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Research Report 1995 - Tasmanian School of Art - Launceston:Pre98

Journal Article
McLean, I, “Reclaiming Australia: the Port Jackson School and its exile”, Art and Australia, 33 (1) pp. 94-103. ISSN 0004-301X (1995) [Non Refereed Article] [Detail]
McLean, I, “Your Own Land is the Best: The Limits of Redemption in Australian Colonial Art”, Australian Journal of Art, 12 pp. 124-145. ISSN 0314-6464 (1995) [Refereed Article] [Detail]
McLean, I, “Thinking the nation at the end of the millennium”, Agenda, 43 (1) pp. 29-39. (1995) [Non Refereed Article] [Detail]
Review
Leong, G, “Active Agents: Aids Art in Australia”, Artlink, 15 (4) pp. 78-79. (1995) [Other Review] [Detail]
Leong, G, “William Yang - Sadness”, Agenda, 44/45 (October 1995) pp. 54. (1995) [Other Review] [Detail]
McLean, I, “Bad Light”, Agenda, 42 (1) pp. 22. (1995) [Review Single Work] [Detail]
McLean, I, “Building with Bits”, Artlink, 15 (2) pp. 100-101. (1995) [Review Single Work] [Detail]
McLean, I, “Christl Berg”, Agenda, 44/45 (1) pp. 46-47. (1995) [Review Single Work] [Detail]
McLean, I, “Homebody”, Art and Australia, 33 (2) pp. 287-288. (1995) [Review Single Work] [Detail]
McLean, I, “Nikos Papastergiadis Modernity as Exile: The Stranger in John Berger's Writing”, Thesis Eleven, 39 (1) pp. 137-139. (1995) [Review Single Work] [Detail]
McLean, I, “Oceanic Art”, Agenda, 44/45 (1) pp. 33-34. (1995) [Review Single Work] [Detail]
Norman, R, “Art of Adornment: Australian Contemporary Jewellery”, Agenda, 41 pp. 39. (1995) [Review Single Work] [Detail]
Norman, R, “Jewellery, Politics & Cultural Polemics”, Lemel, Spring/Summer pp. 26-27. (1995) [Review Single Work] [Detail]
Working Model, Technical Drawing
Barcan, C, Pins and Needles, University Gallery, Bangkok (1995) [Working Model] [Detail]
Berg, C, Pins and Needles, University Gallery, Bangkok (1995) [Technical Drawing] [Detail]
Bishop, PA, Snake Pit Members Exhibition, Launceston Art Co-operative, Launceston (1995) [Working Model] [Detail]
Bishop, PA, Sometime Samples, Launceston Art Co-operative, Launceston (1995) [Working Model] [Detail]
Bishop, PA, Trust Bank Art Award Exhibition, Launceston Show Society, Launceston (1995) [Working Model] [Detail]
Corbett, J, Pins & Needles: Identity & Meaning, University Gallery, Bangkok (1995) [Working Model] [Detail]
Fionnachd-Fein, B, Interaction, Arthouse, Launceston (1995) [Working Model] [Detail]
Hamilton, DW, International Shoe Box Sculpture Exhibition, University of Hawaii, Taipei (1995) [Working Model] [Detail]
Hamilton, DW and Parish, J and Sheehy, R, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] [Detail]
Hamilton, DW, Pins and Needles, University Gallery, Bangkok (1995) [Working Model] [Detail]
Leong, G, Pins & needles, University Gallery, Bangkok (1995) [Technical Drawing] [Detail]
Mason, PL, Pins and Needles, University Gallery, Bangkok (1995) [Technical Drawing] [Detail]
Mason, PL, Trust Bank Art Award, Trust Bank, Launceston (1995) [Working Model] [Detail]
McGrath, VF, Clay Sculpture, Ceramic Art & Perception, Gulgong (1995) [Technical Drawing] [Detail]
McGrath, VF, Life Forces, Arts Tasmania, Launceston (1995) [Technical Drawing] [Detail]
McGrath, VF, Pins & Needles, University Gallery, Bangkok (1995) [Technical Drawing] [Detail]
Norman, R, International Shoe Box Sculpture Exhibition, University of Hawaii, Taipei (1995) [Working Model] [Detail]
Norman, R, Pins & Needles, University Gallery, Bangkok (1995) [Working Model] [Detail]
