Web Access Research Portal

Research Report 2014 - School of Creative Arts and Media

Journal Article
Bleach, L, “Site Fidelity: Rock Pigeons and Refugees”, Australasian Journal of Ecocriticism and Cultural Ecology, 4 pp. 22-34. ISSN 1839-843X (2014) [Refereed Article] [Full Text] [Detail]
Bywaters, M, “Lyndal Jones: climate change, performance and the Avoca Project”, Fusion (4) pp. 1-11. ISSN 2201-7208 (2014) [Refereed Article] [Full Text] [Detail]
Carter, D and Rogers, I*, “Fifteen Years of ‘Utopia’: Napster and Pitchfork as technologies of demoncratization”, First Monday, 19 (10) pp. 1-12. doi:10.5210/fm.v19i10.5543 ISSN 1396-0466 (2014) [Refereed Article] [Full Text] [Detail]
Carter, D, “Errata Erratum: Remixing Experimental Music”, Musicology Australia, 36 (1) pp. 1-12. doi:10.1080/08145857.2014.896070 ISSN 1949-453X (2014) [Refereed Article] [Full Text] [Detail]
Carter, D, “Sketching the Lao Music Industries”, The Malaysian Music Journal, 3 (1) pp. 32-47. ISSN 2232-1020 (2014) [Refereed Article] [Full Text] [Detail]
De La Harpe, B* and Peterson, F* and Frankham, NH and Zehner, R* and Neale, D* and Musgrave, E* and McDermott, R*, “Assessment focus in studio: what is most prominent in architecture, art and design?”, The International Journal of Art and Design Education, 28 (1) pp. 37-51. doi:10.1111/j.1476-8070.2009.01591.x ISSN 1476-8070 (2009) [Refereed Article] [Full Text] [Detail]
Delbridge, M and Roihankorpi, R*, “Intermedial ontologies: strategies of preparedness, research and design in real time Performance Capture”, Nordic Theatre Studies: yearbook for theatre research in Scandinavia, 26 (2) pp. 46-57. doi:10.7146/nts.v26i2.24309 ISSN 0904-6380 (2014) [Refereed Article] [Full Text] [Detail]
Delbridge, M, “The costume of MoCap: A spatial collision of velcro, avatar and Oskar Schlemmer”, Scene, 2 (1-2) pp. 221-232. doi:10.1386/scene.2.1-2.221_1 ISSN 2044-3714 (2014) [Refereed Article] [Full Text] [Detail]
Forbes, AM, “Sorrowful Voices: Performing Mahler's Kindertotenlieder”, Musicology Australia, 36 (2) pp. 235-253. doi:10.1080/08145857.2014.958270 ISSN 0814-5857 (2014) [Refereed Article] [Full Text] [Detail]
Hall, K and Finlayson, M, “Unfinished Business: craft and revivification”, Craft and Design Enquiry (6) pp. 61-73. ISSN 1837-445X (2014) [Refereed Article] [Full Text] [Detail]
Hannah, D, “Alarming the heart: costume as performative body-object-event”, Scene, 2 (1-2) pp. 15-34. ISSN 2044-3714 (2014) [Refereed Article] [Full Text] [Detail]
Hawthorne, LE, “Public Art and its Audience”, RealTime (106) pp. 43. (2014) [Professional, Non Refereed Article] [Full Text] [Detail]
Kunda, M, “Where Ideas and Images Collide”, Contemporary Art Centre of South Australia. Broadsheet, 41 (1) pp. 62-65. ISSN 0819-677X (2012) [Professional, Non Refereed Article] [Detail]
Leane, E and Philpott, C and Nielsen, H, “Scott at the opera: interpreting Das Opfer (1937)”, Polar Journal, 4 (2) pp. 354-376. doi:10.1080/2154896X.2014.954884 ISSN 2154-896X (2014) [Refereed Article] [Full Text] [Detail]
Lewis, Robert, “Self Discovery through Voice and Body”, International Journal of Humanities and Social Science, 4 (1) pp. 11-20. ISSN 2220-8488 (2014) [Refereed Article] [Full Text] [Detail]
Mauro-Flude, MN, “'Self Portrait in the age of the #selfie'”, Sawtooth Annual (2013) [Professional, Non Refereed Article] [Detail]
Mauro-Flude, MN, “Experiential Prototyping with Miss Despoina”, Runway Australian Experimental Art (23) (2013) [Professional, Non Refereed Article] [Detail]
Mauro-Flude, MN, “Circe's New Equipment & sister0's Paraphernalia”, DPI (22) (2011) [Professional, Non Refereed Article] [Detail]
Negrin, L, “The Contemporary Significance of 'Pauperist' Style”, Theory, Culture and Society, 32 (7-8) pp. 197-213. doi:10.1177/0263276414536235 ISSN 0263-2764 (2015) [Refereed Article] [Full Text] [Detail]
Philpott, C, “Sacrificing a Symphony: Malcolm Williamson’s protest against the Franklin Dam and the implications for the world’s first ‘transcontinental’ symphony”, Social Alternatives, 33 (1) pp. 7-15. ISSN 0155-0306 (2014) [Refereed Article] [Full Text] [Detail]
Philpott, C and McIntyre, S and Leane, E, “Songs of the South: a song cycle for mezzo soprano and piano based on lyrics from the heroic age of Antarctic exploration”, International Journal of Contemporary Composition, 9 pp. 1-43. ISSN 2304-4098 (2014) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Music in Colour Whistler’s Six Projects and Schubert’s Moments musicaux, Op. 94”, The British Art Journal: the research journal of British art studies, XV (1) pp. 27-34. ISSN 1467-2006 (2014) [Refereed Article] [Full Text] [Detail]
Teniswood-Harvey, A, “Rosalind, Appleby, Women of Note: The Rise of Australian Women Composers,”, Studies in Western Australian History, 28 pp. 147-148. ISSN 0314-7525 (2013) [Letter or Note in Journal] [Full Text] [Detail]
Watt, YM, “Artists, Animals and Ethics”, Antennae (19) pp. 62-72. ISSN 1756-9575 (2012) [Refereed Article] [Full Text] [Detail]
Book
Frankham, NH, Claiming Ground; twenty-five years of Tasmania's Art for Public Buildings Scheme, Quintus Publishing, Australia, pp. 112. ISBN 9781876832353 (2005) [Edited Book] [Detail]
Lewis, Robert, The Active Centre: Integrative Training for the Voice and Body, Contemporary Arts Media, online (2014) [Authored Other Book] [Full Text] [Detail]
Stephenson, DM, Die schönsten Gewölbe Europas: Von der Romanik bis zur Gotik, Prestel Verlag, Munich, pp. 192. ISBN 978-3791347707 (2013) [Revision/New Edition] [Full Text] [Detail]
Stephenson, DM, Die schönsten Kuppeln Europas, Prestel Verlag, Munich, pp. 192. ISBN 978-3791347462 (2013) [Revision/New Edition] [Detail]
Trenos, HR, Creativity: the actor in performance, De Gruyter, Warsaw/Berlin, pp. 85. ISBN 978-3-11-040210-0 (2014) [Authored Research Book] [Full Text] [Detail]
Chapter in Book
Hall, K, “Encounter, Fragment, Reuse”, International Medievalism and Popular Culture, Cambria Press, Louise D'Arcens & Andrew Lynch (ed), Amherst, NY, pp. 107-124. ISBN 9781604978643 (2014) [Research Book Chapter] [Full Text] [Detail]
