays his pale white ch'in, Fluteworthy, Sydney, pp. 2 (2019) [Minor Creative Work] [Full Text] [Detail]
Grenfell, M, Clockwerk, RadioNZ, New Zealand, pp. 1 (2018) [Performance Practice] [Full Text] [Detail]
Grenfell, M, Roar!, Tasmanian Symphony Orchestra, TAS, Australia, pp. 1 piece (2018) [Performance Practice] [Full Text] [Detail]
Haddon, N, All that a heart, Academy Gallery, Launceston, Tasmania, pp. 3 (2019) [Representation of Original Art] [Full Text] [Detail]
Haddon, N, The shore, the race, the other place, Bett Gallery, Hobart (2019) [Representation of Original Art] [Full Text] [Detail]
Hodder, A and Direen, Z*, Zeb: A Gender Odyssey, Theatre Royal, Backspace Theatre, pp. 1 (2018) [Performance Practice] [Full Text] [Detail]
Juliff, T, Critical Mumble, Neon Parc and Sutton Gallery, Melbourne, pp. 2 (2014) [Minor Creative Work] [Full Text] [Detail]
Kingston, D, deCOI: conversations, observations, improvisations, Moonah Arts Centre, Hobart, Tasmania, pp. 2 July (2019) [Performance Practice] [Full Text] [Detail]
Kingston, D, Jazz Jam Session, Pablo’s Cocktails and Dreams, Hobart, Tasmania (2019) [Performance Practice] [Full Text] [Detail]
Kingston, D, Hobart Ah Um, Cinema One (3-4 February), Hobart, Tasmania (2018) [Representation of Original Art] [Full Text] [Detail]
Legg, A, Love Theory, Southern Gospel Choir, Hobart, Tasmania, pp. 13 pieces (2019) [Performance Practice] [Full Text] [Detail]
Legg, A, Pathways Annual Fundraising Gala: Disciples of Soul Performance, C3 Convention Centre, 64 Anglesea Street, South Hobart, Tasmania, Hobart, pp. 5 (2019) [Performance Practice] [Full Text] [Detail]
Ruffels, T, Between Fire and Flood, Devonport Regional Gallery, Tasmania, pp. 21 (2019) [Representation of Original Art] [Full Text] [Detail]
Thesis
Dodd, B, “Natural, unnatural, national: The Australian’s framing of natural disaster and climate change” (2012) [Masters Research] [Full Text] [Detail]
Other Public Output
Baker, WJ and Forbes, AM and Earle, JM, “Youth orchestra participation and perceived benefit - A pilot study of the Tasmanian Youth Orchestra: Final Report”, Launceston: University of Tasmania (2019) [Government or Industry Research] [Full Text] [Detail]
Deng, S, “More than a hint of Jasmine: Interview with Penny Thow”, The Mercury, News Pty. Ltd., Hobart, Tasmania, 5 September, p. 27. (2019) [Newspaper Article] [Full Text] [Detail]
Dodd, B, “Australian state allows optional listing of gender on birth certificates”, Eye Witness News, Primedia Broadcasting, Cape Town, 11 April (2019) [Newspaper Article] [Full Text] [Detail]
Dodd, B, “Tasmania fires risk 'wiping out' ancient species”, Al Jazeera, Al Jazeera Media Network, Qatar, 19 February (2019) [Newspaper Article] [Full Text] [Detail]
Dodd, B, “Talking Point: Answer is blowin’ in the wind”, The Mercury, News Pty. Ltd., Hobart, 8 June (2016) [Newspaper Article] [Full Text] [Detail]
Forbes, AM, “Health and singing: interview conducted by Gabrielle Martinovich for article 'You're the Voice'”, MiNDFOOD, McHugh Media, Australia, March 1, pp. 48-49. (2019) [Media Interview] [Full Text] [Detail]
Forbes, AM, “Health benefits of singing in a choir: ABC Radio interview with Helen Shield”, Your Afternoon, Australian Broadcasting Corporation, Australia, July 3 (2018) [Media Interview] [Full Text] [Detail]
Haddon, N, “Tasmanian artist Neil Haddon chasing second Hadley’s Art Prize win: Interview with The Mercury”, The Mercury, News Pty. Ltd., Hobart, Tasmania, 6 May (2019) [Media Interview] [Full Text] [Detail]
Legg, A, “Gospel with a Kayne twist!”, ABC Radio, Hobart, Australia (2019) [Media Interview] [Full Text] [Detail]
Legg, A, “I teach and play gospel music and I think Kanye’s Jesus is King is a remarkable gospel album”, The Conversation, The Conversation Trust, Melbourne, 6 November (2019) [Magazine Article] [Full Text] [Detail]
Watt, Y, “Anger over animals in art: interview with Graeme Watson”, RTR 92.1FM, Community Radio, Perth, 21 April (2017) [Media Interview] [Full Text] [Detail]
Watt, Y, “Hermann Nitsch and Dark MOFO: interview with Ryk Goddard”, On Breakfast with Ryk Goddard, Australian Broadcasting Corporation, Hobart, Tasmania, 21 April (2017) [Media Interview] [Full Text] [Detail]
Watt, Y, “Hermann Nitsch in Dark Mofo: radio dispatch”, The Cultural Frontline, British Broadcasting Corporation, United Kingdom, 29 May (2017) [Media Interview] [Full Text] [Detail]
Woollard, J, “Hidden women of history: Eliza Winstanley, colonial stage star and our first female Richard III”, The Conversation, The Conversation Media Group Ltd, Australia, 2 May (2019) [Magazine Article] [Full Text] [Detail]

* This author is not affiliated with the University of Tasmania.