Norman, R, Pins and Needles: Identity & Meaning, University Gallery, Bangkok (1995) [Working Model] [Detail]
Norman, R, Recycled, Hiko Mizuno Gallery, Tokyo (1995) [Working Model] [Detail]
Parish, J and Hamilton, DW and Sheehy, R, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] [Detail]
Payne, J, Pins & Needles, University Gallery, University of Tasmania, Bangkok (1995) [Working Model] [Detail]
Sheehy, R, International Shoebox Sculpture Exhibition, University of Hawaii, Taepei (1995) [Working Model] [Detail]
Sheehy, R and Hamilton, DW and Parish, J, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] [Detail]
Conference Publication
Leong, G, “Airing the Craft Closet: Contemporary Craft Practice and Issues of Identity”, Art Association of Australia Annual Conference, Panthers, Sydney (1995) [Conference Extract] [Detail]
Leong, G, “Crossovers Conference Chairperson”, Crossovers II - Art and Architecture: The Interface, Launceston, pp. 2. (1995) [Chair National Conference] [Detail]
Leong, G, “Towards a Non-Eurocentric Art History/Theory Curriculum for Australian Art Schools”, Conference Proceedings, Sixth International Conference, Australian Association of Institutional Research, Perth (1995) [Non Refereed Conference Paper] [Detail]
Mason, PL, “An Australian Fine Art Degree - Negotiating Content Relevance With The Asian Student”, Internationalising Tertiary Education: Institutional Research and Planning, Perth (1995) [Non Refereed Conference Paper] [Detail]
McLean, I, “Gordon Bennett: Painting for a New Republic (the Inland Sea)”, Art Association of Australia, Sydney (1995) [Conference Extract] [Detail]
McLean, I, “Imagining Australia: Paul Carter's Migrantology”, Association for the Study of Australian Literature, Adelaide, pp. 5. (1995) [Conference Extract] [Detail]
McLean, I, “Picturing Australia: the Impressionist Swindle”, Becoming Australians, Ballarat (1995) [Conference Extract] [Detail]
Norman, R, “Cultural Identity: Micro & Macro Perspectives”, Art Association of Australia, Sydney (1995) [Conference Extract] [Detail]
Contract Report, Consultant's Report
Leong, G, Craft Survey - Part One of Craft Review, Tasmanian State Government (1995) [Contract Report] [Detail]
Leong, G, Deloraine Craft Fair Report, Tasmanian State Government (1995) [Contract Report] [Detail]
Major Creative Work
Alting, B, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] [Detail]
Berg, C, Digital Art Award, Noosa Regional Gallery, Noosa (1995) [Recorded Creative Work] [Detail]
Berg, C, Pictograms, AETA, Devonport and Hobart (1995) [Other Exhibition] [Detail]
Berg, C, Pivot 3, CAST, Hobart and Launceston (1995) [Other Exhibition] [Detail]
Berg, C, Planting my Garden, Launceston (1995) [Recorded Creative Work] [Detail]
Berg, C, Traces, University Gallery, Launceston, pp. 32 (1995) [Other Exhibition] [Detail]
Corbett, J, Crossing Borders, University of Wollongong, Wollongong (1995) [Recorded Creative Work] [Detail]
Corbett, J, HOMOcraft, Craft Council of New South Wales, Sydney, Adelaide, Melbourne, Perth, Launceston (1995) [Recorded Creative Work] [Detail]
Fionnachd-Fein, B, Ripping Yarns, University Gallery, University of Tasmania at Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] [Detail]
Fionnachd-Fein, B, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] [Detail]
Friend, I, The Edge of Belief, Museum of Contemporary Religious Art, St Louis, pp. 4 (1995) [Other Exhibition] [Detail]
Friend, I, Tondo: Terrangi, Austral Gallery, St Louis, pp. 4 (1995) [Other Exhibition] [Detail]
Friend, I, une violent aventure sentimentale, Lawrence Wilson Art Gallery, Perth, pp. 8 (1995) [Other Exhibition] [Detail]