Holmstrom, N, “Exquisite Corpses: The Depreciation of Female Death in Artistic Representation”, Mapping the Perimeter of Death and Dying, Inter-Disciplinary Press, MCallun, C and Gorman, M (ed), United Kingdom, pp. 21-30. ISBN 9781848882423 (2014) [Research Book Chapter] [Full Text] [Detail]
Mauro-Flude, MN, “Ism ¦ Breath ¦ Who ¦ She ¦ With ¦ I”, Code {poems}, Ishac Bertran, Barcelona, pp. 25-26. (2012) [Other Book Chapter] [Detail]
Mauro-Flude, MN, “ism¦breath¦she¦who¦with¦I:A day of Regex Poetry with Virginia Woolf”, Geek Mook, Vingette Press, Aaron Mannon and Julian Novitz (ed), Australia, pp. 114-115. ISBN 9781876110031 (2012) [Other Book Chapter] [Full Text] [Detail]
Rees, A, “Finding Place: mapping as process”, Mapping Environmental Issues in the City, Springer, Caquard, Sebastien, Vaughan, Laurene, Cartwright, William (ed), Berlin, pp. 178-206. ISBN 978-3-642-22-441-6 (2011) [Research Book Chapter] [Full Text] [Detail]
Watt, YM, “Making Animals Matter: Why the Art World Needs to Rethink the Representation of Animals”, Considering Animals: Contemporary Studies in Human-Animal Relations, Ashgate, Freeman Carol , Leane ELizabeth , Watt Yvette (ed), United Kingdom, pp. 119-136. ISBN 978-1-4094-0013-4 (2011) [Research Book Chapter] [Full Text] [Detail]
Review
Hawthorne, LE, “Inflight ARI in partnership with Queenstown Heritage Festival”, Art Link, 32 (4) pp. 82-83. (2012) [Other Review] [Full Text] [Detail]
Conference Publication
Bleach, L, “Acceptable Risk”, 2012, Tarraleah (2014) [Non Refereed Conference Paper] [Detail]
Bleach, L, “Hysteresis, Desire and Risk”, MUMA, Monash University Melbourne (2012) [Non Refereed Conference Paper] [Detail]
Bleach, L, “Site Fidelity”, August 31 to September 2, Melbourne (2012) [Non Refereed Conference Paper] [Full Text] [Detail]
Bleach, L, “Good Vibrations: becoming activated by tenuous landscapes”, 2011, Tasmanian School of Art, University of Tasmania (2011) [Non Refereed Conference Paper] [Detail]
Boden, M, “The Globalisation of Jazz: An Australian Perspective”, 27th-28th July 2013, Paris, pp. 1-25. (2013) [Non Refereed Conference Paper] [Detail]
Chatwin, DA, “The Endless River: Exploring the Potential for Water to Connect the Home and the Natural Environment”, Sustainable Art - Facing the need for Regeneration, responsibility and Relations, 20-21st November, Inst of Art History, University of Wroclaw, Poland, pp. 1-12. (2013) [Plenary Presentation] [Full Text] [Detail]
Deng, S, “Going full circle: Chinese folk songs to new Australian Composition”, 37th National Conference of the Musicolgical Society of Australia, 29 Nov- 2 Dec, Melbourne, pp. 1-2. (2014) [Conference Extract] [Full Text] [Detail]
Deng, S, “Stylistic Development and performance practice: From unpublished Chinese folksongs to new Australian compositions”, Encounters Musical Meetings between Australia and China, 2010, Griffith, pp. 113-116. ISBN 9781922117069 (2012) [Refereed Conference Paper] [Full Text] [Detail]
Forbes, AM, “In the Service of shadows :music and the liturgy of Tenebrae”, The Power of Music Abstracts (34th National Conference of the Musicological Society of Australia and the 2nd International Conference on Music and Emotion, 30th Nov - 3rd Dec, University of Western Australia, pp. 44. (2011) [Conference Extract] [Full Text] [Detail]
Forbes, AM, “The impact of Musical celebrity in Australia: Fritz Kreisler's 1925 tour”, Islands Music Research in Australia and New Zealand Conference Program and Extracts, 22-25 November 2007, Griffith University Brisbane, pp. 45. (2007) [Conference Extract] [Full Text] [Detail]
Haddon, N, “The Promise of a Future: How visual artists present future scenarios especially with respect to a Tasmanian idyll”, Unnatural Futures, 3-4 July 2014, Hobart, pp. 1. (2014) [Non Refereed Conference Paper] [Full Text] [Detail]
Hall, KP, “Starting In Place: a preliminary investigation of first year curriculum design in response to critical regionalism”, Proceedings of the Teaching Matters 2014 Conference, 2-3 December 2014, Newnham Campus, University of Tasmania, pp. 30-36. (2014) [Non Refereed Conference Paper] [Full Text] [Detail]
Hogan, JM, “Grounded Memory”, Interpellations: Law, Literature and the Humanities Association of Australasia Conference, September, Australian National University, Canberra (2013) [Non Refereed Conference Paper] [Detail]
Keating, MJ, “Imaging Weeds and weedy representation; an exploration of the context that informs the body of work Nature Strip 2012”, Imaging Nature II Conference, 21-­‐23, Tarraleah Lodge Tasmania, pp. 1-10. (2012) [Non Refereed Conference Paper] [Full Text] [Detail]
Mauro Flude, MN, “Hacking the metropolis”, Art Associoiation of Australia and New Zealand annual Conference 2014, 4-8 December, Inveresk, Launceston (2014) [Conference Extract] [Detail]
Mauro-Flude, MN, “Feminism and Maker culture”, DRHA: Digital Research in the Humanities and Arts, 1 September, University of Greenwich, pp. 1. (2014) [Conference Extract] [Detail]
Mauro-Flude, MN, “Paraphernalia and the trash stratum”, Institute for Gender, Sexuality and Feminist Studies Conference, 10th November, McGill University, Montreal (2012) [Conference Extract] [Detail]
Mauro-Flude, MN, “The Intimacy of the Commandline”, Live Interfaces 2012, 7-8th September, Leeds University (2012) [Non Refereed Conference Paper] [Detail]
Mauro-Flude, MN, “Rethinking Tactical [and tactile] Media for Artists and Activists”, Media in Transition 6: stone and papyrus, storage and transmission conference, April 24-26, Massachusetts Institute of Technology Cambridge, pp. 1. (2009) [Conference Extract] [Detail]
Monkhouse, H and Forbes, AM, “Embodied Learning in an Orchestral Setting”, 31st ISME World Conference on Music Education Abstracts, 20th -25th July, Brazil, pp. 138. (2014) [Conference Extract] [Full Text] [Detail]
Monkhouse, HA, “ISME 29th World Conference Abstracts”, Curriculum for a Bachelor of Music: balancing design and desire, 1-6 August 2010, Beijing, pp. 58. (2010) [Conference Extract] [Full Text] [Detail]
Negrin, L, “Art Meets Fashion: A Paradoxical Partnership – The Case of Cindy Sherman's Fashion Photographs”, Art Association of Australia and New Zealand Conference, 5-8 December, Launceston (2014) [Non Refereed Conference Paper] [Detail]
Negrin, L, “Fashion as Art or Art as Fashion?”, 6th Global Conference on Fashion, 15 - 18 September, Mansfield College, Oxford University (2014) [Non Refereed Conference Paper] [Detail]
