Web Access Research Portal

Research Report 2017 - School of Creative Arts and Media

Chapter in Book
Bleach, L, “Underground”, Minefield, A+A Publishing, Colless, E (ed), Australia ISBN 978-0-9953925-0-2 (2016) [Other Book Chapter] [Detail]
Hannah, D, “Scenographic screen space: bearing witness and performing resistance”, Scenography Expanded, Bloomsbury, J McKinney and S Palmer (ed), United Kingdom, pp. 39-60. ISBN 9781474244381 (2017) [Research Book Chapter] [Full Text] [Detail]
Hannah, DM, “Disappearing Acts: The Performative Exhibition as Spatial Research”, Perspectives on Architectural Design Research, AADR Art, Architecture and Design Research, Moloney J, Smitheram I and Twose S (ed), Germany, pp. 97-126. ISBN 978-3-88778-461-4 (2015) [Research Book Chapter] [Full Text] [Detail]
Conference Publication
Angel, C and Hawkins, C and Finnen, M and Lewis, R, “From Flatpack to Bookcase: development of an online resource for students and staff”, 28 Nov 2017, Sandy Bay, Tasmania (2017) [Conference Extract] [Full Text] [Detail]
Hannah, DM, “The Intermedial Screen”, MEDIATIONS Art & Design Agency and Participation in Public Space: Conference Proceedings, 21-22 Novemeber, Royal College of Art, Kensignton, pp. 59-70. ISBN 9781910642184 (2017) [Non Refereed Conference Paper] [Detail]
Wise, K and Tregloan, K*, “The Good-Morrow: Twin hemispheres of art and design”, Art and Design Symposium, 23-24 October 2015, Dunedin, New Zealand (2015) [Conference Extract] [Detail]
Major Creative Work
Deng, S and Deng, W*, Chinese Concert, Queensland Chinese Association, Brisbane City Hall (2017) [Repeat Performance] [Full Text] [Detail]
Deng, S, Choro: Banff performance, ABC Classic FM recording and broadcast, ABC Classic FM, TSO studios (2016) [Performance] [Full Text] [Detail]
Deng, S, Grenfell's Five Songs from the East, Australian Broadcasting Company (2013) [Broadcast] [Full Text] [Detail]
Dobson, A, IASJ Jazz Performance, International Association of Schools of Jazz, Lisbon, Portugal (2015) [Performance] [Full Text] [Detail]
Grenfell, M, Voyage (recording), ABC Classic FM, Adelaide, Australia (2015) [Published Creative Work] [Full Text] [Detail]
Grenfell, M, Choro, Australian Music Centre, Tianjing Concert Hall, China, 1, pp. 13 (2014) [Published Creative Work] [Full Text] [Detail]
Hall, KP, earthspoke, Sawtooth ARI (2015) [Curated Exhibition] [Full Text] [Detail]
Jones, S, 2017 Inscription and Place, Tasmanian Museum and art Gallery, Hobart, Tasmania, Tasmanian Museum and Art Gallery, TMAG (2017) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, Serial Exchange, Loop Project Space, Loop Project Space (2015) [Curated Exhibition] [Full Text] [Detail]
Jones, SL, Future Strategies From the New Art Alumni, RMIT, Project Space, Spare room, RMIT (2014) [Curated Exhibition] [Full Text] [Detail]
Legg, A, SGC2USA: The Southern Gospel Choir Research and Tour Project, Multiple publishing outputs; ABC; SBS; Cambridge Music, Dallas Texas; Tuskegee Alabama; Los Angeles California; MONA Tasmania (2014) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, The Australian International Symphony Orchestra Institute: Unleash the Fire Within, UTAS, City Hall, Hobart (2016) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, Australian International Symphony Orchestra Institute: Feel The Intensity, University of Tasmania, Hobart City Hall (2015) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, The Australian International Symphony Orchestra Institute: A Scorching Performance, University of Tasmania, Hobart City Hall (2014) [Curated Exhibition] [Full Text] [Detail]
Teniswood-Harvey, A, Saturday Evening Concert with Julian Day, ABC National Radio Classic FM, 4 October (2014) [Broadcast] [Full Text] [Detail]