Friend, I, une violente aventure sentimentale X111, Lawrence Wilson Art Gallery, Perth, pp. 8 (1995) [Recorded Creative Work] [Detail]
Gibbs, M, Forms from the East Coast, Freeman Gallery, Hobart (1995) [Recorded Creative Work] [Detail]
Gibbs, M, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] [Detail]
Gibbs, M, Untitled Ceramic Installation, Hobart Magistrates Court, Hobart (1995) [Recorded Creative Work] [Detail]
Gibbs, M, Untitled Cermaics Installation, Sheraton Hotel, Hobart (1995) [Recorded Creative Work] [Detail]
Gotzmann, M, Ripping Yarns, University Gallery, Burnie, pp. 15 (1995) [Recorded Creative Work] [Detail]
Hamilton, DW, Made in Norway, University of Northern Territory, Darwin (1995) [Recorded Creative Work] [Detail]
Hoare, J, Ripping Yarns, University Gallery, University Of Tasmania At Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] [Detail]
Hoare, J, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] [Detail]
Leong, G, HOMOcraft, Crafts Council of New South Wales, Sydney, Adelaide, Melbourne, Perth, Launceston, pp. 29 (1995) [Recorded Creative Work] [Detail]
Leong, G, Men - TMAG Acquisition, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1995) [Recorded Creative Work] [Detail]
McGrath, VF, Clay Sculpture, Potter's Gallery, Sydney, pp. 4 (1995) [Recorded Creative Work] [Detail]
McGrath, VF, Deliquent Angel, Craft Australia/ Australia Council, Faenza, pp. 136 (1995) [Recorded Creative Work] [Detail]
McGrath, VF, Derby 1/Derby 2, Shepparton Regional Art Gallery, Shepparton (1995) [Recorded Creative Work] [Detail]
McGrath, VF, Message, Matter & Form, Museum & Art Gallery of the Northern Territory, Darwin, pp. 14 (1995) [Recorded Creative Work] [Detail]
McLean, I and Norman, R, A Border Art: pins, needles and the new hybridity, The University Gallery, Launceston, pp. 36 (1995) [Recorded Creative Work] [Detail]
McLean, I and Lozanovska, M*, Photographing architecture: spatiality, ideology and the body Pat Brassington Les Walkling, The University Gallery, Launceston, pp. 34 (1995) [Recorded Creative Work] [Detail]
Norman, R, Introduction: Pins & Needles, University Gallery, Launceston, pp. 35 (1995) [Recorded Creative Work] [Detail]
Payne, J, Interaction, Arthouse, Launceston (1995) [Recorded Creative Work] [Detail]
Richardson, DD, Solid Ground: Rock Series Etchings, The University Gallery, Launceston, pp. 8 (1995) [Other Exhibition] [Detail]
Sheehy, R, Interaction, Arthouse, Launceston (1995) [Recorded Creative Work] [Detail]
Tanton, R, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] [Detail]
Wright, B, Ripping Yarns, University Gallery, University of Tasmania at Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] [Detail]
Wright, B, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] [Detail]
Thesis
Norman, R, “Tools as Jewels” (1995) [Masters Research] [Detail]
Other Public Output
Fionnachd-Fein, B, “Time and Space: A Woman's Place”, Place Published (1995) [Award] [Detail]
Leong, G, “DEET Grant - Towards Internationalised Visual Arts Curricula, Evaluations and Investigations Program, Department of Employment, Educaiton & Training”, Evaluations and Investigations Program DEETYA, DEETYA, Place Published, 1995 (1995) [Award] [Detail]
Leong, G, “Sadness - Examiner Review”, The Examiner Newspaper, The Examiner Newspaper Pty Ltd, Launceston, 8 August 1995 (1995) [Newspaper Article] [Detail]
Wright, B, “Time and Space: A Woman's Place”, Place Published (1995) [Award] [Detail]

* This author is not affiliated with the University of Tasmania.