Vella, JM, “Wilderness...the Second's coming”, 4th ASLEC-ANZ Biennial Conference, August 31 to September 2, 2012, Melbourne, pp. 1-2. (2012) [Conference Extract] [Detail]
Computer Software
Delbridge, MJ, “Split Britches Theme Park App”, 1, Apple iTunes, iTunes (2014) [Software iOS] [Full Text] [Detail]
Contract Report, Consultant's Report
Legg, AFJ, Consultants Report on Performing Arts Program, The Hutchins School (2013) [Consultants Report] [Full Text] [Detail]
Major Creative Work
Bleach, L, Airfall, Witness, Linden Centre for Contemporary Arts, Melbourne, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Bleach, L, homeopathy, Domain: a contested landscape, Exhibition, Ten Days on the Island, Domain House, Queens Domain, Hobart, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Bleach, L, Lag, Augmentor, Outward Gallery, Launceston, 1 (2013) [Published Creative Work] [Detail]
Bleach, L, Unfinished Business, Material Matters: You, Me and Every Space We Know, Outward Gallery, Launceston, 1 (2013) [Published Creative Work] [Detail]
Bleach, L and Parr, GG, Foreplay, Plimsol Gallery, Hobart, Tasmania (2012) [Curated Exhibition] [Detail]
Bleach, L and Jubelin, N*, Third Space, CWA Art Projects, Pius X Church, Taroona and Dorney House, Mt Nelson, 1 (2012) [Published Creative Work] [Detail]
Bleach, L, DreamMachines, Tasmanian Museam and Art Gallery (TMAG), Tasmanian Museam and Art Gallery (TMAG) (2011) [Other Exhibition] [Detail]
Bleach, L, Local Colour, Devonport Regional Gallery, Devonport Regional Gallery, Tasmania, 1 (2011) [Published Creative Work] [Full Text] [Detail]
Boden, M, Music for Television advertisement, Hill St Grocer, Hobart, Australia, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Burke, R* and Gould, T* and Haywood, N and Floyd, T*, The Rob Burke and Tony Gould Quartet Live Recording at the Melbourne Jazz Cooperative, Melbourne Jazz Co-operative, Bennetts Lane Jazz Club, Melbourne, Australia, 2014 (2014) [Performance] [Full Text] [Detail]
Bywaters, MC, Home stay, Tasmanian College of the Arts, Poimena Gallery, Launceston Church Grammar School, Launceston, 100, pp. 8 (2014) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC, House and home, Victorian College of the Arts Gallery, Victorian College of the Arts Gallery, The University of Melbourne, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Bywaters, MC, Launceston: Our City, Academy Gallery, Academy Gallery, Launceston, Tas, 100, pp. 8 (2014) [Curated Exhibition] [Full Text] [Detail]
Bywaters, MC and Malor, D, Tasmanian Landscape, Academy Gallery, Academy Gallery, 200, pp. 8 (2014) [Curated Exhibition] [Full Text] [Detail]
Chatwin, DA, Angus in The Clarence Prize for Excellence in Furniture Design, The Barn Gallery, Clarence, Hobart, 1 (2013) [Published Creative Work] [Detail]
Chatwin, DA, Space Invaders (dust mite, silverfish, Argentine Ant) in The Z Factor, Plimsoll Gallery, Hobart, 1 (2013) [Other Exhibition] [Detail]
Deng, S and Deng, W*, Piano and pipa concert, Xuzhou concert hall, Xuzhou, China (2014) [Repeat Performance] [Full Text] [Detail]
Deng, S and Deng, W*, Piano and pipa concert, Nanjing concert hall, Nanjing, China (2014) [Repeat Performance] [Full Text] [Detail]
Deng, S and Deng, W*, Piano and pipa concert, Nanjing concert hall, Nanjing, China (2014) [Repeat Performance] [Full Text] [Detail]
Deng, S and Deng, W*, Piano and pipa concert, Tianjing concert hall, Tianjing, China (2014) [Repeat Performance] [Full Text] [Detail]
Deng, S and Deng, W*, Public performance at Tianjing concert hall, Tianjing concert hall, Tianjing, China (2014) [Performance] [Full Text] [Detail]
Deng, S, Piano Performance: Silver Clouds Chasing the Moon, ABC National Radio Classic FM, Hobart (2012) [Broadcast] [Full Text] [Detail]
Deng, S, Poulenc Violin Sonata, ABC National Radio, Hobart (2012) [Broadcast] [Full Text] [Detail]
Dobson, A, Al Dobson Quartet, Ticketed Event, Conservatorium of Music, Hobart, Tasmania (2013) [Performance] [Full Text] [Detail]
Dobson, A and Haywood, N, TANK featuring Eugene Ball, The Night Owl, Hobart (2013) [Performance] [Full Text] [Detail]
Finlayson, ML, It's a Good Time OK, Academy Gallery, University of Tasmania, Inveresk Campus, Launceston (2012) [Published Creative Work] [Full Text] [Detail]
Geard, AR and Scheffer, J, Investigations, Plimsol Gallery, Hobart (2013) [Curated Exhibition] [Full Text] [Detail]
Grenfell, M, Five Songs from the East, Master Performers, Conservatorium of Music, 5 Sandy Bay, Hobart, TAS 7001, 028 (2013) [Recorded Creative Work] [Full Text] [Detail]
Grenfell, M, Rock Hopping, Hush Foundation, Hobart, Tasmania, 13 (2013) [Recorded Creative Work] [Full Text] [Detail]
Grenfell, M, Five Songs from the East, University of Tasmania, Conservatorium of Music, University of Tasmania, Conservatorium of Music Recital Hall (2012) [Performance] [Full Text] [Detail]
Hannah, DM, Now/Next: PQ Exhibition Design, Architecture Section: 2011 Prague Quadrennial of Performance Space & Design, World Stage Design2013, Cardiff, Wales, 1 (2013) [Curated Exhibition] [Full Text] [Detail]
Hannah, DM, Tuna Mau, Pacific_Performance_Ecology Biennial, Silo Park, Auckland, New Zealand, 1 (2013) [Other Exhibition] [Full Text] [Detail]
Haywood, N and Browne, A* and Magusson, S* and Hopkins, C*, Nick Haywood Quartet at The Devonport Jazz Weekend, City of Devonport, Centenary Court, Devonport, 2014 (2014) [Performance] [Full Text] [Detail]
Haywood, N, Nick Haywood Quartet presented by the Melbourne Jazz Co-op, Melbourne Jazz Co-operative, Bennetts Lane Jaz Club, Melbourne, Australia, 2013 (2014) [Performance] [Full Text] [Detail]
Haywood, N and Browne, A* and Magusson, S* and Hopkins, C*, Nick Haywood Quartet, New Works, Bennetts lane Jazz Club, Bennetts Lane Jaz Club, Melbourne, Australia, 2014 (2014) [Performance] [Full Text] [Detail]
Haywood, N and Ball, E* and Hughes, G* and Noy, P* and Browne, A* and Browne, S*, The Drunken Boat - Allan Browne Quintet, Melbourne International Jazz Festival, Bennetts Lane Jaz Club, Melbourne, Australia, 2014 (2014) [Performance] [Full Text] [Detail]