Trenos, HR and George, DER, Islamophilia, Melbourne Theatre Company, Lawler Theatre, Southbank Complex, Melbourne, 1, pp. 2 hours 15 minutes (2017) [Performance] [Full Text] [Detail]
Other Creative Work
Deng, S and Smithies, KE, Piano in Stereo concert, Con of Music, Conservatorium of music recital hall, Hobart, pp. one piece (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Lynch, S*, Shostacovich Piano Concerto No. 2, Conservatorium of Music, Utas, Conservatorium of Music, Utas, pp. 10mins (2017) [Performance Practice] [Full Text] [Detail]
Deng, S and Lynch, S*, Shostacovich Piano Concerto No. 2, Chinese Buddist Academy, Tasman Room, Wrest Point Casino, pp. 8mins (2017) [Performance Practice] [Full Text] [Detail]
Forbes, AM and Bainbridge, Andrew*, Rachmaninoff All Night Vigil op.37, Festival of Voices St David's Cathedral, Hobart, pp. 1 (2017) [Performance Practice] [Full Text] [Detail]
Haddon, N, We bring our own fires in ‘Remanence’, Ten Days on the Island exhibition, Domain House, Hobart, pp. 9 (2017) [Representation of Original Art] [Detail]
Haddon, N, We’ll bring our own fruit, Academy Gallery, Tasmanian College of the Arts, Launceston, Tasmania, pp. 1 (2017) [Representation of Original Art] [Full Text] [Detail]
Lewis, R, Maths 101: Working with fractions, University College, Launceston, pp. 4 pp (2017) [Minor Creative Work] [Full Text] [Detail]
Lewis, R, Porter's Five Forces of competitive advantage, University College, Launceston, pp. 5pp (2017) [Minor Creative Work] [Full Text] [Detail]
Long, R, Black Tuesday, Domain House, Hobart, pp. 1 (2017) [Performance Practice] [Full Text] [Detail]
Newitt, J, A Broken Link: Spectacle and Untitled, Golden Age Cinema and Central Saint Martins, Sydney and London, pp. 2 (2017) [Minor Creative Work] [Full Text] [Detail]
Newitt, J, To Attempt to Become Other, Secretly or Not, 55 Sydenham Road, Sydney, pp. 1 (2017) [Minor Creative Work] [Full Text] [Detail]
Vella, J, Red wine and coffee on canvas over cigarettes and medication in Navagating the Landscape, Academy Gallery, Launceston, pp. 1 (2016) [Representation of Original Art] [Detail]
Vella, J, 2 Works- SPEEDKING (199-2015), Heritage Malta, Vallette, pp. 1 (2015) [Representation of Original Art] [Detail]
Vella, J and Bleach, L, Assistant Curators of Sowatkins, Plimsol Gallery, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Vella, J and Bleach, L, Curation of Ogoh Ogoh, Dark Mofo, Hobart, pp. 1 (2015) [Representation of Original Art] [Detail]
Vella, J, SELF PORTRAIT Intervention at Sydney Biennale, Sydney, pp. 1 (2012) [Representation of Original Art] [Detail]
Other Public Output
Baxter, T, “Australia going backwards on World Heritage listed forests”, The Conversation, The Conversation Media Group Ltd, Australia, 16 December 2013 (2013) [Magazine Article] [Full Text] [Detail]
Bleach, L and Vella, JM, “Live Site catalyst”, Island Magazine, Hobart, 147, pp. 56-61. (2017) [Magazine Article] [Detail]
Bleach, L and Vella, JM and Wise, CJE, “Night Garden – Live Site catalyst”, DDCA + NTRO Publication, The Australian Council of Deans and Directors of Creative Arts, Hobart, 4 (2016) [Magazine Article] [Detail]
Bywaters, M, “Treasures on Public Display”, Sunday Examiner, Fairfax Media, Australia, April 3, pp. 38-39. (2017) [Newspaper Article] [Full Text] [Detail]
Bywaters, MC, “Food analysis through artwork”, The Examiner, Fairfax Media, Australia, 23 Feb (2017) [Newspaper Article] [Full Text] [Detail]
Watt, Y, “When Is It Okay to Use Animals in Art?”, Artsy Editorial, United States, 11 May (2017) [Media Interview] [Detail]

* This author is not affiliated with the University of Tasmania.