Haywood, N, 2013 Blues Up Festival, AMJ, Mont Dore Cultural Centre, Nouvelle Caledonie, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N and Ball, E* and Hughes, G* and Noy, P*, Allan Browne Quintet Retrospective, Bennetts lane Jazz Club, Bennetts Lane Jazz Club, Melbourne, Australia, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Allan Browne Sextet, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Allan Browne Sextet at Stonnington Jazz Festival, Stonnington Jazz Festival, Chapel off Chapel, Prahran, Victoria, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Bennetts Lane Big Band, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne (2013) [Performance] [Full Text] [Detail]
Haywood, N, Bennetts Lane Big Band, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Repeat Performance] [Full Text] [Detail]
Haywood, N, Clarence Jazz Festival All-Star Band, Clarence Jazz Festival All Stars, Claremnce Jazz Festival, Bellerive Boardwalk, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Jari Perkiomaki Quartet, UTAS, UTAS Conservatorium, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Jari Perkiomaki Quartet, 11 August, 2013, Bennetts lane Jazz Club, Bennetts Lane Jaz Club, Melbourne, Australia, 2013 (2013) [Performance] [Detail]
Haywood, N, Nick haywood Quartet 1234, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Nick Haywood Quartet 1234, Bennetts Lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Repeat Performance] [Full Text] [Detail]
Haywood, N, Nick haywood Quartet 1234, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Repeat Performance] [Full Text] [Detail]
Haywood, N, The Rob Burke and Tony Gould Quartet at the Melbourne International Jazz Festival, Melbourne International Jazz Festival, Bennetts Lane Jaz Club, Melbourne, Australia, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, The Rob Burke and Tony Gould Quartet Live Recording - Improvisation Session 14 August 2013, Bennetts Lane Jazz Club, Bennetts Lane Jazz Club, Melbourne, Australia, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, The Rob Burke and Tony Gould Quartet Live Recording - Improvisation Session 21 August 2013, Bennetts Lane Jazz Club, Bennetts Lane Jaz Club, Melbourne, Australia, 2013 (2013) [Performance] [Detail]
Haywood, N, The Rob Burke and Tony Gould Quartet Live Recording - Improvisation Session 7 August 2013, Bennetts lane Jazz Club, Bennett's Lane Jazz Club, Melbourne, 2013 (2013) [Performance] [Full Text] [Detail]
Haywood, N, Allan Browne Sextet, The Conjurer, Melbourne Jazz Co-op, Bennett's Lane Jazz Club, Melbourne, 2013 (2012) [Performance] [Full Text] [Detail]
Henderson, SJ, Geocritical:don't just agitate- decorate, Sawtooth ARI, Launceston, Sawtooth ARI, Launceston (2014) [Published Creative Work] [Full Text] [Detail]
Henderson, SJ, Vertical Realities: Formation, Triptych, Robinson College Chapel, Cambridge, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Henderson, SJ and Mason, PL and Marsden, D, Paper Planes, Sawtooth ARI Gallery, Sawtooth ARI, 160 Cimitiere Street, Launceston (2013) [Published Creative Work] [Full Text] [Detail]
Henderson, SJ, Papering the Landscape: re-visioning Cataract Gorge, New Gallery, Newnham, Launceston., New Gallery, Newnham, Launceston., 1 (2013) [Published Creative Work] [Full Text] [Detail]
Henderson, SJ, Wallpapered topographies, Outward Gallery, Outward gallery, 155 Brisbane Street, Launceston, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Hodder, AL and Verrall, K* and Burns, B*, Dogs and Boats and Airplanes, Junction Arts Festival, Princes Theatre, Launceston (2013) [Other Exhibition] [Full Text] [Detail]
Hodges, GJ and Mason, S*, Tasmanian Parliamentary Prayer Breakfast, Guest Performance, Federation Ballroom, Hotel Grand Chancellor 1 Davey St Hobart, TAS 7000 Australia (2013) [Other Exhibition] [Full Text] [Detail]
Hogan, JM, Broken Line, Northern Centre for Contemporary Art, NCCA Darwin Northern Territory, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Hogan, JM, Spaces of Connection, SASA Gallery, Adelaide, SA, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Kingston, D and Boden, M and Haywood, N and Jackson, A*, Colossus, Independent, Bandcanp, CD Baby, iTunes, Stores, 2014 (2014) [Recorded Creative Work] [Full Text] [Detail]
Kunda, M and Zika, P, A World Between: A Survey of Prints by Milan Milojevic, Plimsoll Gallery, Tasmanian School of Art, Hobart (2012) [Curated Exhibition] [Full Text] [Detail]
Lee, F and Kunda, M, Automatic Conversation Generator, Cast Gallery, Hobart (2013) [Performance] [Detail]
Legg, AFJ, Indulgence: SGC Major Fundraising USA Launch, Andrew Legg, Henry Jones Hotel Atrium (2014) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, Australian International Symphony Orchestra Institute Performance program, Hobart (2013) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, Don Kay Birthday Concert, UTAS, Conservatorium Recital Hall (2013) [Other Exhibition] [Full Text] [Detail]
Legg, AFJ, Soul Spirit and Fire, Andrew Legg, Stanley Burbury Theatre, UTAS (2013) [Performance] [Full Text] [Detail]
Legg, AFJ, Standing In The Shadows of MONA II, MONA/UTAS/Conservatorium, Museum of Old and New Art (MONA) (2013) [Performance] [Full Text] [Detail]
Legg, AFJ, Australian International Symphony Orchestra Institute, City Hall, Hobart (2012) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, Conservatorium: Concert Program 12, UTAS/Conservatorium of Music, Various (2012) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, It's On - The Wolfe Brothers, ABC Records, Australia, 1 (2012) [Published Creative Work] [Full Text] [Detail]
Legg, AFJ, Tasmanian Discovery Orchestra: Proud Music (Festival of Voices), Legg, The Odeon Theatre, Hobart (2012) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, TDO Concert 1: 2012, Legg, Hobart (2012) [Curated Exhibition] [Full Text] [Detail]
Legg, AFJ, TDO Concert 3: 2012, Legg/Con of Music, Farrell Centre, Hobart (2012) [Curated Exhibition] [Full Text] [Detail]
Mauro-Flude, MN, Error in Time, transmediale festival, Berlin, 5 (2014) [Repeat Performance] [Detail]
Mauro-Flude, MN, MISS DESPOINAS Pataphysical SALON, 146 Gallery Arts Tasmania, Hobart (2014) [Other Exhibition] [Detail]
Mauro-Flude, MN, Valetudo, Testing Ground: Contemporary Art Australia, Flinders University City Gallery (2014) [Repeat Performance] [Detail]
Mauro-Flude, MN, Awry Signals, Bundanon Niteworks, Riversdale, NSW, Australia (2013) [Performance] [Full Text] [Detail]
Mauro-Flude, MN, Error in Time, Brighton Digital Festival, Brighton, 2 (2013) [Repeat Performance] [Detail]
Mauro-Flude, MN, Error in Time, HTMlles 10 Festival, Eastern Bloc, 2 (2013) [Repeat Performance] [Detail]
Mauro-Flude, MN, Is Starlight a WiFI Signal?, 19th International Symposium on Electronic Art, Sydney, 1, pp. 1 (2013) [Published Creative Work] [Detail]
Mauro-Flude, MN, Networked Art Forms and Tactical Magick Faerie Circuits (NAF:TMFC) - an event that included symposia, exhibition, performances, workshops and social gatherings. 31 May - 30 June 2013, Contemporary Art Tasmania (CAT), the Tasmanian School of Art, University of Tasmania and on the Internet, online website (2013) [Curated Exhibition] [Detail]
Mauro-Flude, MN, Scrying: MEA, Mona Markets, MONA Grounds, Hobart, 1 (2013) [Performance] [Detail]
Mauro-Flude, MN, Scrying: MEA, MOMA Market, MOMA markets, 1 (2013) [Curated Exhibition] [Full Text] [Detail]
Mauro-Flude, MN, The Reluctant Clown, Paddy Lyn Gallery, CONSTANCE ARI, Hobart (2013) [Curated Exhibition] [Detail]
Mauro-Flude, MN, Valetudo, Testing Ground: Contemporary Art Australia, Long Gallery ,Salamanca Hobart, 1, pp. 1 (2013) [Published Creative Work] [Full Text] [Detail]
Mauro-Flude, MN, Valetudo, Testing Ground: Contemporary Art Australia, Devonport Regional Gallery (2013) [Repeat Performance] [Detail]
Mauro-Flude, MN, Confession, 24HR Art, Nothern Territory Centre for Contemporary Art, 3 (2012) [Repeat Performance] [Detail]
Mauro-Flude, MN, Error in Time, 24HR Art, Nothern Territory Centre for Contemporary Art, 3 (2012) [Repeat Performance] [Detail]
Mauro-Flude, MN, ISM ¦ Breath ¦She ¦ Who ¦ With ¦ I, Sawtooth, New Media Gallery, Launceston, 1, pp. 1 (2012) [Published Creative Work] [Detail]
Mauro-Flude, MN, raw marvel: Computer is dreaming, Moving Parts, Devonport Regional GALLERY, Devonport (2012) [Curated Exhibition] [Detail]
Mauro-Flude, MN, Dances with her Shadow: An ode to Man Ray's Rope Dancer accompanies herself with her shadows (1916), Seam 2011: Spacing Movements Outside In, Sydney (2011) [Performance] [Detail]
Mauro-Flude, MN and Samson, A*, Confessions, n8 De Oude Kerk, Museum Night Amsterdam (2010) [Performance] [Detail]
Mauro-Flude, MN, Paraphernalia, ono project #2, hobart (2009) [Repeat Performance] [Detail]
McIntyre, SE, String Quartet No.1, International Journal of Contemporary Composition, Nesher, 1, pp. 1-24 (2013) [Other Exhibition] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Performances of William Lloyd Webber Air and Variations, Gordon Jacob Five Pieces for Clarinet, William Hurlstone Four Characteristic Pieces, Arthur Bliss, Pastoral, Joseph Holbrooke Andante and Presto for Clarinet and Piano, Op. 6, No. 2 and Edward Elgar Chanson de nuit, Op. 15, No. 1, Tasmanian Conservatorium of Music, Recital Hall (2013) [Performance] [Full Text] [Detail]
Monkhouse, H and Williams, JD and St Leon, J and Conroy, B*, Diemen Quartet and Heather Monkhouse, Diemen Quartet, St Georges Church, Battery Point, Hobart (2012) [Performance] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Lunchtime Recital Series: Performances of Gerald Finzi Five Bagatelles for Clarinet and Piano, Op. 23, Victor Babin Hillandale Waltzes, Eric Ewazen Tasman Suite, and selections from The Keating Tangos: Raffaele Marcellino The World's Greatest Tango, Wendy Marlow Tango on the J-Curve, Maria Grenfell Option-C Tango, Ian Munro The Tango We Had to Have, Russell Gilmour Scumbag Tango, Don Kay Sweetest Victory Tango, Kent Farbach Tango Republic, Tasmanian Conservatorium of Music, Recital Hall (2012) [Performance] [Full Text] [Detail]
Monkhouse, H and Smithies, KE, Solo Clarinet Recital, featuring the world premiere of Don Kay's Epitomes for Clarinet & Piano, Australian Clarinet & Saxophone Festival 2011, Victorian College of the Arts, Melbourne (2011) [Performance] [Full Text] [Detail]
Newitt, J, Untitled, exhibited in Scanlines remix, Brenda May Gallery, Sydney (2014) [Other Exhibition] [Full Text] [Detail]
Newitt, J, A Sort of Shadow, J Newitt, Lumiar Cité, Lisbon, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Newitt, J, Say it like you want it, James Newitt, Art Gallery of New South Wales, 3 (2013) [Published Creative Work] [Full Text] [Detail]
Newitt, J, Of Others, James Newitt, Queensland Art Gallery / Gallery of Modern Art, Brisbane (2012) [Other Exhibition] [Full Text] [Detail]
Newitt, J, Of Others, Sonic Spheres, TarraWarra Biennial, 2013, Tarra Warra Museum of Art, Tarra Warra Museum of Art, Victoria (2012) [Published Creative Work] [Full Text] [Detail]
Ozolins, BT, The Secretary, SASA Gallery University of South Australia & Hawke Research Institute, SASA Gallery University of South Australia, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Philpott, CJ, Liner notes for Williamson: The Complete Piano Concertos, Hyperion Records, London, 1, pp. 5 (2014) [Published Creative Work] [Full Text] [Detail]
Ruffels, TD, Cinder, James Makin Gallery, Melbourne Victoria, 1 (2013) [Published Creative Work] [Full Text] [Detail]
Sierra, M, Knowledge is Power, Domain: a contested landscape, Exhibition, Ten Days on the Island, Domain House, Queens Domain, Hobart, 1 (2013) [Other Exhibition] [Full Text] [Detail]
Stephenson, D, Self portrait looking down a survey cut, proposed site of Gordon below Franklin Dam, Tasmania 1982, Australia: land and landscape, Royal Academy of Arts, London; organised with National Gallery of Art, Canberra, London, pp. 1 (2013) [Published Creative Work] [Full Text] [Detail]
Stephenson, DM, Melbourne, Rialto Tower East 1, 2 and 3, 2009 in Perduti nel paesaggio/Lost in Landscape, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy, 1, pp. 3 (2014) [Repeat Exhibition] [Full Text] [Detail]
Trenos, HR, Epsom Downs, Tasmanian College of the Arts, Annexe Theatre, Inveresk (2013) [Other Exhibition] [Full Text] [Detail]
Vella, JM, a house is not a home,, Tasmania Today, Academy Gallery, Launceston, 1 (2014) [Published Creative Work] [Detail]
Vella, JM and Bleach, L, CRYMEARIVER, Heavy Metals Project, Museum of Old and New Art (MONA), Hobart, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Vella, JM, Praxis, Proxy, Witness, Linden gallery, Melbourne, 1 (2014) [Published Creative Work] [Full Text] [Detail]
Vella, JM and Bleach, L, Dirty Big Whole, Constance A.R.I., Hobart, 1 (2013) [Published Creative Work] [Detail]
Vella, JM and Bleach, L, MeanMachines, Tasmanian Museam and Art Gallery (TMAG), Tasmanian Museam and Art Gallery (TMAG), 1 (2013) [Other Exhibition] [Detail]
Vella, JM, Public Art, Supermarket Artfair Project, Stockholm, Sweden, 1 (2013) [Published Creative Work] [Detail]
Vella, JM, Vella Vehicle Accumulations (VVA), Vella- Piss Takes (VPT): Shuttle international mobile desert performance, Stanford University, Palo Alto , USA, 1 (2013) [Published Creative Work] [Detail]
Vella, JM, 'thendofanalogue' in the Last days of Analogue, Stephen Hurrel, Mark Lyken - UK initiated exhibition online, United Kingdom, 1 (2012) [Published Creative Work] [Detail]
Vella, JM and Bleach, L, SceneMachines, Tasmanian Museam and Art Gallery (TMAG), Tasmanian Museam and Art Gallery (TMAG), 1 (2012) [Other Exhibition] [Detail]
Vella, JM, SkypeSpace, Art Lending Library, Mitchell Library Glasgow International Arts Festival, Glasgow, 1 (2012) [Published Creative Work] [Detail]
Vella, JM, The Great Escape - Home and Away (part 1), Mildura Biennale, KAR-RAMA Motel objects + room 20, 1 (2011) [Published Creative Work] [Detail]
Vella, JM, ScreenMachines, Tasmanian Museam and Art Gallery (TMAG), Tasmanian Museam and Art Gallery (TMAG), 1 (2010) [Other Exhibition] [Detail]
Vella, JM, GreenMachines, Tasmanian Museam and Art Gallery (TMAG), Tasmanian Museam and Art Gallery (TMAG), 1 (2009) [Other Exhibition] [Detail]
Vella, JM, Acidophilus, Tasmanian Museum and Art Gallery, Hobart (2005) [Curated Exhibition] [Detail]
Vella, JM, 2004 Apartment, series of 6 solos, xxxx, Melbourne, 1 (2004) [Published Creative Work] [Detail]
Walch, MB, Wonderland: Mist Opportunities, Museum Of Contemporary Art, Taipei, 1, pp. single work (2012) [Published Creative Work] [Full Text] [Detail]
Watt, YM, Untitled (From the Animal Factories series), MOP projects, MOP projects, Sydney (2013) [Curated Exhibition] [Full Text] [Detail]
Other Creative Work
Bleach, L, DreamMachines, Tasmanian School of Art, Hobart, pp. 37 (2011) [Catalogue] [Detail]
Hawthorne, LE, The Creatures of Perry's Realm, Bett Gallery and online at bettgallery.com.au, Hobart, pp. 3 (2014) [Catalogue] [Full Text] [Detail]
Hawthorne, LE, All that Glisters is not Gold, MOP Projects, Sydney, pp. 3 (2013) [Catalogue] [Full Text] [Detail]
Hawthorne, LE, Joel Crosswell, Michael Reid Gallery and MichaelReid.com.au, Sydney, pp. 1 (2012) [Catalogue] [Full Text] [Detail]
Henderson, SJ, Column, Academy Gallery, Inveresk 6 Feb- 14th March, 2014, Academy Gallery, Inveresk, pp. 1 (2014) [Representation of Original Art] [Full Text] [Detail]
Henderson, SJ, Landscaping wallpaper, Poimena Gallery, launceston, in Homestay, curated by Malcom Bywaters, pp. installation (2014) [Representation of Original Art] [Full Text] [Detail]
Henderson, SJ, Lichen half drop repeats and window installation, The Mill Gallery, Launceton, 4th -27th December, The Mill Gallery, Launceton, pp. 4 canvases plus painting installation (2014) [Representation of Original Art] [Full Text] [Detail]
Henderson, SJ, Re-framing, streets alive urban arts trail 28 /8- 7/9, 2013, Hobart, pp. large scale installation (2013) [Representation of Original Art] [Full Text] [Detail]
Henderson, SJ, Vertical realities/ Vertikala verkligheter, Festival O/Modernt, Cambridge, pp. 3 (2013) [Catalogue] [Detail]
Hogan, JM, Stains on the Track: Truganini Reserve, Formed and Unformed: ArtSpace, Hobart, pp. 1 (2014) [Representation of Original Art] [Detail]
Kotva, S* and Henderson, SJ, Vertical realities / vertikala verkligheter, www.festivalo/modernt.com, Cambridge, pp. 3 (2013) [Representation of Original Art] [Full Text] [Detail]
Kunda, M and Lee, F, Word Bath, Cast Gallery, Hobart, pp. 1 (2013) [Representation of Original Art] [Detail]
Kunda, M, A World Between, Plimsoll Gallery, Hobart, pp. 45 (2012) [Catalogue] [Detail]
Mauro-Flude, MN, A Masked Bawl, Bett Gallery, Hobart, pp. 1 (2014) [Representation of Original Art] [Detail]
Mauro-Flude, MN, Error in Time, Haus der Kulten der Welt, Berlin, pp. 1 (2014) [Representation of Original Art] [Detail]
Mauro-Flude, MN, ism ¦ she ¦ who ¦ with ¦ I, Nothern Territory Centre for Contemporary Art, Northern Territory, pp. 1 (2014) [Representation of Original Art] [Detail]
Mauro-Flude, MN, Pataphysical Salon (ludibrum), steirischer herbst & esc medien kunst labor Graz, steirischer herbst & esc medien kunst labor Graz, pp. 1 (2014) [Representation of Original Art] [Detail]
Mauro-Flude, MN, _New Game_, Sawtooth ARI, Launceston, pp. 1 (2014) [Representation of Original Art] [Detail]
Mauro-Flude, MN, Looking for An Image to Protect me, Taxonomy Publishing, Australia, pp. 11 (2012) [Representation of Original Art] [Detail]
Mauro-Flude, MN, The Intimacy of the Commandline, Time Machine Festival, Australia, pp. 1 (2012) [Catalogue] [Full Text] [Detail]
Mauro-Flude, MN, Raw Marvels, Entrepot Gallery, Centre for the Arts, Hobart, pp. 1 (2011) [Representation of Original Art] [Detail]
Newitt, J, Of Others, Queensland Art Gallery/ Gallery of Modern Art, Brisbane, pp. 1 (2013) [Acquisition] [Full Text] [Detail]
Vella, JM and Bleach, L, Mean Machines, Tasmanian School of Art, Hobart, pp. 36 (2013) [Catalogue] [Detail]
Vella, JM and Bleach, L, SceneMachines, Tasmanian School of Art, Hobart, pp. 36 (2012) [Catalogue] [Detail]
Vella, JM, ScreenMachines, Tasmanian School of Art, Hobart, pp. 33 (2010) [Catalogue] [Detail]
Watt, YM, Wings of Desire, Maitland Regional Art Gallery, Maitland, NSW, pp. 4 (2013) [Catalogue] [Full Text] [Detail]
Watt, YM, The French Connection, Linden Row Inn, Virginia USA, pp. 5 (2012) [Representation of Original Art] [Full Text] [Detail]
Thesis
Chatwin, DA, “Collaborating with Nature: Reinterpreting Human Ecology” (2013) [PhD] [Detail]
Hawthorne, LE, “The Museum as Art: Site-specific Art in Australia’s Public Mueums” (2013) [PhD] [Detail]
Haywood, N, “Complexity Through Interaction: An investigation into the spontaneous development of collective musical ideas from simple thematic materials” (2014) [PhD] [Full Text] [Detail]
Entry
Barkel, M* and Philpott, CJ, “Williamson, Malcolm (Benjamin Graham Christopher)”, Grove Music Online, United Kingdom, 1 (2014) [Entry] [Detail]
Other Public Output
Chatwin, DA, “Highly Commended Prize”, The Clarence Prize for Excellence in Furniture Design, The Barn Gallery, Clarence (2013) [Award] [Detail]
Delbridge, MJ, “Exit, stage left for BELL”, The Examiner, Fairfax Media, Launceston, 15th Nov (2014) [Media Interview] [Full Text] [Detail]
Delbridge, MJ, “John Bell: A life with Shakespeare”, ABC Radio Breakfast program with Belinda King, Australian Broadcasting Company, Australia (2014) [Media Interview] [Full Text] [Detail]
Deng, S and Deng, W*, “A Delightful Double Dose of Deng”, The Mercury, Fairfax Media, Hobart, 21 Aug (2014) [Newspaper Article] [Full Text] [Detail]
Deng, S, “Culture News - Deng and Deng”, Tianjing evening paper, Tianjin Evening News Group, China, 25 Aug, p. 13. (2014) [Newspaper Article] [Full Text] [Detail]
Deng, S and Grenfell, M, “Insight: From unpublished Chinese folk songs to new Australian compositions”, Australian Music Centre, AMC website, Australia (2012) [Newspaper Article] [Full Text] [Detail]
Fountain, W and Holmes, J, “Creative Arts Learning and Teaching Network”, Australian Government Office for Learning and Teaching, Australia, pp. 1-9. (2013) [Government or Industry Research] [Full Text] [Detail]
Fountain, W and Holmes, J, “Discipline Scholars Network”, Australian Government Office for Learning and Teaching, Australia, pp. 1-8. (2013) [Government or Industry Research] [Full Text] [Detail]
Grenfell, M and Philpott, CJ, “Hush – 12 composers write for children at hospitals”, Resonate Magazine, Resonate Magazine, online, p. 1. (2014) [Magazine Article] [Detail]
Grenfell, M, “Ten Suns Ablaze”, Tasmanian State Award 'Work of the Year: Instrumental', Australian Art Music Awards, Australia (2013) [Award] [Full Text] [Detail]
Hawthorne, LE, “Art spaces in Hobart”, Interview with Ryk Goddard, Australian Broadcasting Coporation, Hobart (2014) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Artist's panoramas find new life on theatre stage”, The Examiner, Fairfax Media, Launceston, July 12, p. 34. (2014) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Ways to shape familiar ground”, The Examiner, Fairfax Regional Media, Tasmania, p. 51. (2014) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Henderson caves into earthy lure of Gorge”, The Examiner, The Examiner Newspaper, Tasmania, p. 1. (2013) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Henderson caves into earthy lure of Gorge”, The Examiner, Fairfax Regional Media, Tasmania, 9th March (2013) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Ways to shape familiar ground”, The Examiner, Fairfax Regional Media, Tasmania, 24th August, p. 51. (2013) [Media Interview] [Full Text] [Detail]
Henderson, SJ, “Weeding keeps her head in the clouds”, The Examiner, Fairfax Regional Medai, Tasmania (2013) [Media Interview] [Full Text] [Detail]
Hogan, JM, “Artist-in-residence,”, Megalo Print Studio, Canberra, ACT (2014) [Award] [Detail]
Mauro-Flude, MN, “#Afterglow: Notes on Transmediale 2014”, Future Zone, Sunil Manghani, online (2014) [Magazine Article] [Detail]
Mauro-Flude, MN, “Coded Poetry: Word Explorations in Nancy Mauro-Flude's ISM ¦ Breath¦ She¦ Who¦ With¦ I¦”, Warp Tasmania, Tasmania, May, p. 32. (2014) [Newspaper Article] [Detail]
Mauro-Flude, MN, “Retrospective”, BLINK Magazine, Gianmaria Vernetti, online (2014) [Media Interview] [Detail]
Mauro-Flude, MN, “screen bleed”, Real Time, Fiona Mcgregor, online, 99 (2014) [Magazine Article] [Detail]
Mauro-Flude, MN, “Tasmanian Experimental Technology and Art”, Experimenta, Erin Davidson, Hobart, p. 1. (2014) [Media Interview] [Detail]
Mauro-Flude, MN, “Tribute to Auntie Ida West”, ABC Open, Leandro Palacio, online, 19th June (2014) [Magazine Article] [Detail]
Mauro-Flude, MN, “'Testing Ground'”, Artlink, Amy Jackett, Australia, 33, 2 (2013) [Magazine Article] [Detail]
Mauro-Flude, MN, “Exposing the Inner Workings: An Interview with Nancy Mauro-Flude”, Feminist Journal of Art and Digital Culture, DPI, online, 27, Hacktivism (2013) [Magazine Article] [Detail]
Mauro-Flude, MN, “Feminist Sensibilities: Focusing on the Art of Nancy Mauro-Flude and Selena de Carvalho”, Nava Quartterly, Turton-Turner, P, Australia, 1, 1 (2013) [Magazine Article] [Full Text] [Detail]
Mauro-Flude, MN, “Flag raised to healing arts”, The Mercury, The Mercury, Tasmania, March 14, p. 15. (2013) [Newspaper Article] [Detail]
Mauro-Flude, MN, “Is the “4th Wave” of Feminism Digital?”, bluestockings magazine, Ragnar Jónsson, Australia, 19th Aug (2013) [Media Interview] [Detail]
Mauro-Flude, MN, “Networked Art Forms”, Warp Tasmania, Andrew Harper, Tasmania, May, p. 27. (2013) [Newspaper Article] [Detail]
Mauro-Flude, MN, “Residency Rosny College”, AIR Artist in Residence Program, Arts Tasmania, Hobart (2013) [Award] [Full Text] [Detail]
Mauro-Flude, MN, “The art of the long distance relationship”, Artery Australia, Chris Rodley, online (2013) [Magazine Article] [Detail]
Mauro-Flude, MN, “The big connect”, ISEA2013 in RealTime, Somaya Langley, online (2013) [Magazine Article] [Detail]
Mauro-Flude, MN, “Valetudo”, Testing Ground, Saturday Magazine Mercury, Tasmania, April 6, p. 23. (2013) [Newspaper Article] [Detail]
Mauro-Flude, MN, “challenge & change in media arts education”, RealTime Arts, Rackham, Melinda, online, 110, p. 22. (2012) [Magazine Article] [Detail]
Mauro-Flude, MN, “ism | breath | she | who | with | I”, Write Response, Patrick Sutczak, online (2012) [Magazine Article] [Detail]
Mauro-Flude, MN, “ism| she: 20th Century text”, WARP Magazine, Patrick Sutczak, Hobart, Australia, p. 32. (2012) [Magazine Article] [Detail]
Mauro-Flude, MN, “Nancy Mauro-Flude takes to Phoenix Gallery for Error in Time at Brighton Digital Festival 2012”, Culture 24, Duncan Andrews, online (2012) [Magazine Article] [Detail]
Mauro-Flude, MN, “Producing Realingmnets, Shake Things Up”, Affaires à Risques: Risky Business, Institute for Gender, Sexuality and Feminist Studies, France, 1 (2012) [Internal Newsletter] [Detail]
Mauro-Flude, MN, “Structures, Strictures & Students”, Real Time, Melinda Rackham, Australia, Aug/Sept, pp. 22-24. (2012) [Media Interview] [Detail]
Mauro-Flude, MN, “Ver Weg - Nancy Mauro Flude”, Rex OPen Design, Florian Crammer, Netherlands, 5, pp. 71-72. (2012) [Media Interview] [Detail]
Mauro-Flude, MN, “/ you will _KNOW how_: an interview with Nancy Mauro-Flude”, Master of Media, Grady Kendall, Australia (2011) [Media Interview] [Detail]
Mauro-Flude, MN, “Circe’s New Equipment and sister0's P A R A P H E R N A L I A :: Nancy Mauro-Flude”, .dpi is an alternative forum for discourse and creation, on the subject of women, media and technological landscapes., DPI, online, 22 (2011) [Magazine Article] [Detail]
Mauro-Flude, MN, “Error does not compute”, The Mercury, Robart Jarman, Tasmania, 5th August, p. 9. (2011) [Newspaper Article] [Detail]
Mauro-Flude, MN, “Inside the Intimate machine”, ABC Radio, Anneke van de Vusse, Hobart (2011) [Media Interview] [Detail]
Mauro-Flude, MN, “Life, death and Big Questions”, The Mercury, Leslie Graham, Hobart, 18th January, p. 13. (2011) [Media Interview] [Detail]
Mauro-Flude, MN, “Monday at MONA FOMA”, ArtsHub, Rita Dimasi, online (2011) [Magazine Article] [Detail]
Mauro-Flude, MN, “Residency at Montrose Bay”, AIR Artist in Residence Program, Arts Tasmania, Hobart (2011) [Award] [Full Text] [Detail]
Mauro-Flude, MN, “The Intimate Machine'”, The Mercury, Rebecca Fitzgibben, Hobart, 29th July (2011) [Media Interview] [Detail]
Mauro-Flude, MN, “Hack In A Box”, The Mercury, Rebecca Fitzgiben, Hobart, 16th April (2010) [Magazine Article] [Detail]
Mauro-Flude, MN, “Mind, Play, Empathy & Machines: SEAM 2010: Agency and Action”, Real Time, Melinda Rackham, online, 100, p. 21. (2010) [Magazine Article] [Detail]
Mauro-Flude, MN, “The Push Pull Decade”, Artlink, Stephanie Britton, online, 30, 4 (2010) [Magazine Article] [Detail]
Mauro-Flude, MN, “'Be my 127.0.0.0' review”, Furtherfield.org, Seamus Fox, online (2009) [Media Interview] [Detail]
Mauro-Flude, MN, “Baglady”, Mobile Linux, Jonathon Corbet, online, 21st January (2009) [Magazine Article] [Detail]
Mauro-Flude, MN, “Dances with her Shadow Verbo”, AGGUARRAS journal, Elvira Vigna, online, 13th July (2009) [Magazine Article] [Detail]
Mauro-Flude, MN, “Toussaint' in The Australian Stage”, The Australian Stage, Briony Kidd, online (2009) [Magazine Article] [Detail]
Mauro-Flude, MN, “#Baglady 2.0”, MOONDIAL, Stephanie Seymore, online (2008) [Media Interview] [Detail]
Newitt, J, “Anne and Gordon Samstag International Visual Arts Scholarship - $50,000” (2012) [Award] [Full Text] [Detail]
Trenos, HR, “Interview”, Real Time Arts, Open City Inc, Australia, Aug-Sept (2013) [Media Interview] [Full Text] [Detail]
Vella, JM, “Around The Galleries”, The Age September 25th, Dan Rule, Australia, p. 20. (2014) [Newspaper Article] [Detail]
Vella, JM, “Commissions in Brief”, Sculpture, Elizabeth Lynch, United States, 27, 7, p. 27. (2014) [Magazine Article] [Detail]
Vella, JM, “Scape”, The Sydney Morning Herald, John McDonald, Australia (2014) [Newspaper Article] [Detail]
Vella, JM, “Palimpest #8”, Art Monthly, Merryn Gates, Australia, p. 25. (2012) [Magazine Article] [Detail]
Vella, JM, “I Walk the Line: New Australian Drawing”, Art & Australia, Craig Judd, Australia, 47, 1 (2011) [Magazine Article] [Detail]
Vella, JM, “Monkey Business, HANGBANG (nightshift)”, un Magazine, Kit Wise, Australia, 5, 1, pp. 70-72. (2011) [Magazine Article] [Detail]
Vella, JM, “SRL: Stigma Research Laboratory”, Artlink, Andrew Harper, Australia, 29, 3 (2010) [Magazine Article] [Detail]
Vella, JM, “Art Notes”, Art Monthly, Rebecca Tudor, Australia, September, p. 60. (2009) [Magazine Article] [Detail]
Vella, JM, “John Vella permissiontosit”, Gallery Guide, Phillip Watkins, Australia (2009) [Magazine Article] [Detail]
Vella, JM, “Scape”, Landscape Architecture Australia, Judith Abell, Australia, pp. 36-38. (2009) [Magazine Article] [Detail]
Vella, JM, “Ten Days on the Island”, Art Monthly, Daniel Thomas, Australia, June, pp. 22-25. (2009) [Magazine Article] [Detail]
Vella, JM, “The sound many hands clapping”, Artlink, Stephanie Radock, Australia, 29, 2, pp. 11-13. (2009) [Magazine Article] [Detail]
Vella, JM, “Lifelines and Graduate Gallery”, Artichoke, Judith Abell, Australia, 23, pp. 89-92. (2008) [Magazine Article] [Detail]
Vella, JM, “New Deities”, ArtArtlink, Briony Downes, Australia, 27, 3 (2007) [Magazine Article] [Detail]
Vella, JM, “Art Attacks”, Good Weekend: Sydney Morning Herald, John McDonald, Australia (2006) [Magazine Article] [Detail]
Vella, JM, “Beyond the Big City”, Art Gallery Guide, Andrew McKenzie, Australia, pp. 14-15. (2006) [Magazine Article] [Detail]
Vella, JM, “Commissions”, Sculpture, Laura Dillion, United States, 25, 8, pp. 18-19. (2006) [Magazine Article] [Detail]
Vella, JM, “Control-Shift”, State of the Arts, Adam Haddow, Australia, p. 81. (2006) [Magazine Article] [Detail]
Vella, JM, “Fume”, Artlink, Jane Deeth, Australia, 26, 4, p. 117. (2006) [Magazine Article] [Detail]
Vella, JM, “Silicone Valley”, Artichoke, Judith Abell, Australia, 14, pp. 111-113. (2006) [Magazine Article] [Detail]
Vella, JM, “Silicone Wonder”, Urbis, Melind Williams, Australia, 33, pp. 54-55. (2006) [Magazine Article] [Detail]
Vella, JM, “Subpoena, Art around the galleries”, The Age Novemeber 11, Megan Backhouse, Australia (2006) [Newspaper Article] [Detail]
Vella, JM, “Subpoena, Visual Arts, Preview”, The Age November 5th, Penny Webb, Australia (2006) [Newspaper Article] [Detail]
Vella, JM, “Too Cool 4 School, Silicone Valley,”, Black + White, Nick Dent, Australia, 83, March 06, p. 123. (2006) [Magazine Article] [Detail]
Vella, JM, “Apartmnet”, Broadsheet, Andrew gaynor, Australia, 33, 4, pp. 44-45. (2005) [Magazine Article] [Detail]
Vella, JM, “Art Notes”, Art Monthly, Peter Timms, Australia, April (2005) [Magazine Article] [Detail]
Vella, JM, “Free Time”, Photofile, Stephen Rainbird, Australia, Summer, 05, p. 77. (2005) [Magazine Article] [Detail]
Vella, JM, “Silcone Valley”, Architectural Review, Phillip Watkins, Australia, September, pp. 26-28. (2005) [Magazine Article] [Detail]

* This author is not affiliated with the University of Tasmania.